{"id":20050,"date":"2019-03-21T08:58:02","date_gmt":"2019-03-21T07:58:02","guid":{"rendered":"https:\/\/rockylinux.jibena.lan\/mag\/?p=20050"},"modified":"2019-03-21T09:01:59","modified_gmt":"2019-03-21T08:01:59","slug":"clique-clac-93","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2019\/03\/21\/clique-clac-93\/","title":{"rendered":"Clique clac #93"},"content":{"rendered":"

M\u00e9diapart a mis en ligne sur sa cha\u00eene YouTube (acc\u00e8s gratuit donc) un d\u00e9bat<\/span><\/strong><\/a> r\u00e9unissant Marie Docher, Catalina Martin Chico et Jean-Fran\u00e7ois Leroy autour de la question de la place des femmes dans la photographie. Une discussion plut\u00f4t anim\u00e9e, o\u00f9 l’on parle quotas, sous-repr\u00e9sentation dans les festivals et les magazines, diff\u00e9rences de moyens, prix strictement r\u00e9serv\u00e9s aux femmes, etc.
\nPour prolonger le d\u00e9bat, vous pouvez vous reporter \u00e0 la carte blanche  que le site 9Lives a donn\u00e9e d\u00e9but mars \u00e0 Marie Docher (en cinq volets : 1<\/span><\/strong><\/a>, 2<\/span><\/strong><\/a>, 3<\/span><\/strong><\/a>, 4<\/span><\/strong><\/a>, 5<\/span><\/strong><\/a>), lire cette interview de Catalina Martin Chico<\/span><\/strong><\/a> ou… postuler \u00e0 la prochaine \u00e9dition de Visa pour l’Image<\/span><\/strong><\/a>.<\/p>\n

\n

Fran\u00e7ois-Xavier Marit et Olivier Morin sont partis au-del\u00e0 du cercle arctique pour y photographier des sujets \u00e0 la \u00ab\u00a0rare \u00e9l\u00e9gance\u00a0\u00bb et aux \u00ab\u00a0chants obs\u00e9dants\u00a0\u00bb (non, ce ne sont pas des sir\u00e8nes !). Un r\u00e9cit \u00e0 lire sur le blog<\/span><\/strong><\/a> de l’AFP.<\/p>\n

\n

Pourra-t-on bient\u00f4t dessiner ses photos ?  C’est en tout cas ce que promet GauGAN<\/span><\/strong><\/a>, un programme informatique qui s’appuie sur la coop\u00e9ration de deux IA.<\/p>\n

\n

Les br\u00e8ves de la semaine :
\n\u2022 Le programme des 50e Rencontres d’Arles<\/span><\/strong><\/a> est tomb\u00e9.
\n\u2022 Daido Moriyama a re\u00e7u le Prix Hasselblad<\/span><\/strong><\/a>.
\n\u2022 La M\u00e9diath\u00e8que de l’Architecture et du Patrimoine a num\u00e9ris\u00e9 et mis en ligne un ensemble de 2500 photographies<\/strong><\/span><\/a> du grand m\u00e9di\u00e9viste Camille Enlart (1862-1927).
\n\u2022 Les finalistes des \u00ab\u00a0Photographies de l’Ann\u00e9e\u00a0\u00bb ont \u00e9t\u00e9 d\u00e9voil\u00e9s<\/span><\/strong><\/a>.
\n<\/span>\u2022 L’exposition du \u00ab\u00a0Grand shooting de la trisomie 21\u00a0\u00bb<\/span><\/strong><\/a> (dont on vous parlait il y a quelques semaines) se tient actuellement \u00e0 Paris, \u00e0 la mairie du Ve.<\/p>\n

\n

Le m\u00e9tier de photographe n’est pas de tout repos, et le compte Instagram Industryconfessionals<\/span> <\/strong><\/a>est l\u00e0 pour le rappeler. Les professionnels y livrent anonymement leurs \u00e9tats d’\u00e2me (\u00ab\u00a0Parfois, je pense que mon travail est de la merde, et je me demande ce que je fais et pourquoi je le fais\u00a0\u00bb<\/em>), leurs col\u00e8res du moment (\u00ab\u00a0J’ai envie de frapper les clients qui ajoutent un filtre Instagram sur mes images\u00a0\u00bb<\/em>) et leurs secrets les plus honteux (\u00ab\u00a0J’ai accidentellement supprim\u00e9 toutes les photos d’un shooting et j’ai dit au client et au mod\u00e8le que c’\u00e9tait \u00e0 cause d’un virus\u00a0\u00bb<\/em>).<\/p>\n

\n

Motif r\u00e9current de la photographie de famille de 1910 \u00e0 1960, le baiser<\/span><\/strong><\/a> ne serait-il qu’un faux semblant ? En effet, comme le rappelle le mus\u00e9e Ni\u00e9pce, il n’y a qu’une chance sur trois de r\u00e9ussir sa vie de couple<\/span><\/strong><\/a>.<\/p>\n

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Gauthier est jeune, il est vrai, mais aux \u00e2mes bien n\u00e9es, la valeur<\/span> <\/strong><\/a>n’attend point le nombre des ann\u00e9es.<\/p>\n

\n

\u00ab Apr\u00e8s une heure de travail, le m\u00e9decin a d\u00e9clar\u00e9 que l\u2019expulsion du b\u00e9b\u00e9 n\u2019allait plus tarder, j\u2019ai donc pos\u00e9 mon menton sur ma poitrine, j\u2019ai \u00e9quilibr\u00e9 mon appareil sur mon ventre, j\u2019ai regard\u00e9 dans le viseur et j\u2019ai pris les photos. \u00bb <\/em>#WTF<\/span><\/strong><\/a>
\n<\/em><\/p>\n

\n

Par quels d\u00e9tours est-on arriv\u00e9 sur le site de Nicolas Boutruche ? On ne sait plus, mais on ne regrette pas : la vid\u00e9o making of<\/span><\/strong><\/a> de sa page d’accueil nous a tenu en haleine quelques minutes.<\/p>\n

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Aspirante danseuse dans le Broadway des ann\u00e9es 1930, Vivian Cherry dut trouver un autre gagne-pain suite \u00e0 une blessure au genou : ce sera la photographie. Dans un laboratoire d’abord, puis dans les rues de New York que la jeune femme d’ascendance russe arpente avant de rejoindre la Photo League<\/strong><\/span><\/a> en 1946. Elle y rencontre Sid Grossman<\/span><\/strong><\/a> qui lui apprend les ficelles du m\u00e9tier et l’oriente vers des th\u00e9matiques sociales<\/span><\/strong><\/a>, la conduisant naturellement \u00e0 suivre et photographier Dorothy Day, la fondatrice du Mouvement catholique ouvrier. Malgr\u00e9 de nombreuses publications (dans Life<\/em>, Collier\u2019s<\/em>, Redbook<\/em>, Popular Photography<\/em>), Vivian Cherry arr\u00eate la photographie au d\u00e9but des ann\u00e9es 1960 pour devenir cr\u00e9atrice de bijoux. Elle y reviendra 25 ans plus tard, avec un m\u00eame go\u00fbt pour la faune des rues, mais appr\u00e9hend\u00e9e cette fois-ci en couleur<\/span><\/strong><\/a>. Puis, \u00e0 80 ans pass\u00e9s, celle qui se r\u00eavait photographe de guerre se met en t\u00eate de couvrir, \u00e0 Manhattan, les manifestations contre la guerre en Irak : \u00abIls tenaient des banderoles et ont commenc\u00e9 \u00e0 crier:\u00ab Allons-y! \u00bb Et j\u2019ai essay\u00e9 de me mettre \u00e0 l\u2019\u00e9cart. Je me suis fait pi\u00e9tiner et me suis cass\u00e9 la hanche, mon poignet et quelques c\u00f4tes.\u00bb<\/span><\/em> Mais il en faut plus pour freiner les ardeurs de Vivian Cherry qui, l’an dernier encore, \u00e9voquait ses nouveaux projets<\/span><\/strong><\/a> (de livre notamment). Las, elle s’est \u00e9teinte le 4 mars<\/span><\/strong><\/a> dernier \u00e0 Albuquerque, \u00e0 l’\u00e2ge de 98 ans.<\/p>\n


\n\u201cClique clac\u201d, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile en dix entr\u00e9es et quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/span>
\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

M\u00e9diapart a mis en ligne sur sa cha\u00eene YouTube (acc\u00e8s gratuit donc) un d\u00e9bat r\u00e9unissant Marie Docher, Catalina Martin Chico et Jean-Fran\u00e7ois Leroy autour de la question de la place des femmes dans la photographie. Une discussion plut\u00f4t anim\u00e9e, o\u00f9 l’on parle quotas, sous-repr\u00e9sentation dans les festivals et les magazines, diff\u00e9rences de moyens, prix strictement […]<\/p>\n","protected":false},"author":5,"featured_media":20090,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"aside","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-20050","post","type-post","status-publish","format-aside","has-post-thumbnail","hentry","category-vieculturelle","post_format-post-format-aside","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique clac #93 - Chassimages<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.chassimages.com\/index.php\/2019\/03\/21\/clique-clac-93\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Clique clac #93 - Chassimages\" \/>\n<meta property=\"og:description\" content=\"M\u00e9diapart a mis en ligne sur sa cha\u00eene YouTube (acc\u00e8s gratuit donc) un d\u00e9bat r\u00e9unissant Marie Docher, Catalina Martin Chico et Jean-Fran\u00e7ois Leroy autour de la question de la place des femmes dans la photographie. 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