{"id":49426,"date":"2025-06-12T05:00:06","date_gmt":"2025-06-12T03:00:06","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=49426"},"modified":"2025-06-19T14:23:02","modified_gmt":"2025-06-19T12:23:02","slug":"clique-clac-383","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2025\/06\/12\/clique-clac-383\/","title":{"rendered":"Clique Clac #383"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Install\u00e9 dans le paysage depuis une douzaine d’ann\u00e9es, SMITH fait partie de ces artistes dont le travail<\/a><\/strong> intimide. D’abord parce qu’il embrasse un spectre large de techniques (photo, installation, vid\u00e9o, performance, etc.), ensuite parce que ses diff\u00e9rentes s\u00e9ries s’accompagnent souvent d’intitul\u00e9s et de descriptifs assez abscons (la fiche de pr\u00e9sentation de D\u00e9sid\u00e9ration<\/em><\/strong><\/a>, livre paru en 2021 chez Textuel, vous donne une id\u00e9e) qui installent, de fait, une distance entre les oeuvres et les spectateurs. Le projet \u00ab\u00a0Dami\u00a0\u00bb<\/a><\/strong>, pr\u00e9sent\u00e9 en ce moment \u00e0 la galerie Leica, n’\u00e9chappe pas \u00e0 cet \u00e9cueil. Remercions donc Marie Labory d’avoir, dans son interview de SMITH pour les Midis de France Culture<\/strong><\/a>, ramen\u00e9 le propos \u00e0 des consid\u00e9rations plus terre \u00e0 terre. D\u00e8s la premi\u00e8re question, le ton est donn\u00e9 : \u00ab\u00a0Est-ce que \u00e7a vous va si, en tant que spectateur, on se contente de la beaut\u00e9 de vos images ?\u00a0\u00bb Au cours de ces vingt-huit minutes, la journaliste fait aussi affleurer les doutes de l’artiste (\u00ab\u00a0Suis-je l\u00e9gitime \u00e0 participer \u00e0 une r\u00e9sidence dans un domaine viticole alors que je ne consomme pas d’alcool ?\u00a0\u00bb), sa complexit\u00e9, son go\u00fbt de l’exp\u00e9rimentation et sa curiosit\u00e9. SMITH raconte, par exemple, que c’est en voyant un technicien v\u00e9rifier l’isolation thermique de son appartement qu’il a d\u00e9couvert les possibilit\u00e9s r\u00e9v\u00e9latrices de la cam\u00e9ra thermique, outil qui l’accompagne dans ses projets depuis maintenant quinze ans.<\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/06\/Roland-Garros-Nicolas-Gouhier-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbRoland Garros Nicolas Gouhier\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.rolandgarros.com\/fr-fr\/article\/immersion-reportage-photographes-roland-garros-edition-2025″ url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

RETOUR SUR TERRE<\/strong><\/p>\n

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Cette ann\u00e9e encore, l’ocre de Roland Garros aura livr\u00e9 son lot de belles images. Sur le site officiel du tournoi, on trouve un floril\u00e8ge comment\u00e9<\/a><\/strong> qui refl\u00e8te bien la quinzaine \u00e9coul\u00e9e, de l’hommage rendu \u00e0 Nadal \u00e0 la sensation Lois Boisson, en passant par la petite ramasseuse de balles en fauteuil roulant ou les derniers revers de Richard Gasquet. Un\u00a0<\/span>diaporama r\u00e9trospectif<\/a><\/strong>\u00a0<\/strong>est m\u00eame consacr\u00e9 \u00e0 celui qui, en 1996, \u00e9tait pr\u00e9sent\u00e9 comme le futur crack du tennis fran\u00e7ais. Corinne Dubreuil, l’autrice de la photo de Une qui fit tant jaser \u00e0 l’\u00e9poque (et m\u00eame apr\u00e8s), a racont\u00e9 \u00e0 L’\u00c9quipe\u00a0<\/em><\/span>les coulisses de ce reportage<\/a><\/strong>\u00a0pour Tennis Mag<\/em>. Si vous aimez les coulisses, retour en 2025 avec\u00a0<\/strong><\/span>cette courte vid\u00e9o<\/a><\/strong>\u00a0o\u00f9 Beno\u00eet Doppagne nous livre les myst\u00e8res de la \u00ab\u00a0chambre noire\u00a0\u00bb, la fosse en fond de court central que se partagent photographes, cameramen et ramasseurs de balles. Le tour ne serait pas complet sans\u00a0<\/span>cet article<\/a><\/strong>\u00a0d\u00e9taillant le fonctionnement du pool de photographes missionn\u00e9s par la FFT durant Roland Garros.<\/span><\/div>\n
<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/06\/un-portrait-de-louis-dufay-obtenu-grace-a-son-procede-de-photographie-et-de-tirage-couleur-vers-1922-archives-dufay-1746293752-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbun-portrait-de-louis-dufay-obtenu-grace-a-son-procede-de-photographie-et-de-tirage-couleur-vers-1922-archives-dufay-1746293752″ url=\u00a0\u00bbhttps:\/\/www.estrepublicain.fr\/economie\/2025\/05\/03\/un-hommage-a-louis-dufay-pionnier-de-la-photographie-et-du-cinema-en-couleur\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

LOUIS DUFAY, PIONNIER DE LA COULEUR<\/strong><\/p>\n

La fiche Wikip\u00e9dia de Louis Dufay se r\u00e9sume \u00e0\u00a0<\/span>cinq petites lignes<\/a><\/strong>\u00a0o\u00f9 l’on apprend qu’il a \u00e9t\u00e9 pr\u00e9curseur dans la technique de la photographie couleur. Pour savoir ce qui faisait la particularit\u00e9 du Dioptichrome ou de la Dufaycolor et pourquoi ces inventions, malgr\u00e9 d’incontestables qualit\u00e9s, sont tomb\u00e9es dans l’oubli, on vous conseille la lecture de<\/span>\u00a0cet article de L’Est R\u00e9publicain<\/em><\/a><\/strong>. On y apprend, entre autres, que son proc\u00e9d\u00e9 de tirage photographique couleur n’a rien \u00e0 voir avec la trichromie ch\u00e8re \u00e0 Louis Ducos du Hauron (ici, une prise de vue suffit),\u00a0 que son Dioptichrome offre un rendu plus pr\u00e9cis que l’Autochrome de Louis Lumi\u00e8re et qu’il a d\u00fb vendre ses brevets \u00e0 Ilford pour que ses id\u00e9es rencontrent enfin un succ\u00e8s commercial.\u00a0<\/span>Si l’article vous donne envie d’en savoir plus sur le parcours de Louis Dufay, procurez-vous\u00a0la biographie<\/a>\u00a0<\/strong>de 400 pages qu’ont r\u00e9dig\u00e9e Jean-Luc Dufay (son petit-fils<\/span>) et Patrick Fourneret.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbPHO\u2022pho\u2022phoTUS !\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/lemot.fr\/defi\/six?lm=YnJpZGdl\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de six lettres<\/strong> <\/a>en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEN BREF ET EN VRAC…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb25px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

La macro est \u00e0 l’honneur dans le\u00a0<\/span>dernier num\u00e9ro de Chasseur d’Images<\/strong><\/a>, ainsi que dans les\u00a0<\/span>British Photography Awards cuv\u00e9e 2025<\/strong><\/a>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Photographe humaniste pass\u00e9 par Rapho, Marc Paygnard vient de l\u00e9guer son fonds photographique (…enfin un tiers pour l’instant) au\u00a0<\/span>Mus\u00e9e Ni\u00e9pce<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Les bourses du festival \u00ab\u00a0Les femmes s’exposent\u00a0\u00bb ont \u00e9t\u00e9 d\u00e9cern\u00e9es \u00e0\u00a0<\/span>Louisa Ben, Mah\u00e9 Elipe et Chlo\u00e9 Kerleroux<\/a><\/strong>.\u00a0<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Pour honorer la m\u00e9moire de Francis Giacobetti, disparu dimanche dernier, L’Oeil de la photographie a mis en libre acc\u00e8s (jusqu’\u00e0 la fin de la semaine)\u00a0<\/span>six archives<\/a><\/strong>\u00a0<\/strong>m\u00ealant le nu, la mode et… Francis Bacon.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Quand un colvert franchit les limites…\u00a0image \u00e0 l’appui<\/a><\/strong>.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Ce week-end, F\u00e9lix Marcel et Th\u00e9o Solaesa auront la\u00a0<\/span>\u00ab\u00a0T\u00eate dans le Fion\u00a0\u00bb<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
En partenariat avec Leica,\u00a0<\/span>la marque d\u2019alpinisme Mammut organise un concours photo classique et\u00a0une chasse au mat\u00e9riel<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Vous aimez le camping et la photo ? Le r\u00e9seau Onlycamp a\u00a0<\/span>un job d’\u00e9t\u00e9<\/a><\/strong>\u00a0<\/strong>\u00e0 vous proposer.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
C\u00e9lia Honor\u00e9 honor\u00e9e<\/strong><\/a>.<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Alors que se pr\u00e9pare d\u00e9j\u00e0\u00a0<\/span>l’\u00e9dition 2026<\/strong><\/a>, Fisheye a demand\u00e9 \u00e0 quelques photographes pass\u00e9s par le festival \u00ab\u00a0Circulation(s)\u00a0\u00bb\u00a0<\/span>ce qu’ils et elles devenaient<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Sarah Moon remporte le premier\u00a0<\/span>Grand Prix de l\u2019Acad\u00e9mie des beaux-arts, section photographie<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Les 17 et 18 juin, le Palais de Tokyo (Paris 16e) accueille la sixi\u00e8me \u00e9dition du Parlement de la photographie. Les conf\u00e9rences et tables rondes (autour du futur bicentenaire, des 70 ans de Gens d’Images, des photographes ultra-marins ou des d\u00e9fis de l’IA) sont accessibles \u00e0 distance, moyennant inscription<\/strong><\/a>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Le plaisir qu’a Fanny Zambaz \u00e0 partager son go\u00fbt de la nature sauvage et du cyanotype est communicatif dans Wild Blue<\/em><\/strong><\/a>, sympathique documentaire d’Adriano Koch auquel on reprochera quand m\u00eame des nappes sonores (bien) trop pr\u00e9sentes.<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbMATILDEUH\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.lesinrocks.com\/musique\/le-female-gaze-matihldeuh-photographe-de-concert-a-lunivers-trash-et-sature-657459-20-05-2025\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/06\/PORTRAIT-LACAPTUREROUGE-t-850×540-crop.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.lesinrocks.com\/musique\/le-female-gaze-matihldeuh-photographe-de-concert-a-lunivers-trash-et-sature-657459-20-05-2025\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

En concert, je vois beaucoup de photographes avec de gros objectifs, ils ne connaissent m\u00eame pas le groupe, ne s\u2019ambiancent pas et prennent toute la place\u2026 Quand tu vois leurs photos, ce n\u2019est pas possible ! Le matos, \u00e7a ne fait pas tout. C\u2019est inspirant qu\u2019on soit plein de meufs \u00e0 s\u2019y mettre et \u00e0 se retrouver en concert. Nos regards se compl\u00e8tent et on se tire vers le haut, il n\u2019y a pas du tout de concurrence. Fuck les hommes, c\u2019est notre tour.<\/em><\/p>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbMIKE VOSS\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/marcelborgstijn.substack.com\/p\/darkrooms-uncovered-mike-voss?utm_source=substack&utm_medium=email\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/06\/Mike-VOSS-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/marcelborgstijn.substack.com\/p\/darkrooms-uncovered-mike-voss?utm_source=substack&utm_medium=email\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

J’ai fait des portraits, mais je pr\u00e9f\u00e8re la photographie de rue parce qu’elle est plus honn\u00eate. Il y a tellement de choix \u00e0 faire \u00e0 la vol\u00e9e. Je pensais qu’en tant que photojournaliste, je tendais un miroir \u00e0 la soci\u00e9t\u00e9, mais je me suis rendu compte que l’image dans le miroir est la mienne. Comme l’a dit Minor White, \u00ab toutes les photographies sont des autoportraits \u00bb. En fin de compte, mes photographies me parlent de moi.<\/em><\/p>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite Musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb|-66px||||\u00a0\u00bb custom_padding=\u00a0\u00bb|2px||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Il y a 45 ans, The Vapors connaissait un joli (et unique) succ\u00e8s avec \u00ab\u00a0Turning Japanese\u00a0\u00bb, chanson consid\u00e9r\u00e9e \u00e0 l’\u00e9poque par certains comme une ode \u00e0 la masturbation, quand bien m\u00eame David Fenton, le chanteur-compositeur,\u00a0<\/strong><\/span>affirmait le contraire<\/a><\/strong>\u00a0:\u00a0<\/span>\u00ab\u00a0C\u2019\u00e9tait \u00e0 propos de quelque chose que j\u2019avais v\u00e9cu moi-m\u00eame. Une relation amoureuse se termine et vous n’avez plus que des photos.\u00a0(…)\u00a0Les Am\u00e9ricains ont pens\u00e9 que \u00ab\u00a0Turning Japanese\u00a0\u00bb \u00e9tait une expression argotique anglaise pour la masturbation, alors que j’avais trouv\u00e9 la formule un matin au r\u00e9veil. \u00c7a aurait pu aussi bien \u00eatre \u00ab\u00a0Turning Portuguese\u00a0\u00bb ! Au moins, \u00e7a a cr\u00e9\u00e9 un int\u00e9r\u00eat autour du titre. Mais ce n’\u00e9tait pas l’intention, c’\u00e9tait juste une chanson d’amour.\u00a0\u00bb<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/nGy9uomagO4?feature=shared\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Install\u00e9 dans le paysage depuis une douzaine d’ann\u00e9es, SMITH fait partie de ces artistes dont le travail intimide. D’abord parce qu’il embrasse un spectre large de techniques (photo, installation, vid\u00e9o, performance, etc.), ensuite parce que ses diff\u00e9rentes s\u00e9ries s’accompagnent souvent d’intitul\u00e9s et de descriptifs assez abscons (la fiche de pr\u00e9sentation de D\u00e9sid\u00e9ration, livre paru en […]<\/p>\n","protected":false},"author":5,"featured_media":49449,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-49426","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 383 : actus photo<\/title>\n<meta name=\"description\" content=\"Clique Clac 383 : l\u2019actualit\u00e9 photo de la semaine du 9 juin 2025 avec Chasseur 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