{"id":49107,"date":"2025-05-22T05:00:01","date_gmt":"2025-05-22T03:00:01","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=49107"},"modified":"2025-05-23T15:00:35","modified_gmt":"2025-05-23T13:00:35","slug":"clique-clac-381","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2025\/05\/22\/clique-clac-381\/","title":{"rendered":"Clique Clac #381"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Le 16 avril dernier, Fatma Hassona <\/span>s’est ajout\u00e9e \u00e0 la longue liste des journalistes palestiniens tu\u00e9s par l’arm\u00e9e isra\u00e9lienne dans l’exercice de leur m\u00e9tier (environ 200 selon Reporters sans fronti\u00e8res). Invit\u00e9e de l’\u00e9mission \u00ab\u00a0\u00c0 l’air libre\u00a0\u00bb<\/strong> <\/a>de Mediapart, la r\u00e9alisatrice iranienne Sepideh Farsi a racont\u00e9 dans quelles circonstances elle avait fait la connaissance de la photographe et comment celle-ci avait accept\u00e9 d’\u00eatre \u00ab\u00a0ses yeux\u00a0\u00bb \u00e0 Gaza. De leur collaboration est n\u00e9 Put your hand on your soul and walk<\/em><\/span>, un documentaire accueilli avec \u00e9motion<\/strong><\/a> au Festival de Cannes. L’\u00e9mission est l’occasion de montrer des photos de Fatma Hassona et de diffuser une conversation in\u00e9dite entre la documentariste et la photographe o\u00f9 celle-ci pointe, tout sourire, le double sens de \u00ab\u00a0shoot\u00a0\u00bb en anglais : faire des photos ou tirer. A posteriori gla\u00e7ant. Put your hand on your soul and walk<\/em> sortira en salles le 24 septembre prochain.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/05\/Eric-Schwab-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbEric Schwab\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.lecarredencre.fr\/timbre\/eric-schwab-1910-1977\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

MCCOMBE ET SCHWAB \u00c0 L’HONNEUR<\/strong><\/p>\n

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D\u00e9but mai, le bureau des postes de l’\u00eele de Man a rendu hommage \u00e0 l’enfant du pays, Leonard McCombe, en \u00e9ditant une planche de timbres<\/a><\/strong> illustr\u00e9s par quelques-unes de ses photos (la plus c\u00e9l\u00e8bre \u00e9tant peut-\u00eatre celle du cowboy texan dont Malrboro s’est inspir\u00e9 pour ses campagnes publicitaires). L’hommage s’inscrit dans le cadre des comm\u00e9morations entourant le 80e anniversaire de la Lib\u00e9ration, McCombe ayant couvert l’avanc\u00e9e alli\u00e9e pour le Picture Post<\/a><\/strong><\/em> entre 1943 et 1945. De ce c\u00f4t\u00e9-ci de la Manche, c’est \u00c9ric Schwab que La Poste a d\u00e9cid\u00e9 de mettre \u00e0 l’honneur en \u00e9ditant un timbre \u00e0 l’effigie de celui qui fut l’un des premiers \u00e0 documenter l’horreur des camps de la mort<\/a><\/strong>. Photographe de l’AFP, Schwab \u00e9tait aussi parti en Allemagne avec le secret espoir de retrouver sa m\u00e8re Elsbeth, juive allemande d\u00e9port\u00e9e en 1943. Il la retrouvera, vivante, dans le camp de Terezin. <\/span><\/span>Tir\u00e9 \u00e0 610200 exemplaires, le timbre sera vendu en avant-premi\u00e8re le vendredi 23 et le samedi 24 mai au Carr\u00e9 d’Encre<\/a><\/strong> (Paris 9e), de 10h \u00e0 19h.<\/span><\/div>\n
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CHASSEUSES DE TEMP\u00caTES<\/strong><\/p>\n

Mis \u00e0 l’honneur dans le tout nouveau num\u00e9ro de Chasseur d’Images<\/a><\/strong>, Mathieu Rivrin, que l’on conna\u00eet pour sa photo de Pos\u00e9idon prise en janvier 2021 durant la temp\u00eate Justine, fait une courte apparition dans cet \u00e9pisode de Littoral<\/strong><\/span><\/a>. Intitul\u00e9 \u00ab\u00a0Regards d’embruns\u00a0\u00bb, ce num\u00e9ro du magazine des gens de la mer s’int\u00e9resse \u00e0 Pauline Horellou et Ga\u00eblle de Trescadec, deux chasseuses de temp\u00eates qui officient sur la c\u00f4te finist\u00e9rienne et qui ont trouv\u00e9 dans cette discipline une source d’apaisement.<\/span> Comme le dit Pauline Horellou, \u00ab\u00a0pour saisir une photo, il faut parfois six heures de prises, brass\u00e9e dans les \u00e9l\u00e9ments. Cette photo, c’est juste une fraction de ce temps. Ce n’est rien \u00e0 l’\u00e9chelle d’une journ\u00e9e mais cela va me combler.\u00a0\u00bb<\/em><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbPHO\u2022pho\u2022phoTUS !\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/lemot.fr\/defi\/six?lm=YnJpZGdl\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de quatre lettres<\/strong> <\/a>en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEN BREF ET EN VRAC…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb25px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Le comit\u00e9 du World Press Photo a d\u00e9cid\u00e9 de ne plus attribuer \u00ab\u00a0La petite fille au napalm\u00a0\u00bb<\/a><\/strong>, laur\u00e9ate du concours en 1973, \u00e0 Nick Ut.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Avec \u00ab\u00a0Relever la nuit\u00a0\u00bb<\/a><\/strong>, la photographe plasticienne L\u00e9onie Rose Marion traduit les effets de la pollution lumineuse dans la r\u00e9gion genevoise.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
La r\u00e9introduction du grand t\u00e9tras dans les Vosges ne fait pas l’unanimit\u00e9. \u00ab\u00a0Une b\u00eatise et un fiasco\u00a0\u00bb<\/strong><\/a>, s’insurge m\u00eame Vincent Munier.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Bastien Campistron se dit pr\u00eat \u00e0 donner sa vie pour l’\u00eele de Raymond, il faut dire que le photographe s’est investi pour r\u00e9ensauvager <\/a>ce territoire de 44 hectares<\/a><\/strong> autrefois couvert de ma\u00efs.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Apr\u00e8s \u00ab\u00a0Nouvelles Reines\u00a0\u00bb<\/a><\/strong> \u00e0 Saint-Denis, apr\u00e8s \u00ab\u00a0Benzine Cyprine\u00a0\u00bb<\/strong><\/a> \u00e0 N\u00eemes, une nouvelle exposition (\u201cMissak Manouchian : arts, histoire et m\u00e9moire\u201d) a \u00e9t\u00e9 victime de vandalisme<\/strong><\/a>.
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La fr\u00e9n\u00e9sie et la frivolit\u00e9 du Festival de Cannes avant les smartphones et \u00e0 travers les yeux de Derek Ridgers<\/strong><\/a>, r\u00e9gulier de La Croisette.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Flashback a exhum\u00e9 de ses archives une interview de Weegee<\/a><\/strong> donn\u00e9e \u00e0 la radio en juillet 1945. Dommage qu’il s’agisse d’une transcription et pas de la version sonore originale.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Fin avril pr\u00e8s de Rosenheim s’est d\u00e9roul\u00e9 le championnat d’Allemagne de fingerhakeln. Matthias Schrader y \u00e9tait<\/strong><\/a>.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Invit\u00e9 de \u00ab\u00a0La Derni\u00e8re\u00a0\u00bb<\/strong><\/a> (Radio Nova), Alexis Rosenfeld a \u00e9voqu\u00e9, entre deux \u00e9clats de rire, quelques-unes des missions subaquatiques qu’il a accompagn\u00e9es.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
En dix minutes \u00e0 peine, The Nerdwriter brosse le portrait de Tseng Kwong Chi<\/a> <\/strong>en mettant l’accent sur l’art de la composition de ce photographe disparu le 10 mars 1990, quelques jours seulement apr\u00e8s son ami Keith Harring.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Photographier est-il polluant ? \u00c0 Vevey, une exposition pose la question<\/strong><\/a>.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
This is colossal nous offre un aper\u00e7u du prochain livre de Frank Kunert, photographe mais surtout cr\u00e9ateur de micromondes<\/strong><\/a>.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbJULIEN SCHUH\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.radiofrance.fr\/franceculture\/podcasts\/le-cours-de-l-histoire\/histoire-et-numerique-les-images-du-passe-au-defi-du-present-7907085″ url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/05\/Julien-Schuh.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.radiofrance.fr\/franceculture\/podcasts\/le-cours-de-l-histoire\/histoire-et-numerique-les-images-du-passe-au-defi-du-present-7907085″ link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Moi, je pr\u00e9f\u00e8re parler d’outils de m\u00e9moire artificielle plut\u00f4t que d’outils d’intelligence artificielle, parce que ce sont des outils qui ont \u00e9t\u00e9 produits par l’appropriation, le stockage et la reg\u00e9n\u00e9ration de millions et millions d’images de notre pass\u00e9, de notre culture visuelle. Et ce sont d\u00e9sormais aussi les principaux biais par lesquels on va acc\u00e9der \u00e0 cette m\u00e9moire visuelle. Aujourd’hui, en effet, de plus en plus de personnes lorsqu’elles veulent acc\u00e9der \u00e0 un imaginaire du pass\u00e9 ne vont plus chercher sur Google, elles vont directement interroger Stable Diffusion ou Chat GPT pour g\u00e9n\u00e9rer des images.<\/span><\/em><\/p>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbKHAULA JAMIL\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.amnesty.org\/en\/latest\/campaigns\/2025\/05\/power-of-photography-khaula-jamil\/#h-photo-gallery\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/05\/Khaula-Jamil.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.amnesty.org\/en\/latest\/campaigns\/2025\/05\/power-of-photography-khaula-jamil\/#h-photo-gallery\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Je pense que mes images racontent une histoire de confiance en soi et de satisfaction du sort qui vous est r\u00e9serv\u00e9 dans la vie. Les personnes \u00e2g\u00e9es de Karachi et du Pakistan que j’ai photographi\u00e9es ont g\u00e9n\u00e9ralement une foi immense en Allah et elles pensent vraiment que tout finira par s’arranger (m\u00eame si elles ont un besoin urgent de choses essentielles comme un logement, de l’eau, de la nourriture, etc.). Chaque personne que j’ai rencontr\u00e9e d\u00e9gageait un sentiment d’estime de soi et de fiert\u00e9 en d\u00e9pit de sa condition. Il existe un mot arabe, \u00ab\u00a0Tawwakkul\u00a0\u00bb, qui d\u00e9finit le concept islamique de confiance en Dieu et en son plan, et j’esp\u00e8re que mes images le refl\u00e8tent.<\/span><\/em><\/p>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite Musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb|-66px||||\u00a0\u00bb custom_padding=\u00a0\u00bb|2px||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Idole de jeunesse de Jean Sablon<\/strong><\/a>, Jack Smith (1896-1950) peut \u00eatre consid\u00e9r\u00e9 comme le p\u00e8re de tous les crooners, Bing Crosby et Sinatra inclus. \u00c0 l’\u00e9coute de ce tr\u00e8s suave \u00ab\u00a0A faded photograph\u00a0\u00bb, enregistr\u00e9 a priori en 1940, on comprend pourquoi on a accol\u00e9 le qualificatif \u00ab\u00a0whispering\u00a0\u00bb \u00e0 son nom.<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/iow6wCSF2co?feature=shared\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Le 16 avril dernier, Fatma Hassona s’est ajout\u00e9e \u00e0 la longue liste des journalistes palestiniens tu\u00e9s par l’arm\u00e9e isra\u00e9lienne dans l’exercice de leur m\u00e9tier (environ 200 selon Reporters sans fronti\u00e8res). Invit\u00e9e de l’\u00e9mission \u00ab\u00a0\u00c0 l’air libre\u00a0\u00bb de Mediapart, la r\u00e9alisatrice iranienne Sepideh Farsi a racont\u00e9 dans quelles circonstances elle avait fait la connaissance de la […]<\/p>\n","protected":false},"author":5,"featured_media":49137,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-49107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 381 : actus photo<\/title>\n<meta name=\"description\" content=\"Clique Clac 381 : l\u2019actualit\u00e9 photo de la semaine du 19 mai 2025 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.chassimages.com\/index.php\/2025\/05\/22\/clique-clac-381\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Clique Clac 381 : actus photo\" \/>\n<meta property=\"og:description\" content=\"Clique Clac 381 : l\u2019actualit\u00e9 photo de la semaine du 19 mai 2025 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.chassimages.com\/index.php\/2025\/05\/22\/clique-clac-381\/\" \/>\n<meta property=\"og:site_name\" content=\"Chassimages\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/chasseurimages\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-05-22T03:00:01+00:00\" \/>\n<meta property=\"article:modified_time\" 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