{"id":29748,"date":"2021-05-13T06:00:36","date_gmt":"2021-05-13T05:00:36","guid":{"rendered":"https:\/\/rockylinux.jibena.lan\/mag\/?p=29748"},"modified":"2021-05-12T14:24:54","modified_gmt":"2021-05-12T13:24:54","slug":"clique-clac-195","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2021\/05\/13\/clique-clac-195\/","title":{"rendered":"Clique clac #195"},"content":{"rendered":"

Il y a deux semaines de cela, on avait relay\u00e9, sur le ton de la boutade, la sortie du jeu vid\u00e9o New Pok\u00e9mon Snap<\/em>, dont le but est de photographier le mieux possible<\/span><\/strong><\/a> les Pok\u00e9mon que l’on croise. S’ils pr\u00eatent \u00e0 sourire, les modes photo des jeux vid\u00e9o sont une affaire tr\u00e8s s\u00e9rieuse et comptent de plus en plus d’adeptes, comme nous l’apprend cet int\u00e9ressant article du Monde<\/a><\/span><\/strong>. Dans l’univers vid\u00e9oludique comme dans la \u00ab\u00a0vraie vie\u00a0\u00bb, des styles font \u00e9cole et d’autres s’opposent. Petri Lev\u00e4lahti<\/a><\/span><\/strong>, du genre bidouilleur, n’h\u00e9site pas \u00e0 utiliser des lumi\u00e8res additionnelles pour magnifier ses ambiances, alors qu’\u00c9lise Aubisse<\/a><\/span><\/strong> revendique un vrai regard de photographe : \u00ab\u00a0Je prends des points de vue qui sont accessibles \u00e0 d\u2019autres personnages, je n\u2019utilise pas trop de free cams ou de filtres.\u00a0\u00bb<\/em> Mais quelle que soit leur approche, tous sont conscients que les photos qu’ils partagent sur leurs r\u00e9seaux servent au final la cause de l’\u00e9diteur du jeu dont elles sont tir\u00e9es. Si vous n’\u00eates pas joueur ou joueuse vous-m\u00eame mais que cette pratique vous intrigue, jetez un \u0153il \u00e0 la vid\u00e9o<\/a><\/span><\/strong> mise en ligne il y a quelques jours sur la cha\u00eene GamerGram, qui passe au crible le mode photo du jeu Immortals Fenyx Rising<\/em> (avec proc\u00e9dure de test d\u00e9taill\u00e9e et m\u00eame une note finale\u2026 on se croirait dans Chasseur d’Images !).<\/p>\n

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\u00c0 une semaine pr\u00e8s, le Festival de la Camargue et du delta du Rh\u00f4ne aurait pu se d\u00e9rouler (presque) normalement. Mais restrictions sanitaires obligent, les organisateurs ont d\u00fb, comme l’an pass\u00e9, r\u00e9duire la voilure pour cette 13e \u00e9dition, lanc\u00e9e hier 12 mai. Si les sorties naturalistes et les expos en ext\u00e9rieur sont maintenues, les rencontres se feront en ligne (programme ici<\/a><\/span><\/strong>) et seront ensuite disponibles sur la cha\u00eene YouTube du festival<\/a><\/span><\/strong>.<\/p>\n

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Le M\u00e9morial de la Shoah a fait l’acquisition d’un ensemble de photos in\u00e9dites<\/a> <\/strong><\/span>documentant la rafle dite du \u00ab\u00a0billet vert\u00a0\u00bb, op\u00e9ration men\u00e9e conjointement par les autorit\u00e9s fran\u00e7aises et allemandes le 14 mai 1941 qui envoya 3700 hommes juifs dans les camps d’internement de Pithiviers et Baune-La-Rolande, avant leur transfert un an plus tard \u00e0 Auschwitz-Birkenau. Lior Lalieu-Smadja, responsable du service Phototh\u00e8que du M\u00e9morial de la Shoah, a racont\u00e9 \u00e0 Benjamin Brillaud (l’entretien<\/a><\/span><\/strong> commence \u00e0 la 5e minute) comment ce reportage a \u00e9t\u00e9 mis au jour et ce qui fait sa particularit\u00e9. \u00c0 la fin de son intervention, Lior Lalieu-Samdja mentionne le nom de Liliane Ryszfeld, rare t\u00e9moin de cette rafle qui a partag\u00e9 avec Loopsider son sentiment \u00e0 la d\u00e9couverte de ces photos<\/a><\/span><\/strong>. <\/p>\n

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Extrait d’une discussion entendue \u00e0 la radio :
\n\u2013 Parfois j’ai quelques regrets. Mon p\u00e8re m’a refil\u00e9 un appareil photo comme outil pour partager tous ces moments privil\u00e9gi\u00e9s, mais j’aurais pr\u00e9f\u00e9r\u00e9 \u00eatre un peintre, je crois. J’ai souvent \u00e9t\u00e9 plus sensible \u00e0 la peinture animali\u00e8re ou au minimalisme japonais qu’\u00e0 la photographie.
\n<\/em>\u2013 Moi, ma m\u00e8re est peintre, mais j’ai jamais su dessiner un chat, alors la photographie \u00e9tait ma seule possibilit\u00e9.
\n<\/em>Avez-vous trouv\u00e9 l’identit\u00e9 de ces deux photographes ? R\u00e9ponse ici<\/a><\/span><\/strong>.<\/p>\n<\/div>\n

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LA FOIRE AUX QUESTIONS<\/strong><\/em>
\n<\/span><\/h3>\n
\u2022 \u00ab\u00a0Et vous, qu’auriez-vous aim\u00e9 dire \u00e0 quelqu’un sans l’avoir jamais fait ?<\/a><\/strong><\/span>\u00ab\u00a0<\/div>\n
\u2022 \u00ab\u00a0Un cadrage redoutable ou sauvage<\/a><\/span><\/strong> ?\u00a0\u00bb<\/div>\n
\u2022 Qu’est-ce qu’on mange<\/strong><\/span> <\/a>?<\/div>\n
\u2022 Qui est la photographe suisse<\/a><\/span><\/strong> de l’ann\u00e9e ?<\/div>\n
\u2022 \u00ab\u00a0Quel est l\u2019objet<\/a><\/span><\/strong> que vous aimeriez avoir avec vous dans la derni\u00e8re p\u00e9riode de votre vie?\u00a0\u00bb<\/div>\n
\u2022 \u00ab\u00a0How to not suck at color<\/a><\/span><\/strong> ?\u00a0\u00bb<\/div>\n
\u2022 Qu’est-ce que vous attendez pour postuler au Prix Caritas<\/a> <\/span><\/strong>?<\/div>\n
\u2022 \u00ab\u00a0La photographie peut-elle servir \u00e0 exorciser les fant\u00f4mes d\u2019un pays<\/a><\/span><\/strong> ?\u00a0\u00bb<\/div>\n
\u2022 Pourquoi Alice Moiti\u00e9 s’est-elle fait virer des Gobelins<\/a><\/span><\/strong> ?<\/div>\n
\u2022 \u00ab\u00a0Comment pr\u00e9server la sant\u00e9 au travail<\/a> <\/span><\/strong>?\u00a0\u00bb<\/div>\n
\u2022 \u00ab\u00a0Qui est le photographe<\/a><\/span><\/strong> ?\u00a0\u00bb<\/div>\n
 <\/div>\n<\/div>\n
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Quand elle n’\u00e9crit pas, Tatiana Hopper poste sur sa cha\u00eene Youtube<\/span><\/strong> <\/a>des vid\u00e9os dans lesquelles elle partage son int\u00e9r\u00eat pour la photographie : les ma\u00eetres, les proc\u00e9d\u00e9s, les appareils embl\u00e9matiques, etc. Rien de nouveau sous le soleil, sauf que le rythme de publication est particuli\u00e8rement soutenu (une dizaine de vid\u00e9os post\u00e9es rien que pour le mois \u00e9coul\u00e9) et que cela ne nuit pas \u00e0 la qualit\u00e9 des productions. Qu’elle aborde l’influence de la photographie dans l\u2019\u0153uvre du peintre Bernard Safran<\/a><\/span><\/strong> ou qu’elle revienne sur Old News: Resurrection City<\/a><\/span><\/strong><\/em> de Jill Freedman, la Britannique est anim\u00e9e par le m\u00eame souci didactique (propos articul\u00e9 autour d’\u00e9l\u00e9ments biographiques et historiques, illustrations nombreuses et pertinentes). C’est bien ficel\u00e9, jamais pr\u00e9tentieux et \u00e7a pla\u00eet m\u00eame aux internautes possiblement les plus critiques. Pour preuve ce commentaire post\u00e9 par Victoria Haas sous la vid\u00e9o<\/span><\/strong> <\/a>que Tatiana Hopper a consacr\u00e9e \u00e0 son p\u00e8re Ernst : \u00ab\u00a0As the daughter of Ernst Haas, I wanted to thank you for such a wonderful video on my dad and his photography. He would have loved it so much. To see young people enjoying and inspired by his work is so amazing.\u00a0\u00bb<\/em> Les vid\u00e9os sont \u00e9videmment en anglais mais des sous-titrages sont disponibles et leur dur\u00e9e exc\u00e8de rarement 10 minutes.<\/p>\n<\/div>\n<\/div>\n

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Parfois deux images valent mieux qu’une longue explication : l’installation, le r\u00e9sultat<\/a><\/span><\/strong>.<\/p>\n<\/div>\n

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Il y a du Rothko dans la derni\u00e8re s\u00e9rie de Hiroshi Sugimoto, photographe de 73 ans dont les travaux ont souvent fait rimer exp\u00e9rimentation et contemplation (on se souvient de ses \u00ab\u00a0Seascapes\u00a0\u00bb<\/a><\/span><\/strong>). Actuellement expos\u00e9e \u00e0 la galerie parisienne Marian Goodman, \u00ab\u00a0Opticks\u00a0\u00bb<\/a><\/span><\/strong> est une recherche autour de la couleur dans ce qu’elle a de plus simple et de plus pur. En pratique, le Japonais photographie la r\u00e9fraction de la lumi\u00e8re du jour \u00e0 l’aide d’un Polaroid ; le film instantan\u00e9 est ensuite scann\u00e9 puis imprim\u00e9 en grand format. \u201cCes tirages,<\/em> dit-il joliment<\/span><\/strong><\/a>, sont le miroir des couleurs qui peuplent mon esprit.\u201d<\/em><\/p>\n<\/div>\n

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Il y a 100 ans naissait Clemens Kalisher, photographe dont la r\u00e9putation ne d\u00e9passa jamais le cercle des amateurs avertis (\u00e0 tort<\/a><\/span><\/strong>) mais dont on conna\u00eet tous indirectement le travail. C’est en effet \u00e0 lui, entre autres, que Norman Rockwell<\/a><\/strong><\/span> faisait appel pour r\u00e9aliser les clich\u00e9s qui servaient de supports<\/a><\/span><\/strong> \u00e0 ses dessins si criants de v\u00e9rit\u00e9.<\/p>\n<\/div>\n

 <\/div>\n
\u00ab Clique clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile en dix entr\u00e9es et quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images. Photo d\u2019ouverture : capture d\u2019\u00e9cran du site du Monde<\/em><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"

Il y a deux semaines de cela, on avait relay\u00e9, sur le ton de la boutade, la sortie du jeu vid\u00e9o New Pok\u00e9mon Snap, dont le but est de photographier le mieux possible les Pok\u00e9mon que l’on croise. S’ils pr\u00eatent \u00e0 sourire, les modes photo des jeux vid\u00e9o sont une affaire tr\u00e8s s\u00e9rieuse et comptent de plus […]<\/p>\n","protected":false},"author":5,"featured_media":29749,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"aside","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-29748","post","type-post","status-publish","format-aside","has-post-thumbnail","hentry","category-vieculturelle","post_format-post-format-aside","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique clac #195 - Chassimages<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.chassimages.com\/index.php\/2021\/05\/13\/clique-clac-195\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Clique clac #195 - Chassimages\" \/>\n<meta property=\"og:description\" content=\"Il y a deux semaines de cela, on avait relay\u00e9, sur le ton de la boutade, la sortie du jeu vid\u00e9o New Pok\u00e9mon Snap, dont le but est de photographier le mieux possible les Pok\u00e9mon que l’on croise. 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Il est \u00e9videmment beaucoup plus jeune et bien plus beau mais il a un go\u00fbt immod\u00e9r\u00e9 pour la chasse aux fautes d'orthographe et c'est lui qui veille \u00e0 la bonne tenue r\u00e9dactionnelle de Chasseur d'Images et Nat'Images. Un sacr\u00e9 boulot, \u00e0 la v\u00e9rit\u00e9! Mais comme \u00e7a ne lui suffit pas, c'est aussi le sp\u00e9cialiste des \u00e9v\u00e9nements culturels, celui \u00e0 qui il faut s'adresser quand on parle stages, expos ou concours. On l'aime beaucoup, notre Beno\u00eet; alors y-f\u00f4-pa lamb\u00e9t\u00e9. 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