{"id":49871,"date":"2025-07-10T05:00:41","date_gmt":"2025-07-10T03:00:41","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=49871"},"modified":"2025-07-10T14:36:41","modified_gmt":"2025-07-10T12:36:41","slug":"clique-clac-387","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2025\/07\/10\/clique-clac-387\/","title":{"rendered":"Clique Clac #387"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Vieillir \u00e0 Cuba n’a rien d’une sin\u00e9cure. Beaucoup de retrait\u00e9s vivent avec des pensions mis\u00e9rables qui les obligent \u00e0 trouver\u00a0<\/span>un boulot d’appoint<\/strong><\/a>\u00a0(quand ils ne font pas la manche). Heureusement, la baignade reste gratuite ! Pour l’AFP, Yamil Lage est all\u00e9 \u00e0 la rencontre de s\u00e9niors qui, au sein du\u00a0<\/span>club \u00ab\u00a0Juvendud accumulada\u00a0\u00bb<\/a><\/strong>, nagent quotidiennement pour d\u00e9fier le mauvais sort et\/ou le temps qui passe. \u00c0 l’autre bout du monde, les\u00a0<\/span>haenyo<\/em>\u00a0d\u00e9fient, elles aussi, le temps. Ces plongeuses de l’\u00eele de Jeju, qui sont au centre d’une exposition \u00e0 voir en ce moment au\u00a0<\/span>Centre culturel cor\u00e9en<\/strong><\/a>, perp\u00e9tuent un art de la p\u00eache ancestral, en apn\u00e9e et sans \u00e9quipement. Une pratique exigeante et peu lucrative qui ne s\u00e9duit pas les jeunes g\u00e9n\u00e9rations. De fait, les\u00a0<\/span>haenyo<\/em>\u00a0photographi\u00e9es par\u00a0<\/span>Kim Hyung-sun<\/strong>\u00a0<\/span><\/a>ont au bas mot la soixantaine. Pour cette galerie de portraits r\u00e9alis\u00e9s \u00e0 leur sortie de l’eau, le photographe s’est fix\u00e9\u00a0<\/span>un protocole pr\u00e9cis<\/strong><\/a>\u00a0:\u00a0<\/span>\u00ab\u00a0Plut\u00f4t que de les photographier dans leur environnement, j\u2019ai voulu me concentrer uniquement sur elles. Sur leur visage, leur corps, leur posture. C\u2019est pourquoi j\u2019ai choisi un fond neutre, un tissu blanc, pour faire dispara\u00eetre le contexte et laisser toute la place au portrait.\u00a0\u00bb<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/07\/03-Diana-Thorneycroft-The-Canadiana-300×300.jpeg\u00a0\u00bb title_text=\u00a0\u00bb03-Diana-Thorneycroft-The-Canadiana\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/artmur.com\/en\/artists\/diana-thorneycroft\/the-canadiana-martyrdom-series\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

POLITIQUE DU JOUET<\/strong><\/p>\n

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Un \u0153il inattentif pourrait voir en\u00a0<\/span>Diana Thorneycroft<\/a><\/strong>\u00a0<\/strong>une \u00e9ni\u00e8me repr\u00e9sentante de la toy-photography. Si l’artiste canadienne se sert effectivement de figurines pour cr\u00e9er ses dioramas, son propos n’a rien de ludique.\u00a0Dipl\u00f4m\u00e9e de l’Universit\u00e9 de Manitoba en 1979 et de celle du Wisconsin l’ann\u00e9e suivante, Diana Thorneycroft a trouv\u00e9 dans ses mises en sc\u00e8ne a priori inoffensives le moyen de raconter l’histoire de son pays en s’autorisant des r\u00e9f\u00e9rences \u00e0 divers mouvements artistiques. Dans\u00a0<\/span>\u00ab\u00a0The Canadian Martyrdom Series\u00a0\u00bb<\/a><\/strong>, par exemple, elle confronte les clich\u00e9s touristiques de son pays aux repr\u00e9sentations des martyrs dans la peinture religieuse. Dans<\/span>\u00a0<\/strong>\u00ab\u00a0A People\u2019s History\u00a0\u00bb<\/a><\/strong>, elle d\u00e9nonce, entre autres, les exactions commises contre les peuples premiers. Et dans\u00a0<\/span>\u00ab\u00a0Group of Seven Awkward Moments\u00a0\u00bb<\/a><\/strong>, elle s’attaque carr\u00e9ment \u00e0 une institution :\u00a0<\/span>le Groupe des Sept<\/a><\/strong>.<\/span>\u00a0<\/span>\u00ab\u00a0Ceux qui pensent que le Groupe des Sept repr\u00e9sente la \u00ab\u00a0culture canadienne\u00a0\u00bb,\u00a0<\/span><\/em>disait-elle r\u00e9cemment \u00e0 Talking Pictures,<\/span>\u00a0<\/span>ne tiennent pas compte de la contribution artistique de toute personne de sexe f\u00e9minin, non blanche ou parlant une autre langue que l’anglais.\u00a0\u00bb<\/em><\/div>\n
<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/07\/GOOSEBUMPS-300×300.png\u00a0\u00bb title_text=\u00a0\u00bbGOOSEBUMPS\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=gP_OEXYUenQ&ab_channel=ScholasticClassic\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

SAY CHEESE AND DIE<\/strong><\/p>\n

\u00ab\u00a0Greg s’amuse \u00e0 prendre des photos avec l’appareil instantan\u00e9 qu’il a trouv\u00e9 dans la vieille maison sinistre des Coffman… jusqu’\u00e0 ce qu’il se rende compte que les photos d\u00e9velopp\u00e9es ne sont pas celles qu’il a prises. Elles repr\u00e9sentent d’horribles d\u00e9sastres impliquant la personne qui s’y trouve. Le plus effrayant, c’est que les catastrophes commencent \u00e0 se r\u00e9aliser !\u00a0\u00bb Tel est le point de d\u00e9part de <\/span>Say cheese and die<\/em>,\u00a0<\/span>double \u00e9pisode de Goosebumps<\/em><\/a><\/strong>\u00a0<\/em>(Chair de poule), s\u00e9rie canadienne pour adolescents diffus\u00e9e au milieu des ann\u00e9es 1990. Saurez-vous deviner qui interpr\u00e8te le r\u00f4le principal dans la premi\u00e8re partie ? (il avait alors une quinzaine d’ann\u00e9es)<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbPHO\u2022pho\u2022phoTUS !\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/lemot.fr\/defi\/six?lm=YnJpZGdl\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de cinq lettres<\/strong> <\/a>en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEn bref et en vrac…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb25px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Depuis 2015, Fr\u00e9d\u00e9rique ne manque aucune \u00e9dition des Rencontres d’Arles. Sa curiosit\u00e9 naturelle et son discours rafra\u00eechissant<\/strong><\/a> battent en br\u00e8che les accusations d’\u00e9litisme qui p\u00e8sent parfois sur le festival.<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Nadia Lee Cohen et Martin Parr ont quarante ans d’\u00e9cart, mais le m\u00eame regard grin\u00e7ant sur l’\u00e9poque. Leur collaboration \u00e9tait\u00a0<\/span>\u00e9crite<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Laisseriez-vous Liza Fetissova transformer\u00a0<\/span>votre appartement en\u00a0galerie d’art<\/a><\/strong>\u00a0?<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Solar, tel est le nom du collectif lanc\u00e9 par six photographes et une curatrice bas\u00e9es \u00e0 Marseille. Qui ? Comment ? Dans quel but ? Pour le savoir, \u00e9coutez\u00a0<\/span>le podcast\u00a0<\/a><\/strong>que leur a consacr\u00e9 \u00ab\u00a0Elles font la culture\u00a0\u00bb.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
\u00c0 l’issue de la 78e assembl\u00e9e g\u00e9n\u00e9rale de Magnum Photos<\/a><\/strong>, Zied Ben Romdhane devient membre \u00e0 part enti\u00e8re de l’agence et Myriam Boulos passe au statut d’associ\u00e9e.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Blind Magazine a dress\u00e9 la liste des 100 personnalit\u00e9s les plus influentes de la photographie<\/strong><\/a>. Un panel tr\u00e8s francophile o\u00f9 l’on retrouve Diane Dufour, Cl\u00e9ment Ch\u00e9roux, Florence Bourgeois, mais aussi Jonas Cu\u00e9nin, le directeur de… Blind Magazine. On n’est jamais aussi bien servi que par soi-m\u00eame !<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Des infos sur les c\u00e9l\u00e9brations du bicentenaire de la photographie<\/a><\/strong> commencent \u00e0 flitrer.<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Dans son studio californien, Todd Hido<\/a><\/strong> reproduit la lumi\u00e8re du sud de la France pour produire des portraits d’une gr\u00e2ce folle.<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
De retour sur sc\u00e8ne \u00e0 Cardiff, Oasis (ou du moins son staff) a intim\u00e9 aux agences de presse couvrant le concert de n’exploiter les photos que pendant une ann\u00e9e<\/strong><\/a>. Apr\u00e8s quoi, les droits d’exploitation reviendraient au groupe. Deal accept\u00e9 (!) par la News Media Coalition.<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Photographi\u00e9e \u00e0 son insu, Gis\u00e8le P\u00e9licot a obtenu de Paris Match<\/em> le versement de 40000 \u20ac<\/a><\/strong> \u00e0 deux associations soutenant des victimes de violence.<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Connu pour son travail photographique autour de la famille et de l’enfance, Alain Laboile vient d’ouvrir un parc artistique<\/strong><\/a> dans le Lot.<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Le silicium va-t-il bient\u00f4t c\u00e9der la place \u00e0 la p\u00e9rovskite<\/strong> <\/a>dans les capteurs photo ?<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Mardi soir au Th\u00e9\u00e2tre antique d’Arles, Nan Goldin a appel\u00e9 \u00e0 se mobiliser<\/a><\/strong> contre la situation en cours \u00e0 Gaza.<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
L’exposition \u00ab\u00a0Une image – Une histoire\u00a0\u00bb est termin\u00e9e depuis plusieurs semaines, mais on peut la revivre gr\u00e2ce \u00e0 ce livret<\/strong><\/a>.<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Le Temps<\/em> s’est plong\u00e9 dans ses archives photographiques des ann\u00e9es 90, moment charni\u00e8re en Suisse dans la lutte pour l’\u00e9galit\u00e9 des droits homme-femme<\/strong><\/a>.<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbL\u00e9a HABOURDIN, t\u00eate chercheuse\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.hellocarbo.com\/blog\/media\/lea-habourdin-images-fragiles-du-vivant-en-danger\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/07\/cmedia-lea-habourdin-photo-sensible-300×300.webp\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.hellocarbo.com\/blog\/media\/lea-habourdin-images-fragiles-du-vivant-en-danger\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Lors de mon exposition\u00a0aux Rencontres d\u2019Arles 2022, mes anthotypes \u00e9taient expos\u00e9s derri\u00e8re des volets opaques \u00e0 la lumi\u00e8re. J\u2019avais \u00e9crit un texte qui expliquait que ces tirages \u00e9taient tr\u00e8s sensibles \u00e0 la lumi\u00e8re et qu\u2019on pouvait choisir d\u2019ouvrir les volets tout en sachant qu\u2019on allait tuer petit \u00e0 petit les tirages ou alors, on pouvait choisir de ne pas les regarder et de pr\u00e9server l\u2019image.<\/em><\/p>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbEmin \u00d6ZMEN, photojournaliste\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.arte.tv\/fr\/videos\/122199-015-A\/tracks-east\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/07\/OZMEN-Emin-300×300.png\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.arte.tv\/fr\/videos\/122199-015-A\/tracks-east\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Il est tr\u00e8s important pour moi de ne pas prendre part aux manifestations anti-Erdogan en tant qu’activiste, car mon objectif est avant tout de documenter ces \u00e9v\u00e9nements. Mais le choix de mes sujets montre bien s\u00fbr de quel c\u00f4t\u00e9 je suis.<\/em><\/p>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Groupe de free jazz form\u00e9 au printemps 1996 par\u00a0le clarinettiste et saxophoniste Ken Vandermark, The Vandermak 5 a publi\u00e9 une quinzaine d’albums qui, selon les sp\u00e9cialistes du genre, m\u00ealent post-bop et avant-garde. Sur\u00a0<\/span>Beat reader<\/em>, long format sorti en 2008, chaque titre a la particularit\u00e9 d’\u00eatre d\u00e9di\u00e9 \u00e0 un artiste de premier plan. Des musiciens bien s\u00fbr (Ligeti, Rutherford, Roach), mais surtout des photographes. Cet \u00ab\u00a0Any given number\u00a0\u00bb tout en sobri\u00e9t\u00e9 est ainsi (logiquement) d\u00e9di\u00e9 \u00e0 Bernd et Hilla Becher. Pour \u00e9couter les hommages de The Vandermark 5 \u00e0 Lee Friedlander, Andreas Gurski, Walker Evans et\u00a0Daido Moriyama, rendez-vous\u00a0<\/span>ici<\/a><\/strong>.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/18DefbJ7gBU?feature=shared\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Vieillir \u00e0 Cuba n’a rien d’une sin\u00e9cure. Beaucoup de retrait\u00e9s vivent avec des pensions mis\u00e9rables qui les obligent \u00e0 trouver\u00a0un boulot d’appoint\u00a0(quand ils ne font pas la manche). Heureusement, la baignade reste gratuite ! Pour l’AFP, Yamil Lage est all\u00e9 \u00e0 la rencontre de s\u00e9niors qui, au sein du\u00a0club \u00ab\u00a0Juvendud accumulada\u00a0\u00bb, nagent quotidiennement pour d\u00e9fier […]<\/p>\n","protected":false},"author":5,"featured_media":49779,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-49871","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 387 : actus photo<\/title>\n<meta name=\"description\" content=\"Clique Clac 387 : l\u2019actualit\u00e9 photo de la semaine du 7 juillet 2025 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, 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