{"id":49326,"date":"2025-06-04T05:00:50","date_gmt":"2025-06-04T03:00:50","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=49326"},"modified":"2025-11-07T20:11:39","modified_gmt":"2025-11-07T19:11:39","slug":"clique-clac-382","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2025\/06\/04\/clique-clac-382\/","title":{"rendered":"Clique Clac #382"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Ce week-end \u00e0 Houlgate est lanc\u00e9e la 8e \u00e9dition des \u00ab\u00a0Femmes s’exposent\u00a0\u00bb<\/strong><\/a>, festival qui, comme son nom l’indique, donne \u00e0 voir le travail de signatures exclusivement f\u00e9minines. Le rendez-vous pr\u00e9sente cette ann\u00e9e douze expositions et presque autant de raisons de faire le voyage en Normandie. De voyage, il est d\u2019ailleurs ici beaucoup question\u2009: en Polyn\u00e9sie, par exemple, o\u00f9, sur l\u2019\u00eele de Mangareva, J\u00e9r\u00f4mine Derigny<\/a><\/strong> a suivi la culture des hu\u00eetres perli\u00e8res\u2009; en Californie, o\u00f9 des \u00e9cuy\u00e8res s\u2019adonnent \u00e0 une comp\u00e9tition traditionnelle proche du rod\u00e9o sous l\u2019objectif de Natalie Keyssar<\/strong><\/a>\u2009; en Alabama aussi, o\u00f9 Maud Delaflotte<\/strong><\/a> a document\u00e9 la production du coton en faisant affleurer le sous-texte historique et s\u00e9gr\u00e9gationniste de cette culture. De son c\u00f4t\u00e9, Lynn S.K. s’est aventur\u00e9 dans les m\u00e9andres de la m\u00e9moire, de l’histoire et de la transmission \u00e0 travers une s\u00e9rie de portraits de familles<\/a><\/strong> collect\u00e9s aux quatre coins de France. Si vous voulez en savoir plus sur la photographe, sachez qu’elle est l’invit\u00e9e de 9 Lives<\/strong><\/a> cette semaine. Comme de coutume, le week-end d’ouverture du festival sera l’occasion de rencontres, visites guid\u00e9es, d\u00e9bats et animations en pr\u00e9sence des photographes. Parmi les exclusivit\u00e9s notables, on citera la projection en avant-premi\u00e8re, ce vendredi 6 juin \u00e0 18h, de Put your soul on your hand and walk<\/em>, documentaire de Sepideh Farsi dont on vous parlait ici<\/strong><\/a>.<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/06\/LE-CINQUIEME-PLAN-DE-LA-JETEE.jpg\u00a0\u00bb title_text=\u00a0\u00bbLE CINQUIEME PLAN DE LA JETEE\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.arte.tv\/fr\/videos\/109351-000-A\/le-cinquieme-plan-de-la-jetee\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

LA TRAVERS\u00c9E DU MIROIR<\/strong><\/p>\n

Tout a \u00e9t\u00e9 dit, tout a \u00e9t\u00e9 \u00e9crit sur\u00a0<\/span>La Jet\u00e9e<\/a><\/strong><\/em>, moyen-m\u00e9trage de 1962 par lequel Chris Marker a jet\u00e9 les bases du cin\u00e9ma de science-fiction moderne. Croit-on… Quand\u00a0<\/span>Dominique Cabrera\u00a0<\/span>a d\u00e9couvert que sa tante, son oncle et son cousin figuraient possiblement sur un clich\u00e9 pris par Chris Marker pour son \u00ab\u00a0photo-roman\u00a0\u00bb, elle s’est dit qu’il y avait mati\u00e8re \u00e0 un film-enqu\u00eate. Pr\u00e9texte \u00e0 une plong\u00e9e dans l’album photo familial,\u00a0<\/span>Le cinqui\u00e8me plan de La Jet\u00e9e<\/a><\/strong><\/em>\u00a0emprunte des voies de traverse, convoque celles et ceux qui ont collabor\u00e9 au film et entrem\u00eale l’histoire intime \u00e0 la grande histoire. Rapatri\u00e9e d’Alg\u00e9rie,\u00a0<\/span>la famille de Dominique Cabrera a en effet atterri \u00e0 Orly un jour de\u00a01962 ; Chris Marker aurait-il pu les photographier par hasard ? \u00ab\u00a0Le hasard a des intuitions qu\u2019il ne faut pas prendre pour des co\u00efncidences\u00a0\u00bb, disait le cin\u00e9aste…<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbsebasti\u00e3o salgado, 1944-2025″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb background_color=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Folha de Sao Paulo<\/em> salue la disparition du plus grand photographe br\u00e9silien<\/a><\/strong> quand O Globo<\/em> rend hommage au documentariste engag\u00e9<\/a><\/strong>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Si vous voulez voir le photographe \u00e0 l\u2019\u0153uvre, comprendre ce qui l’animait, entendre son p\u00e8re commenter ses choix de carri\u00e8re (\u00ab\u00a0J’aurais voulu qu’il soit avocat\u00a0\u00bb), visionnez imp\u00e9rativement Le Sel de la Terre<\/em>, le documentaire que lui ont consacr\u00e9 Wim Wenders et son fils Juliano Ribeiro Salgado en 2014. En attendant une \u00e9ventuelle rediffusion t\u00e9l\u00e9, la MEP organise une projection<\/strong><\/a> ce jeudi 5 juin \u00e0 19h. Une autre est pr\u00e9vue au cin\u00e9ma Regain<\/a><\/strong> (Le Teil, 07) le 8 juin \u00e0 20h30. Le film est \u00e9galement disponible en VOD sur le site d’Arte<\/strong><\/a>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
\u00c9dit\u00e9 en 1993, La Main de l’Homme : une arch\u00e9ologie de l’\u00e8re industrielle<\/em> (Trabalho <\/i>en V.O.,\u00a0Workers<\/em> en anglais) se voulait \u00ab\u00a0un hommage aux hommes et aux femmes qui travaillent encore comme il y a des si\u00e8cles\u00a0\u00bb. Par son retentissement international, le livre a marqu\u00e9 un tournant dans la carri\u00e8re du photographe. \u00c0 d\u00e9faut de l’acqu\u00e9rir<\/a><\/strong>, prenez vingt minutes pour le feuilleter<\/a><\/strong><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Le 22 juin 1993, le photographe \u00e9tait l\u2019invit\u00e9 du Cercle de minuit<\/em><\/a><\/strong> pour \u00e9voquer ce travail de six ans, issu de voyages r\u00e9alis\u00e9s dans une vingtaine de pays. Autour de la table ce soir-l\u00e0, outre Sebastiao Salgado<\/a><\/strong>, on trouvait Reza, Olivier et Danielle F\u00f6llmi, Fran\u00e7oise Huguier, Sabrina et Roland Michaud. Sans jouer les vieux r\u00e2leurs, un plateau \u00e9quivalent serait-il possible aujourd’hui dans une \u00e9mission du service public ?\u00a0<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Quelques morceaux de choix sur le site de Polka (logique, la galerie le repr\u00e9sentait) : un retour sur la r\u00e9volutions des \u0152illets<\/strong><\/a>, un focus sur une photo de 1986 : \u00ab\u00a0Le mineur et le policier\u00a0\u00bb<\/strong><\/a>, un autre sur ses images de puits en flamme<\/strong><\/a> r\u00e9alis\u00e9es au Koweit en 1991, sans oublier une interview flash<\/strong><\/a> o\u00f9 l’on apprend – surprise ! – qu’il pr\u00e9f\u00e9rait le noir & blanc \u00e0 la couleur. <\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Son approche technique a influenc\u00e9 et influencera encore celles et ceux qui d\u00e9couvrent ses images, comme le prouve ce t\u00e9moignage recueilli au Mus\u00e9e d’art contemporain de Mont\u00e9limar o\u00f9 est actuellement expos\u00e9e sa s\u00e9rie \u00ab\u00a0Genesis\u00a0\u00bb<\/strong><\/a> : \u00ab\u00a0Sa mani\u00e8re de d\u00e9velopper les photos avec des noirs et blancs tr\u00e8s contrast\u00e9s, \u00e7a fait des \u00e9mules. \u00c7a change aussi notre mani\u00e8re de traiter les photos. La dimension du noir et blanc, surtout sur des sujets humains, donne plus de poids aux photos que la couleur.\u00a0\u00bb<\/em><\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
De 2006 \u00e0 2008, Fred Goyeau a travaill\u00e9 sur les tirages de l’exposition \u00ab\u00a0Genesis\u00a0\u00bb. Il a racont\u00e9 cette exp\u00e9rience dans une interview pour Les others<\/strong><\/a>.<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Autre exposition d’envergure (200 photos), \u00ab\u00a0Amaz\u00f4nia\u00a0\u00bb<\/strong><\/a> est \u00e0 voir en ce moment \u00e0 Bruxelles. Faute de pouvoir vous y rendre, vous pouvez en \u00e9couter la bande originale, compos\u00e9e par Jean-Michel Jarre, ici<\/strong><\/a>.<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
L’Amazonie<\/a><\/strong> \u00e9tait au c\u0153ur de ses pr\u00e9occupations, comme elle est au c\u0153ur de cette chanson d’Yves Simon<\/a><\/strong> dont Salgado signa la pochette du 45 tours<\/a><\/strong> (en couleur, s’il vous pla\u00eet). <\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
L’\u00e9motion suscit\u00e9e par les images de Salgado est-elle un barrage \u00e0 la r\u00e9flexion ? Tel est le point de d\u00e9part d’un essai de Katia Machado<\/a> <\/strong>publi\u00e9 en 2015 dans la revue Voix plurielles<\/em>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Sur le m\u00eame th\u00e8me (la nuance en moins), on peut relire ce billet de blog<\/strong><\/a> publi\u00e9 sur Mediapart suite \u00e0 l’entr\u00e9e de \u00ab\u00a0l’h\u00e9licologiste\u00a0\u00bb \u00e0 l’Acad\u00e9mie des beaux-arts. \u00ab\u00a0Les images de Salgado,<\/em> \u00e9crivent Annie Dufraisse et Jean Paul Achard, sont incontestablement belles. Mais elles sont belles parce que construites avec les moyens d\u2019une production propre \u00e0 l\u2019industrie du spectacle et fond\u00e9e sur une esth\u00e9tique qui conforte les imaginaires des attentes spectatorielles.\u00a0\u00bb<\/em><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
En son temps, Susan Sontag l’accusait d’esth\u00e9tiser la mis\u00e8re. Plus pr\u00e8s de nous, Pierre de Vallombreuse lui reproche de \u00ab\u00a0r\u00e9duire [les peuples qu’il photographie] \u00e0 leur seul exotisme\u00a0\u00bb<\/strong><\/a>. D’autres ont vu en lui un \u00ab\u00a0Bono de la photo\u00a0\u00bb. Que r\u00e9pondait Salgado \u00e0 toutes ces critiques ? Pour le savoir, on vous conseille l’\u00e9coute de l’\u00e9pisode 4 <\/a><\/strong>de la s\u00e9rie \u00ab\u00a0\u00c0 voix nue\u00a0\u00bb que lui a consacr\u00e9e France Culture il y a un an (et \u00e9videmment la s\u00e9rie compl\u00e8te<\/strong><\/a> si vous avez deux heures et demie devant vous).<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#000000″ border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Un nouveau livre, Glaciers<\/em>, sortira cette ann\u00e9e aux \u00e9ditions Contrejour, nous apprend Isabelle Francq dans sa n\u00e9crologie<\/strong><\/a> pour La Vie<\/em>. N\u00e9crologie que l’on vous invite \u00e0 lire, ne serait-ce que pour sa citation finale : \u00ab\u00a0Je n\u2019ai pas besoin de vert pour montrer les arbres, ni de bleu pour montrer la mer ou le ciel.\u00a0\u00bb<\/em><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbPHO\u2022pho\u2022phoTUS !\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/lemot.fr\/defi\/six?lm=YnJpZGdl\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de six lettres<\/strong> <\/a>en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbROBERT DOISNEAU\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=dyYuuHbCJPA&ab_channel=CulturePrime\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/06\/Robert_Doisneau_1992-1-240×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=dyYuuHbCJPA&ab_channel=CulturePrime\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

On dit toujours \u00ab\u00a0chasseur d’images\u00a0\u00bb, moi je me trouve plut\u00f4t comme un \u00ab\u00a0p\u00eacheur d’images\u00a0\u00bb. La rivi\u00e8re a beaucoup de ressemblances avec l’activit\u00e9 de la photo. La rivi\u00e8re qui coule, qui ne revient jamais en arri\u00e8re, c’est le temps qui passe inexorablement. Le fil qui la traverse et qui va dans ce myst\u00e8re, c’est une recherche d’une esp\u00e8ce de truc qu’on ne voit pas, que l’on sent… Et l’espoir que quelqu’un va sonner au bout, tout \u00e7a c’est exactement de la photo. Le r\u00e9flexe du ferrage, c’est exactement le r\u00e9flexe du type qui d\u00e9clenche. Si j’\u00e9tais un jour directeur d’une \u00e9cole de photo, il y aurait un cours obligatoire de p\u00eache \u00e0 la ligne.<\/em><\/p>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbCELIA FREYBURGER\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/france3-regions.franceinfo.fr\/auvergne-rhone-alpes\/savoie\/c-est-un-art-a-part-entiere-qu-est-ce-que-le-collodion-humide-cette-technique-de-photographie-qui-date-de-1850-3145523.html\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/06\/CELIA-FREYBURGER.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/france3-regions.franceinfo.fr\/auvergne-rhone-alpes\/savoie\/c-est-un-art-a-part-entiere-qu-est-ce-que-le-collodion-humide-cette-technique-de-photographie-qui-date-de-1850-3145523.html\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

J\u2019ai vraiment l\u2019impression que ce que je fais a du sens. On se rend compte du labeur que repr\u00e9sente une seule image. Aujourd\u2019hui, tout est tellement instantan\u00e9 qu\u2019on ne se rend plus compte que la photographie a exist\u00e9 il y a pr\u00e8s de 200 ans et \u00e0 quel point c\u2019\u00e9tait compliqu\u00e9.<\/em><\/p>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite Musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb|-66px||||\u00a0\u00bb custom_padding=\u00a0\u00bb|2px||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Terminons ce \u00ab\u00a0Clique Clac\u00a0\u00bb par un dernier clin d’\u0153il \u00e0 Sebasti\u00e3o Salgado. En 1997, le photographe a sollicit\u00e9 son compatriote Chico Buarque pour illustrer musicalement Terra<\/em><\/a><\/strong>, livre t\u00e9moignant des conditions de vie des \u00ab\u00a0d\u00e9racin\u00e9s\u00a0\u00bb au Br\u00e9sil. Un CD de quatre titres a \u00e9t\u00e9 produit qui accompagnait la premi\u00e8re \u00e9dition de l’ouvrage. La chose est difficile \u00e0 trouver aujourd’hui, mais une \u00e2me charitable a post\u00e9 ces quinze minutes de musique sur YouTube.<\/span><\/span><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/s8Dyzu7Y_mw?feature=shared\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Ce week-end \u00e0 Houlgate est lanc\u00e9e la 8e \u00e9dition des \u00ab\u00a0Femmes s’exposent\u00a0\u00bb, festival qui, comme son nom l’indique, donne \u00e0 voir le travail de signatures exclusivement f\u00e9minines. Le rendez-vous pr\u00e9sente cette ann\u00e9e douze expositions et presque autant de raisons de faire le voyage en Normandie. De voyage, il est d\u2019ailleurs ici beaucoup question\u2009: en Polyn\u00e9sie, […]<\/p>\n","protected":false},"author":5,"featured_media":49351,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-49326","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 382 : actus photo<\/title>\n<meta name=\"description\" content=\"Clique Clac 382 : l\u2019actualit\u00e9 photo de la semaine du 2 juin 2025 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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