{"id":49980,"date":"2025-07-16T11:36:40","date_gmt":"2025-07-16T09:36:40","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=49980"},"modified":"2025-08-26T09:42:13","modified_gmt":"2025-08-26T07:42:13","slug":"clique-clac-388","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2025\/07\/16\/clique-clac-388\/","title":{"rendered":"Clique Clac #388"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Chacun se souvient de la grande campagne photographique lanc\u00e9e dans les ann\u00e9es 1930 par la Farm Security Administration afin de documenter les cons\u00e9quences de la Grande D\u00e9pression sur la vie des Am\u00e9ricains. Bien moins connu est \u00ab\u00a0Documerica\u00a0\u00bb, projet lanc\u00e9 en 1970 par l’Agence environnementale am\u00e9ricaine afin de rendre compte des probl\u00e8mes \u00e9cologiques touchant les \u00c9tats-Unis. L’initiative \u00e9tait en avance sur son temps et b\u00e9n\u00e9ficiait de moyens cons\u00e9quents : une centaine de photographes impliqu\u00e9s (dont Arthur Tress, Boyd Norton ou Danny Lyon), quelque quatre vingt mille clich\u00e9s r\u00e9alis\u00e9s… mais au final, pas un n’est pass\u00e9 \u00e0 la post\u00e9rit\u00e9 \u00e0 la mani\u00e8re de la <\/span>Migrant mother\u00a0<\/a><\/strong><\/em>de Dorothea Lange ou du\u00a0<\/span>Fermier et ses fils<\/a><\/em><\/strong>\u00a0<\/em><\/strong>d’Arthur Rothstein. Comme le montre\u00a0<\/span>Documerica, les images oubli\u00e9es de l’Am\u00e9rique<\/a><\/strong><\/em>, la qualit\u00e9 des photographies produites n’\u00e9tait pas en cause. Au pire peut-on leur reprocher d’avoir outrepasser la consigne de d\u00e9part : faute de cadrage, ce qui devait \u00eatre un vaste reportage environnemental s’est transform\u00e9 en portrait g\u00e9ant de la soci\u00e9t\u00e9 de consommation. Une d\u00e9rive somme toute logique, car comme le dit l’un des intervenants, \u00ab\u00a0le projet Documerica a mis en lumi\u00e8re que deux grands mythes nationaux, celui d’une nature sans limites et celui d’un progr\u00e8s in\u00e9branlable, \u00e9taient en conflit l’un avec l’autre.\u00a0\u00bb<\/em>\u00a0<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/07\/PINZI-Chantal-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbPINZI Chantal\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.courrierinternational.com\/diaporama\/portfolio-les-skateuses-ethiopiennes-qui-secouent-la-tradition_230532″ url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

SPORTS EN TOUT GENRE<\/strong><\/p>\n

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Tendance de fond ou simple co\u00efncidence, on voit fleurir depuis quelques ann\u00e9es des projets photographiques montrant la r\u00e9appropriation de certaines pratiques sportives par des femmes. On pense \u00e9videmment aux lutteuses boliviennes (les fameuses \u00ab\u00a0flying cholitas\u00a0\u00bb) immortalis\u00e9es par\u00a0<\/strong><\/span>Luisa D\u00f6rr<\/a><\/strong>\u00a0<\/strong>ou encore aux \u00ab\u00a0Boxing queens\u00a0\u00bb tanzaniennes que\u00a0<\/span>Delphine Blast<\/a><\/strong>\u00a0a fait poser fi\u00e8rement dans leur salle d’entra\u00eenement.\u00a0<\/span>Benjamin Rasmussen<\/a><\/strong>, pour sa part, s’est rendu au Cameroun, pays o\u00f9 il est encore mal vu pour une jeune fille de vouloir pratiquer le football. En \u00c9thiopie, l’\u00e9mancipation passera-t-elle par le skate-board ? C’est en tout cas ce que tend \u00e0 montrer le reportage r\u00e9alis\u00e9 \u00e0 Addis Abeba par\u00a0<\/span>Chantal Pinzi<\/a><\/strong>.\u00a0<\/span><\/div>\n
<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/07\/Arditube-300×300.png\u00a0\u00bb title_text=\u00a0\u00bbArditube\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=zQoj6NDrlcg&list=PLlBFesziwSJVaFyntIbSgsxCM3BwzXIFi&index=11&ab_channel=INAArditube\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

DANS LES FILETS D’ARDITUBE<\/strong><\/p>\n

On ne chantera pas ici les louanges de Thierry Ardisson, personnalit\u00e9 clivante s’il en fut. Nonobstant, une recherche sur la cha\u00eene\u00a0<\/span>Arditube<\/a><\/strong>, pour peu qu’on se focalise sur les ann\u00e9es 80-90, permet de faire \u00e9merger quelques moments photographiques, comme la visite de l’appartement (kitsch \u00e0 souhait) de\u00a0<\/span>Pierre & Gilles<\/a><\/strong>\u00a0(\u00e0 partir de 34’10), l’interview \u00ab\u00a0pinceau\u00a0\u00bb de\u00a0<\/span>Thierry Mugler<\/a><\/strong>\u00a0(56’34) ou celle, \u00e0 sens unique, de\u00a0<\/span>Jean-Baptiste Mondino<\/a><\/strong>\u00a0(1″23’38). C’est dans l’\u00e9mission \u00ab\u00a0Bains de minuit\u00a0\u00bb qu’on trouve les perles les plus notables : une br\u00e8ve rencontre avec\u00a0<\/span>Elaine Ellman<\/a><\/strong>, photographe des nuits new-yorkaises (42’56), une double interview de\u00a0<\/span>Maurice et Bettina Rheims<\/a><\/strong>\u00a0(47’55) ou, last but not least, une conservation au comptoir avec\u00a0<\/span>Dominique Issermann et Leonard Cohen<\/a><\/strong>\u00a0<\/strong>(27’30). Maigre p\u00eache au final, compte tenu de la long\u00e9vit\u00e9 t\u00e9l\u00e9visuelle de l’homme en noir.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbPHO\u2022pho\u2022phoTUS !\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/lemot.fr\/defi\/six?lm=YnJpZGdl\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de six lettres<\/strong> <\/a>en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEn bref et en vrac…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb25px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Nul n’est proph\u00e8te en son pays. Exemple chez nos cousins canadiens qui semblent d\u00e9couvrir\u00a0<\/span>Edward Burtynsky<\/strong><\/a>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Photographie, broderie et voile se m\u00ealent dans les compositions de\u00a0<\/span>Joana Choumali<\/a><\/strong>, artiste ivoirienne interview\u00e9e par <\/span>BBC Africa<\/strong><\/a>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
La cr\u00e8me solaire et l’anti-moustique ne sont\u00a0<\/strong><\/span>pas les amis<\/strong>\u00a0<\/strong><\/span><\/a>de votre mat\u00e9riel photo.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
De Paris \u00e0 Berlin, Thibaut Drutel traque les effets de sym\u00e9trie\u00a0<\/span>sur les quais du m\u00e9tro<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Il y a 150 ans commen\u00e7ait le chantier de la\u00a0<\/span>basilique du Sacr\u00e9-Coeur<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Quentin Danel n’a pas perdu son\u00a0<\/span>\u00e2me d’enfant<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
\u00a0En usant de l’infrarouge, Axelle de Russ\u00e9 ausculte les effets du r\u00e9chauffement climatique\u00a0<\/strong><\/span>sous les latitudes arctiques et antarctiques<\/strong><\/a>.\u00a0<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Franc succ\u00e8s pour la semaine d’ouverture des Rencontres d’Arles, dont la fr\u00e9quentation a bondi de 15%<\/strong><\/a> par rapport \u00e0 l’an dernier. Rappelons que les expos sont visibles jusqu’au 5 octobre.<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Daniel Costa raconte,\u00a0<\/span>en trois points<\/a><\/strong>, comment il a r\u00e9alis\u00e9 sa photo brume et or de la statue du Christ-Roi, \u00e0 Lisbonne.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Agn\u00e8s Geoffray et Vanessa Desclaux revisitent\u00a0<\/span>l’histoire des maisons de pr\u00e9servation<\/a><\/strong>\u00a0<\/strong>\u00e0 l’aune des luttes f\u00e9ministes actuelles.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
10 choses que\u00a0<\/span>Carly Hughes-Horvath a apprises en travaillant\u00a0dans un strip-club<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
10 choses que vous ne savez peut-\u00eatre pas concernant\u00a0<\/span>Elliott Erwitt<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Le reporter de guerre Patrick Chauvel a \u00e9t\u00e9 promu au grade de\u00a0<\/span>chevalier de la L\u00e9gion d’honneur<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Le Monde<\/em> a \u00e9t\u00e9 lanc\u00e9 en 1944, mais il a fallu attendre cinq ans pour que soit publi\u00e9e\u00a0<\/span>une premi\u00e8re photographie<\/a><\/strong>\u00a0dans les pages du quotidien.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Vous avez du mal \u00e0 ma\u00eetriser Photoshop ? Dites-vous qu’il y a\u00a0<\/span>pire que vous<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Nul besoin d’habiter Perpignan pour visiter l’exposition \u00ab\u00a0Freedom of movement\u00a0\u00bb, actuellement pr\u00e9sent\u00e9e au\u00a0<\/span>Centre International du Photojournalisme<\/span><\/span>.\u00a0<\/span>Un site associant portraits, textes et vid\u00e9os<\/a><\/strong>\u00a0<\/strong>permet son exploration en ligne.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Taxiphote, qu\u00e9scao ? R\u00e9ponse en\u00a0<\/span>deux minutes chrono<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Agn\u00e8s Varda et Pierre Soulages \u00e9taient amis et partageaient un m\u00eame go\u00fbt pour la mer, d’o\u00f9 l’id\u00e9e de pr\u00e9senter, sous l’intitul\u00e9\u00a0<\/strong><\/span>\u00ab\u00a0Je suis curieuse. Point.\u00a0\u00bb<\/a><\/strong>, des photographies marines de Varda au mus\u00e9e Soulages (Rodez).<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bb\u00c9ric BOUVET, photojournaliste\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.rtl.fr\/actu\/debats-societe\/j-ai-choisi-d-etre-sur-le-terrain-de-subir-la-violence-l-horreur-eric-bouvet-a-ete-photojournaliste-de-guerre-pendant-40-ans-7900514923″ url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/07\/BOUVET-Eric.png\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.rtl.fr\/actu\/debats-societe\/j-ai-choisi-d-etre-sur-le-terrain-de-subir-la-violence-l-horreur-eric-bouvet-a-ete-photojournaliste-de-guerre-pendant-40-ans-7900514923″ link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

L’horreur, on peut la d\u00e9crire avec des mots. Mais en photo c’est plus compliqu\u00e9, surtout si on veut la d\u00e9crire avec la mani\u00e8re. Toute ma vie, je me suis censur\u00e9 parce que c’\u00e9tait trop violent, trop dur, parce qu’on atteignait la dignit\u00e9 des gens aussi. Et aujourd’hui je le regrette, j’aurais d\u00fb faire ces photos quitte \u00e0 les sortir deux ans, cinq ans, dix ans plus tard. Mais qu’il reste une trace…<\/em><\/p>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbDominique de FONT-R\u00c9AULX, directrice du Bicentenaire de la photographie\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.liberation.fr\/culture\/arts\/art-contemporain\/dominique-de-font-reaulx-lidee-de-photographie-correspond-a-la-fois-a-un-appetit-de-rationnel-et-de-merveilleux-20250711_Q46MEJ5FTJG3LD33D3PUEDEPYU\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/07\/DE-FONT-REAULX-Dominique.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.liberation.fr\/culture\/arts\/art-contemporain\/dominique-de-font-reaulx-lidee-de-photographie-correspond-a-la-fois-a-un-appetit-de-rationnel-et-de-merveilleux-20250711_Q46MEJ5FTJG3LD33D3PUEDEPYU\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

La complexit\u00e9 de la photographie, c’est qu’elle est tr\u00e8s plurielle : elle est \u00e0 la fois un art, avec une conception esth\u00e9tique tr\u00e8s forte, mais aussi un proc\u00e9d\u00e9 qui est rentr\u00e9 dans des sph\u00e8res plus \u00e9conomiques. Donc elle est partout, et le risque d’\u00eatre partout, c’est qu’elle ne soit plus visible l\u00e0 o\u00f9 elle est. Le but du bicentenaire est de regarder la photographie, de se demander ce qu’elle forme comme cadre sur le monde.<\/em><\/p>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Bouclons la boucle avec\u00a0<\/span>un extrait d’Ethel’s Documerica<\/em>, spectacle multim\u00e9dia con\u00e7u en 2013 par le quatuor \u00e0 cordes\u00a0Ethel\u00a0<\/a><\/strong>et illustr\u00e9 par des s\u00e9quences d’images extraites des\u00a0archives Documerica<\/a><\/strong>. Une playlist int\u00e9grale est disponible\u00a0ici<\/a><\/strong>.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/RlG1zdqT80c?feature=shared\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/p>\n

Clique Clac se met en pause pour quelques semaines.
Bel \u00e9t\u00e9 et bonnes vacances si vous en prenez !<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_5,3_5,1_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbl’anti-clique clac\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb background_color=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_text_color=\u00a0\u00bb#FFFFFF\u00a0\u00bb background_color=\u00a0\u00bb#000000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Ne cliquez pas sur\u00a0<\/span>ce lien<\/strong><\/a>\u00a0<\/span>si vous \u00eates v\u00e9g\u00e9tarien.<\/div>\n
Ne cliquez pas sur\u00a0<\/span>ce lien<\/strong><\/a>\u00a0<\/span>si vous \u00eates agoraphobe.<\/div>\n
Ne cliquez pas sur\u00a0<\/span>ce lien<\/a>\u00a0<\/strong>si vous \u00eates arachnophobe.<\/div>\n
Ne cliquez pas sur\u00a0<\/span>ce lien<\/a><\/strong>\u00a0si vous pr\u00e9f\u00e9rez l’original \u00e0 la copie.<\/span><\/div>\n
Ne cliquez pas sur\u00a0ce lien<\/strong><\/a>\u00a0si l’anthropomorphisme vous fatigue.<\/span><\/div>\n
Ne cliquez pas sur\u00a0<\/span>ce lien<\/a><\/strong>\u00a0<\/span>si le merchandising Disney vous saoule.<\/div>\n
Ne cliquez pas sur\u00a0<\/span>ce lien<\/strong><\/a>\u00a0<\/span>si vous ne jurez que par la haute d\u00e9finition.<\/div>\n
<\/div>\n
<\/div>\n
<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Chacun se souvient de la grande campagne photographique lanc\u00e9e dans les ann\u00e9es 1930 par la Farm Security Administration afin de documenter les cons\u00e9quences de la Grande D\u00e9pression sur la vie des Am\u00e9ricains. Bien moins connu est \u00ab\u00a0Documerica\u00a0\u00bb, projet lanc\u00e9 en 1970 par l’Agence environnementale am\u00e9ricaine afin de rendre compte des probl\u00e8mes \u00e9cologiques touchant les \u00c9tats-Unis. […]<\/p>\n","protected":false},"author":5,"featured_media":49986,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-49980","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 388 : actus photo<\/title>\n<meta name=\"description\" content=\"Clique Clac 388 : l\u2019actualit\u00e9 photo de la semaine du 14 juillet 2025 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.chassimages.com\/index.php\/2025\/07\/16\/clique-clac-388\/\" \/>\n<meta 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