{"id":4361,"date":"2016-12-20T14:24:32","date_gmt":"2016-12-20T13:24:32","guid":{"rendered":"https:\/\/rockylinux.jibena.lan\/mag\/?p=4361"},"modified":"2016-12-27T16:45:32","modified_gmt":"2016-12-27T15:45:32","slug":"un-week-end-a-paris","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2016\/12\/20\/un-week-end-a-paris\/","title":{"rendered":"Un week-end \u00e0 Paris"},"content":{"rendered":"
\n
Au programme cette semaine, un classique et un inclassable :\u00a0<\/span>G\u00f6ksin Sipahioglu<\/strong>\u00a0<\/span>(photo) et\u00a0<\/span>Krass Clement<\/strong>, tous deux expos\u00e9s \u00e0 Paris. L’agenda fait le tour des \u00e9v\u00e9nements capitaux de la capitale, le tout agr\u00e9ment\u00e9 de quelques br\u00e8ves photographiques.<\/div>\n
?<\/strong>\u00a0\u00c1 LA UNE\u00a0<\/span>?<\/strong><\/strong><\/span><\/p>\n

Bien que la Maison du Danemark lui ait offert ses cimaises en 2010, Krass Clement reste m\u00e9connu ici. L\u2019\u0153uvre du photographe, qui s\u2019\u00e9tend sur pr\u00e8s d\u2019une quarantaine d\u2019ann\u00e9es et une dizaine de pays, a pourtant tout pour plaire au public fran\u00e7ais. \u00c0 en croire l\u2019auteur lui-m\u00eame, elle est \u00e0 la jonction de la m\u00e9lancolie scandinave et d\u2019un certain go\u00fbt parisien pour la fl\u00e2nerie. \u201cWaiting for yesterday\u201d, l\u2019exposition pr\u00e9sent\u00e9e \u00e0 la galerie in camera, puise dans\u00a0<\/span>Venten p\u00e5 i g\u00e5r<\/em>, dernier ouvrage en date du Danois paru en 2012, et consacr\u00e9 \u00e0 l\u2019Allemagne de l\u2019Est hier et aujourd\u2019hui.\u00a0<\/span>\u201cCe pays, explique le septuag\u00e9naire photographe, a disparu en partie et s\u2019est transform\u00e9 en quelque chose d’autre. Avec une froideur qui, de mon point de vue, n’existait pas auparavant.\u201d<\/em>\u00a0<\/span>Ce chaud-froid s\u2019illustre dans le choix de marier clich\u00e9s noir et blanc espi\u00e8gles ou d\u00e9licats et nus frontaux aux couleurs crues. Mais tous, affirme Clement, sont reli\u00e9s par un m\u00eame fil voyeuriste :\u00a0<\/span>\u201cSouvenirs des coups d\u2019\u0153il enfantins, jet\u00e9s en cachette, et plus tard, des regards fixes, inquiets, remplis d\u2019espoir inassouvi, de l\u2019homme adulte.\u201d<\/em><\/p>\n

\"\"
\n?\u00a0<\/span>Extraits de \u201cVenten p\u00e5 i g\u00e5r\u201d \u00a9 Krass Clement, courtesy in camera galerie<\/p>\n

<\/em>?\u00a0<\/span>Krass Clement – Waiting for yesterday. Jusqu’au 14 janvier. In camera galerie, 21 rue Las Cases, 75007 Paris. T\u00e9l. 01-47-05-51-77.<\/strong><\/p>\n

?<\/strong>\u00a0<\/span>\u00c7A COMMENCE CE WEEK-END\u00a0<\/span>?<\/strong><\/strong><\/span><\/p>\n

Disparu en 2011, G\u00f6ksin Sipahioglu aurait eu 90 ans ce mois-ci. L’occasion pour \u00c9l\u00e9phant Paname de rendre hommage \u00e0 cette figure majeure du photoreportage \u2014 derri\u00e8re le viseur puis derri\u00e8re les bureaux de l’agence Sipa Press qu’il cr\u00e9a en 1973. Tout le monde conna\u00eet l’histoire du natif de Smyrne, pass\u00e9 par le lyc\u00e9e fran\u00e7ais d’Istanbul avant d’\u00e9tudier le journalisme \u00e0 l’universit\u00e9, rubricard photo pour le quotidien\u00a0<\/span>Istanbul Ekspress<\/em>\u00a0<\/span>avant d’en devenir le r\u00e9dacteur en chef deux ans plus tard. \u00c0 30 ans, son ascension a d\u00e9j\u00e0 la fulgurance des destins hors-normes. En 1957, il fonde la\u00a0<\/span>Yeni Gazete<\/em>\u00a0<\/span>qu’il quitte trois ans plus tard pour prendre les r\u00eanes du grand quotidien\u00a0<\/span>Vatan<\/em>\u00a0<\/span>: nouvelle formule, vente tripl\u00e9e. Mais tous les succ\u00e8s du monde ne peuvent rien contre l’envie d’ind\u00e9pendance et le go\u00fbt du scoop. D\u00e8s 1960, G\u00f6ksin Sipahioglu emprunte la voie du reportage free-lance.
\nC’est cette partie de sa vie qu’explore l’exposition pr\u00e9sent\u00e9e \u00e0 \u00c9l\u00e9phant Paname. En 40 tirages, elle raconte les remous des ann\u00e9es 1960 (la crise des missiles vue depuis le sol cubain, la Chine de Mao, les manifestations ind\u00e9pendantistes \u00e0 Djibouti, la guerre du Cambodge, Mai 68\u2026) et se m\u00e9nage des accents de l\u00e9g\u00e8ret\u00e9 \u00e0 travers quelques portraits de femmes rencontr\u00e9es sous toutes les latitudes.<\/p>\n

\"\"
\n?\u00a0<\/span>Lagos, Nigeria, 1964 \u00a9 Sipahioglu\/Sipa\u00a0<\/span>
\nPhoto issue d’une s\u00e9rie de reportages effectu\u00e9s par G\u00f6ksin Sipahioglu dans les pays africains devenus ind\u00e9pendants au d\u00e9but des ann\u00e9es 1960.<\/p>\n

\"\"
\n?\u00a0<\/span>Cambodge, mai 1970 \u00a9 Sipahioglu\/Sipa\u00a0<\/span><\/em><\/p>\n

<\/em>?\u00a0<\/span>G\u00f6ksin Sipahioglu. Du 16 d\u00e9cembre au 16 janvier. \u00c9l\u00e9phant Paname, 10 rue Volney, 75002 Paris.<\/strong><\/p>\n

?<\/strong>\u00a0<\/span>L’AGENDA DE LA SEMAINE\u00a0<\/span><\/span>?<\/span>
\n<\/strong><\/strong><\/span>
\nVendredi 16 d\u00e9cembre<\/span><\/strong>
\n?\u00a0<\/span>Strasbourg<\/strong>\u00a0<\/span>(67), 14h : atelier photo pour les 10-14 ans organis\u00e9 par Stimultania : la photographe Marion Pedenon propose aux enfants de partir \u00e0 la d\u00e9couverte d\u2019un quartier de Strasbourg (67). www.stimultania.org\/strasbourg\/<\/a>
\n?\u00a0<\/span>Montfermeil<\/strong>\u00a0<\/span>(93), 19h : projection au gymnase Henri Vidal de Les Bosquets, court-m\u00e9trage r\u00e9alis\u00e9 par Ladj Ly et JR. 17 minutes qui retracent de mani\u00e8re po\u00e9tique l’histoire et la mutation des Bosquets mais reviennent aussi sur les \u00e9v\u00e9nements, plus tragiques, des \u00e9meutes de 2005.<\/p>\n

Samedi 17 d\u00e9cembre<\/span><\/strong>
\n?\u00a0<\/span>Paris<\/strong>\u00a0<\/span>(17e), 11h-19h : Robert R. Rousseau, photographe humaniste, signe ses livres \u00e0 la Galerie des Arts plastiques.
\n?\u00a0<\/span>Paris<\/strong>\u00a0<\/span>(3e), 12h : table ronde \u00ab\u00a0Au-del\u00e0 du medium, l’image\u00a0\u00bb organis\u00e9e \u00e0 la galerie Escougnou-Cetraro dans le cadre de l’exposition du m\u00eame nom. R\u00e9servations : galerie@escougnou-cetraro.fr<\/a>
\n?\u00a0<\/span>Paris<\/strong>\u00a0<\/span>(18e), 13h : \u00ab\u00a0BAL books weekend\u00a0\u00bb, salon de l’\u00e9dition ind\u00e9pendante organis\u00e9 par Le BAL. Au programme : livres, fanzines, signatures, rencontres avec les \u00e9diteurs et les photographes. Plus d’infos\u00a0<\/span>ici<\/a>.
\n?\u00a0<\/span>Paris<\/strong>\u00a0<\/span>(4e), 15-18h : d\u00e9dicace de David Lesage \u00e0 la galerie Sakura.
\n?\u00a0<\/span>Paris<\/strong>\u00a0<\/span>(2e), 19h : conversation au Silencio entre Amaury Da Cunha et Julien Magre, \u00e0 l’occasion de la sortie du livre de ce dernier\u00a0<\/span>Je n’ai plus peur du noir<\/em>.<\/p>\n

Dimanche 18 d\u00e9cembre<\/span><\/strong>
\n?\u00a0<\/span>Paris<\/strong>\u00a0<\/span>(18e), 12h : \u00ab\u00a0BAL books weekend\u00a0\u00bb, salon de l’\u00e9dition ind\u00e9pendante organis\u00e9 par Le BAL (voir samedi 17).
\n?\u00a0<\/span>France Inter<\/strong>, 23h15 : Brigitte Patient re\u00e7oit Cl\u00e9mentine Mercier de\u00a0<\/span>Lib\u00e9ration<\/em>\u00a0<\/span>et R\u00e9mi Coignet de\u00a0<\/span>The Eyes<\/em>\u00a0<\/span>pour \u00e9voquer les livres photo qui ont marqu\u00e9 l’ann\u00e9e \u00e9coul\u00e9e.<\/p>\n

Mardi 20 d\u00e9cembre<\/strong><\/span>
\n?\u00a0<\/span>Paris<\/strong>\u00a0<\/span>(9e), 15h : vente \u00e0 l\u2019H\u00f4tel Drouot de 120 photographies issues des collections de G\u00e9rard L\u00e9vy (1934-2016), dont une rayographie de Man Ray estim\u00e9e \u00e0 150 000-200 000 \u20ac. Exposition de ces pi\u00e8ces les 17 et 19 d\u00e9cembre, de 11h \u00e0 18h.<\/p>\n

? DES CHIFFRES ET DES LETTRES\u00a0<\/span>?<\/strong><\/strong><\/span>
\n
\n25
\n<\/strong><\/strong>C’est l’\u00e2ge de Karam Almasri, jeune Syrien devenu photographe et vid\u00e9aste par les al\u00e9as de la guerre et auquel la Fondation Varenne a d\u00e9cern\u00e9 son Grand Prix 2016 dans la cat\u00e9gorie \u00ab\u00a0Reporters d’images\u00a0\u00bb. L’occasion de relire\u00a0<\/span>\u00ab\u00a0Couvrir Alep, la peur au ventre et le ventre vide\u00a0\u00bb<\/a>, billet du blog AFP \u00ab\u00a0Making of\u00a0\u00bb o\u00f9 il retra\u00e7ait son douloureux parcours.<\/p>\n

140
\n<\/strong><\/strong>C’est le nombre de photographes contemporains d\u00e9fendus par Fran\u00e7ois Cheval depuis son arriv\u00e9e, il y a 20 ans, au mus\u00e9e Nic\u00e9phore Ni\u00e9pce de Chalon-sur-Sa\u00f4ne. Alors qu’il s’appr\u00eate \u00e0 passer le relais, il se confie \u00e0 Sophie Bernard pour\u00a0<\/span>L’OEil de la photographie<\/a>.<\/p>\n

180
\n<\/strong>C’est le nombre de photos r\u00e9unies dans\u00a0<\/span>L’Annuel 2017 de l’AFP<\/em>, ouvrage paru le 8 d\u00e9cembre aux \u00e9ditions de La D\u00e9couverte o\u00f9 l’on retrouve tous les faits marquants (ou non) de l’ann\u00e9e \u00e9coul\u00e9e (Alep, Trump, Rio, Calais…) immortalis\u00e9s par les photographes de l’Agence France-Presse. Le site du\u00a0<\/span>Daily Mail<\/em>\u00a0<\/span>vous en donne\u00a0<\/span>un avant-go\u00fbt<\/a>.<\/p>\n

655
\n<\/strong>C’est la dur\u00e9e en secondes de\u00a0<\/span>Sensations<\/em><\/a>, vid\u00e9o post\u00e9e cette semaine par Sandrine et Matt Booth pour accompagner la sortie de leur livre \u00e9ponyme. Un concentr\u00e9 de douceur qui fait du bien en ces temps tourment\u00e9s.<\/p>\n

AFD<\/strong>
\nL’Agence Fran\u00e7aise de D\u00e9veloppement a d\u00e9voil\u00e9 ce mardi \u00e0 la MEP les trois laur\u00e9ats du 5e Prix Photo AFD. Pascal Ma\u00eetre remporte le prix du meilleur projet de reportage, \u00e0 ce titre il b\u00e9n\u00e9ficie d’une aide financi\u00e8re de 15000 \u20ac pour r\u00e9aliser un travail sur les enjeux et l’importance de l’acc\u00e8s \u00e0 l’\u00e9lectricit\u00e9 en Afrique. Le prix du meilleur reportage a \u00e9t\u00e9 remis \u00e0 Corentin Fohlen pour un sujet sur Ha\u00efti, \u00ab\u00a0Les possibilit\u00e9s d’une \u00eele\u00a0\u00bb. Celui de la meilleure \u0153uvre multim\u00e9dia a \u00e9t\u00e9 d\u00e9cern\u00e9 \u00e0 Anne Paq pour \u00ab\u00a0Obliterated families\u00a0\u00bb, documentaire racontant des histoires personnelles de familles habitant la bande de Gaza.<\/p>\n

SCAM<\/strong>
\nDepuis 1993, la Scam remet son prix photographique, le Prix Roger Pic, en m\u00e9moire \u00e0 ce grand photographe et militant du droit d’auteur. Ce prix, dot\u00e9 de 4500 \u20ac, r\u00e9compense l’auteur d’un portfolio photographique. La date limite d’inscription \u00e9tant fix\u00e9e au 20 d\u00e9cembre, il ne vous reste que quelques jours pour soumettre vos photos au jury. R\u00e8glement complet\u00a0<\/span>ici<\/a>.<\/div>\n<\/div>\n

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Au programme cette semaine, un classique et un inclassable :\u00a0G\u00f6ksin Sipahioglu\u00a0(photo) et\u00a0Krass Clement, tous deux expos\u00e9s \u00e0 Paris. L’agenda fait le tour des \u00e9v\u00e9nements capitaux de la capitale, le tout agr\u00e9ment\u00e9 de quelques br\u00e8ves photographiques. ?\u00a0\u00c1 LA UNE\u00a0? Bien que la Maison du Danemark lui ait offert ses cimaises en 2010, Krass Clement reste m\u00e9connu […]<\/p>\n","protected":false},"author":1,"featured_media":4362,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-4361","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nUn week-end \u00e0 Paris - Chassimages<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.chassimages.com\/index.php\/2016\/12\/20\/un-week-end-a-paris\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un week-end \u00e0 Paris - Chassimages\" \/>\n<meta property=\"og:description\" content=\"Au programme cette semaine, un classique et un inclassable :\u00a0G\u00f6ksin Sipahioglu\u00a0(photo) et\u00a0Krass Clement, tous deux expos\u00e9s \u00e0 Paris. L’agenda fait le tour des \u00e9v\u00e9nements capitaux de la capitale, le tout agr\u00e9ment\u00e9 de quelques br\u00e8ves photographiques. ?\u00a0\u00c1 LA UNE\u00a0? 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