{"id":13107,"date":"2018-02-01T10:10:49","date_gmt":"2018-02-01T09:10:49","guid":{"rendered":"https:\/\/rockylinux.jibena.lan\/mag\/?p=13107"},"modified":"2018-02-01T11:37:53","modified_gmt":"2018-02-01T10:37:53","slug":"clique-clac-36","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2018\/02\/01\/clique-clac-36\/","title":{"rendered":"Clique clac #36"},"content":{"rendered":"

La pose lascive, l’\u00e9clairage \u00e9tudi\u00e9, la moue, le d\u00e9corum\u2026 en d\u00e9couvrant la photo d’Akhim sur son bateau, Tess Raimbeau (responsable icono \u00e0 Lib\u00e9ration<\/em>) a d’abord cru \u00e0 une image \u00e9chapp\u00e9e d’une campagne de pub pour une marque de pr\u00eat-\u00e0-porter. Comme elle l’apprendra ensuite<\/span><\/a>, la photo en question est en fait issue d’un \u00e9tonnant reportage de Zacharie Rabehi<\/a> <\/span>sur des p\u00eacheurs rohingyas ayant trouv\u00e9 refuge \u00e0 Shamlapur, petit village du Bangladesh. La m\u00e9prise est compr\u00e9hensible tant les images, irr\u00e9elles voire f\u00e9eriques, naviguent \u00e0 contre-courant des clich\u00e9s habituels sur le sujet. \u00c0 noter que Rabehi a aussi couvert, de fa\u00e7on plus convenue (et pas moins forte), l’exode rohingya<\/span><\/a>.<\/p>\n

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Fabien Ribery chronique<\/span><\/a> avec passion la troisi\u00e8me livraison d’Halog\u00e9nure<\/em><\/span><\/a>, revue franco-belge vou\u00e9e aux pratiques alternatives et exp\u00e9rimentales.<\/p>\n

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Comp\u00e9tence Photo<\/em> a mis en libre t\u00e9l\u00e9chargement sur son site les mod\u00e8les de factures et notes d’auteurs<\/span><\/a> du livre Vendre ses photos<\/em>. Toujours utile quand on est photographe pro. La visite r\u00e9guli\u00e8re du blog<\/span><\/a> de Jo\u00eblle Verbrugge, l’auteure du livre, est aussi vivement conseill\u00e9e si les questions li\u00e9es au droit \u00e0 l’image (mais pas que) vous int\u00e9ressent.<\/p>\n

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Portraitistes, portraitistes, LensCulture <\/a><\/span>vous attend.<\/p>\n

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Margaux Duquesne nous parle des carnets auto-\u00e9dit\u00e9s par Guillaume Adam<\/span><\/a>, travailleur humanitaire pour M\u00e9decins sans Fronti\u00e8res puis la Croix-Rouge qui a pris soin lors de ses diff\u00e9rentes missions de photographier ce(ux) qu’il voyait.<\/p>\n

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Les photographes de Reuters seront priv\u00e9s de c\u00e9r\u00e9monie<\/span><\/a> d’ouverture aux JO de Pyeongchang. Le CIO a en effet sanctionn\u00e9 l’agence pour avoir diffus\u00e9 des images des r\u00e9p\u00e9titions de cette m\u00eame c\u00e9r\u00e9monie. VF ici<\/span><\/a>.
\n<\/span><\/p>\n

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De son premier appareil (un Edixa-Mat Reflex) \u00e0 sa conversion au num\u00e9rique, des \u00c9tats-Unis \u00e0 l’\u00c9thiopie, de Sygma \u00e0 MYOP, Alain Keler se raconte<\/span><\/a> \u00e0 Inframe. Un r\u00e9cit captivant (m\u00eame si les errements orthographiques g\u00e2chent un peu le plaisir).<\/p>\n

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Comme son nom l’indique, le chairpod<\/span><\/a> du fabricant japonais Velbon associe un pied et un tabouret. Utile ou futile, on vous laisse juger (et, une fois n’est pas coutume, on vous conseille de lire les commentaires plut\u00f4t bien sentis \u00e0 la suite de l’info).<\/p>\n

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\u00ab\u00a0Les meilleures destinations en Europe pour vous et votre drone.\u00a0\u00bb La fausse bonne id\u00e9e<\/span><\/a>.<\/p>\n

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C’est le propre des bons photographes de r\u00e9ussir \u00e0 nous int\u00e9resser \u00e0 des sujets a priori \u00e9loign\u00e9s de nous. Dans son dernier ouvrage, Martial Couderette nous invite \u00e0 d\u00e9couvrir le lethwei<\/span><\/a>, la boxe traditionnelle birmane. Le reporter a suivi les combattants dans leurs camps d’entra\u00eenement, sur les rings et dans leur vie quotidienne pendant pr\u00e8s de dix ans \u2014 les diptyques avant\/maintenant de la partie \u00ab\u00a0When we were young<\/span><\/a>\u00a0\u00bb sont \u00e0 ce titre \u00e9difiants.<\/p>\n

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On apprenait la semaine derni\u00e8re<\/span><\/a> l’arriv\u00e9e de Simon Baker \u00e0 la direction de la MEP. On apprend aujourd’hui que Jean-Luc Monterosso, son pr\u00e9d\u00e9cesseur, c\u00e9l\u00e9brera son d\u00e9part \u00e0 travers une large exposition r\u00e9trospective dont il raconte la gen\u00e8se ici<\/span><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

La pose lascive, l’\u00e9clairage \u00e9tudi\u00e9, la moue, le d\u00e9corum\u2026 en d\u00e9couvrant la photo d’Akhim sur son bateau, Tess Raimbeau (responsable icono \u00e0 Lib\u00e9ration) a d’abord cru \u00e0 une image \u00e9chapp\u00e9e d’une campagne de pub pour une marque de pr\u00eat-\u00e0-porter. Comme elle l’apprendra ensuite, la photo en question est en fait issue d’un \u00e9tonnant reportage de […]<\/p>\n","protected":false},"author":5,"featured_media":13118,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"aside","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-13107","post","type-post","status-publish","format-aside","has-post-thumbnail","hentry","category-vieculturelle","post_format-post-format-aside","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique clac #36 - Chassimages<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.chassimages.com\/index.php\/2018\/02\/01\/clique-clac-36\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Clique clac #36 - Chassimages\" \/>\n<meta property=\"og:description\" content=\"La pose lascive, l’\u00e9clairage \u00e9tudi\u00e9, la moue, le d\u00e9corum\u2026 en d\u00e9couvrant la photo d’Akhim sur son bateau, Tess Raimbeau (responsable icono \u00e0 Lib\u00e9ration) a d’abord cru \u00e0 une image \u00e9chapp\u00e9e d’une campagne de pub pour une marque de pr\u00eat-\u00e0-porter. 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