Sigma 16-28 mm f/2,8 DG DN | Contemporary

Démarré par Mistral75, Avril 18, 2022, 22:48:35

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Mistral75

La personne qui était derrière Nokishita Camera vient de publier sur imgur certaines caractéristiques d'un objectif que Sigma devrait annoncer prochainement, le 16-28 mm f/2,8 DG DN | Contemporary :

https://i.imgur.com/QkEoqM1.jpeg

- cercle image 24x36
- 16 lentilles en 11 groupes
- diaphragme à 9 lamelles arrondies
- distance minimale de mise au point : 25 cm
- rapport de reproduction maximal : 1:5,6 (0,18x)
- diamètre de filtre : 72 mm
- diamètre maximal : 77,2 mm
- longueur : 100,6 mm (monture Leica L) / 102,6 mm (monture Sony E)
- poids : 450 g
- proposé en montures Leica L et Sony E.

Par ailleurs, Sony Alpha Rumors croit dur comme fer en l'annonce prochaine par Sigma d'un 50 mm f/1,2 DG DN | Art et d'un 50 mm f/2 DG DN | Contemporary mais ceci n'a encore fait l'objet d'aucune confirmation.

dechab

Le complément idéal du 35-150 f2/2.8 Tamron !
Réponds au troll > troll seras

Mistral75



Mistral75

La personne qui était derrière Nokishita Camera a publié des caractéristiaues plus complètes ainsi que de premières photos du 16-28 mm f/2,8 DG DN | Contemporary que Sigma annoncera demain :

https://i.imgur.com/BoLcImj.png

- cercle image 24x36
- 16 lentilles, dont 5 lentilles en verre FLD (aux propriétés optiques analogues à celles de la fluorine) et 4 lentilles asphériques, en 11 groupes
- diaphragme à 9 lamelles arrondies
- distance minimale de mise au point : 25 cm
- rapport de reproduction maximal : 1:5,6 (0,18x)
- diamètre de filtre : 72 mm
- diamètre maximal : 77,2 mm
- longueur : 100,6 mm (monture Leica L) / 102,6 mm (monture Sony E)
- poids : 450 g
- proposé en montures Leica L et Sony E
- disponible le 17 juin au Japon
- prix : 899 USD.

Mistral75

Le pare-soleil est amovible et l'utilisation de filtres est possible.


Mistral75

#7
Belles courbes MTF (pleine ouverture, 10 pl/mm et 30 pl/mm) pour un zoom ultra grand angle. De bon augure.

Potomitan


Mistral75

Camera Raw 14.4, Lightroom 5.4 et Lightroom Classic 11.4, qui viennent d'être mis en ligne par Adobe, incluent un profil de correction du Sigma 16-28 mm f/2,8 DG DN | Contemporary, en monture Leica L comme en monture Sony E.

Mistral75

Essai du Sigma 16-28 mm f/2,8 DG DN | Contemporary sur Sony Alpha 7R IV par Marc Alhadeff :

Sigma 16-28mm F2.8 DG DN Contemporary for Sony E mount test/review on Sony Alpha Blog

L'album Flickr des photos prises à l'occasion de l'essai : Sigma 16-28mm F2.8 DG DN | Flickr (284 photos)

Citation de: Marc AlhadeffLe Sigma 16-28 mm f/2,8 DG DN | Contemporary (900 €) est une très bonne optique grand angle. Elle sera le parfait complément de l'excellent Sigma 28-70 mm f/2,8 DG DN | Contemporary. La qualité de construction est très bonne, il est assez léger et compact.

Les performances sont très bonnes : très bon à excellent piqué en position grand angle et très bon à 28 mm. L'optique est très homogène du centre aux bords (meilleure que le Tamron 17-28 mm f/2,8 Di III RXD) mais les coins restent toujours légèrement en retrait. Très bon rendu des couleurs, beaux ronds de bokeh, excellente résistance au flare, beaux effets d'étoiles et faible coma.

Le Sigma 16-28 mm f/2,8 DG DN | Contemporary offre de très bonnes performances pour des capteurs de 24 / 33 / 42 Mpix. Globalement il est un peu meilleur que le Tamron 17-28 mm f/2,8 Di III RXD (850 €) : plus grand angle, plus homogène du centre aux coins et légèrement plus piqué en position grand angle (16 mm). Si la compacité et le meilleur piqué sont importants pour vous alors le Sony PZ 16-35 mm f/4 G (1.500 €) sera le meilleur choix et excellera en plus en vidéo. SI vous voulez le meilleur pour un capteur de 50 / 61 Mpix, alors tenez-vous en au Sony FE 16-35 mm f/2,8 GM (2.700 €) ou au Sony PZ 16-35 mm f/4 G (1.500 €).

Recommandé.

Mistral75

Essai du Sigma 16-28 mm f/2,8 DG DN | Contemporary sur Sony Alpha 7R III par John Riley pour ePHOTOzine :

Sigma 16-28mm F/2.8 DG DN Contemporary Lens Review | ePHOTOzine (3 + 1 pages)

Points forts :

- excellente piqué au centre
- excellents résultats en matière d'aberrations chromatiques au centre
- léger et compact
- bokeh agréablement doux
- monture protégée contre la poussière et les éclaboussures
- excellent prix
- autofocus rapide, précis et silencieux
- excellente résistance au flare
- ouverture maximale grande et constante.

Points faibles

- distorsion élevée
- le piqué diminue sur les bords à 28 mm
- pas de joint d'étanchéité sur le corps de l'objectif.

Citation de: John Riley, ePHOTOzineHighly Recommended - A great lens for general shooting and travel at a great price.

Taking the lens in isolation, it is terrific value for money, performs well, is compact and light and also delivers very attractive images, never mind the technical figures, good as they may be. Ultimately, it is what the images look like that counts and this is a lens that can be worked with to produce some lovely-looking pictures. This pitches it very well into the landscape and travel definition, although it can obviously be used for many more subjects. It doesn't have weather sealing, apart from the mount, which is a pity, and it has very obvious vignetting. It is not ideal for close-ups of flat subjects, as we can see from the text sample images. However, it is superb for general purpose shooting and could be the ideal companion when travelling light. What optical imperfections there are can be addressed in camera or in software, or worked with to produce attractive, creative shots.

In conclusion, 'Highly Recommended'.

petur


Mistral75

Essai du Sigma 16-28 mm f/2,8 DG DN | Contemporary sur Sony Alpha 7 IV par Mark Goldstein pour Photography Blog :

Sigma 16-28mm F2.8 DG DN Review | Photography Blog (8 + 3 pages)

Citation de: Mark Goldstein, Photography BlogThe Sigma 16-28mm F2.8 DG DN Contemporary is an amazingly lightweight and very compact ultra-wide-angle zoom lens for Sony Alpha and L-mount full-frame cameras.

Compared to its big brother, the Sigma 14-24mm F2.8 DG DN Art, this Sigma 16-28mm is significantly shorter and almost half the weight, but it has to give up a lot in order to achieve that.

It isn't as wide, has a much simpler design with fewer external controls, isn't as well-constructed or well-sealed, and doesn't ship with either a lockable lens hood or a lens bag.

It is longer though, is just as sharp, features an internal zooming mechanism and importantly can be used with 72mm front filters rather than the rear-mounted filters that the 14-24mm uses. Oh, and did we mention yet that it's much smaller, lighter and cheaper too?

In terms of its optical performance, the Sigma 16-28mm F2.8 DG DN Contemporary is tack-sharp in the centre throughout all of the zoom range, with sharpness only falling off a little at the very edges of the frame. It also produces some nice bokeh effects thanks to the 9-blade iris diaphragm.

There's some obvious vignetting at wide-open apertures, barrel distortion at 16mm and slight pincushioning at 28mm, but all of this can be corrected either in-camera or during post-processing. Importantly chromatic aberrations, which are much harder to correct, are well-controlled.

Auto-focusing proved to be quick on the Sony Alpha A7 IV that we tested the lens with, and manual focus over-ride at any time is a great feature.

Build quality is excellent, with the brass lens mount and sober all-black design adding to the premium feel, and Sigma have also included a good lens hood. The Sigma 16-28mm F2.8 DG DN Contemporary lens is usefully weather-sealed, but only at the mount and not also throughout the barrel as on the Sigma 14-24mm.

This lens doesn't have a built-in optical image stabilisation system, instead relying on Sony's in-camera system, which will be fine for everyone except those who own a first generation Alpha camera (which don't feature built-in OIS).

Overall, the new Sigma 16-28mm F2.8 DG DN Contemporary is a well-built, fast wide-angle zoom lens that delivers excellent image quality in a very small, lightweight package.

Depending on your particular priorities, it's definitely a viable alternative to the bigger, more expensive Sigma 14-24mm F2.8 DG DN Art and Sony FE 16-35mm F2.8 GM lenses.

Mistral75

Mise à jour en version 02 du logiciel embarqué du Sigma 16-28 mm f/2,8 DG DN | Contemporary en monture Sony E :

Firmware update for SIGMA Global Vision lenses in Sony E-mount | Lenses | Products | News | SIGMA Corporation

Citation de: Sigma

  • AF assist function during video recording is now supported.

    *Only Sony camera models with AF assist function are supported.

Procédure de mise à jour et téléchargement du logiciel : Firmware download | Support | 16-28mm F2.8 DG DN | Contemporary | Lenses | SIGMA Corporation

Mistral75

Essai du Sigma 16-28 mm f/2,8 DG DN | Contemporary sur Sony Alpha 7R V par Klaus Schroiff pour Optical Limits :

Sigma 16-28mm f/2.8 DG DN Contemporary Review – OpticalLimits

Commentaire introductif de Klaus sur le forum : "Quite nice actually"

Qualité optique : 8/10
Qualité de fabrication : 8/10
Rapport performances/prix : 10/10

Citation de: Klaus Schroiff, Optical LimitsThe Sigma 16-28mm f/2.8 DG DN Contemporary is a bit of a surprise. You'd expect that a designated "Contemporary" lens comes with a couple of compromises compared to Sigma's ART lenses. After all, it is targeting consumers. However, there are surprisingly few. The aspect that stands out the most is high sharpness at all relevant settings. The center quality is superb but borders and corners are still very impressive. The reason is surely the rather short zoom range of 16-28mm. Less range simply translates to higher performance because the manufacturer has to optimize fewer parameters. Lateral CAs are also low and with activated auto-correction, vignetting is restored to acceptable levels and image distortions are basically absent then. This is different in RAW images but that's hidden from most users. Sun star lovers may not be overly thrilled with this lens whereas the bokeh is comparatively smooth for such a lens.

We always liked the build quality of Sigma lenses ever since the introduction of their ART/Contemporary/SPORTS lineups - and that's no different here. While the lens body is made of engineered plastics (Thermally Stable Composite (TSC)), it feels sturdy while still being fairly lightweight - also helped by an internal zoom mechanism. An aspect there the "Contemporary" grade does show up is weather-sealing - it only features a gasket at the lens mount. Unlike it's ART cousin, the 16-28mm f/2.8 also accepts front filters. The AF speed is pretty good although not really an important aspect on an ultra-wide lens.

Overall, Sigma has created a winner that combines high optical and mechanical qualities with an attractive price.