{"id":50275,"date":"2025-08-28T05:00:14","date_gmt":"2025-08-28T03:00:14","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=50275"},"modified":"2025-08-28T15:23:11","modified_gmt":"2025-08-28T13:23:11","slug":"clique-clac-390","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2025\/08\/28\/clique-clac-390\/","title":{"rendered":"Clique Clac #390"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

L’adolescence est la p\u00e9riode de la vie aux contours les plus flous (quand commence-t-elle ? o\u00f9 finit-elle ?), d’o\u00f9 la difficult\u00e9 de la documenter photographiquement. D’o\u00f9 aussi la n\u00e9cessit\u00e9 de recourir \u00e0 un brin de sc\u00e9narisation pour illustrer cet \u00e2ge des possibles. Dans \u00ab\u00a0Girl pictures\u00a0\u00bb<\/a><\/strong>, projet men\u00e9 entre 1997 et 2002, Justine\u00a0Kirland a demand\u00e9 \u00e0 des adolescentes d’imaginer qu’elles avaient fui leur domicile familial pour former une nouvelle communaut\u00e9. En r\u00e9sultent des images \u00e0 la tonalit\u00e9 cin\u00e9matographique (on les croirait tir\u00e9es d’un long-m\u00e9trage in\u00e9dit de Sofia Coppola). De son c\u00f4t\u00e9,\u00a0Guen Fiore<\/a><\/strong>\u00a0a opt\u00e9 pour une d\u00e9marche frontale et \u00e0 fleur de peau. Recrutant ses mod\u00e8les sur Instagram, la photographe italienne (bas\u00e9e \u00e0 Paris) a r\u00e9duit sa direction au minimum \u00ab\u00a0afin de pr\u00e9server leur personnalit\u00e9\u00a0\u00bb<\/em>. Au final, ses portraits ont eu un double effet cathartique : \u00ab\u00a0La photographie m’a aid\u00e9e \u00e0 voir la beaut\u00e9 de ces filles et, par ricochet, \u00e0 voir ma propre beaut\u00e9.\u00a0\u00bb<\/em>\u00a0<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/08\/Libuse-Jarcovjakova-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbLibuse Jarcovj\u00e1kov\u00e1\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.arte.tv\/fr\/videos\/111738-000-A\/devenir-celle-que-je-voudrais-etre\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

LIBUSE JARCOVJAKOVA \u00c0 D\u00c9COUVERT<\/strong><\/p>\n

\n
\u00ab\u00a0Originalit\u00e9 ! Originalit\u00e9 ! Cela pousse les gens \u00e0 la recherche des extr\u00eames et au d\u00e9passement de leur propre ombre. \u00c9videmment, la photographie est un message, mais je veux photographier l’ordinaire autour de moi, pas chercher quelque chose qui me rende c\u00e9l\u00e8bre.\u00a0\u00bb<\/em> Cette tirade lumineuse est extraite du journal intime de\u00a0<\/span>Libuse Jarcovj\u00e1kov\u00e1<\/strong><\/a>, journal qui sert de fil conducteur au documentaire qu’a consacr\u00e9\u00a0Kl\u00e1ra Tasovsk\u00e1 \u00e0 la\u00a0photographe tch\u00e8que. Disponible pour quelques jours encore sur le site d’Arte,\u00a0<\/em><\/strong>Devenir celle que je voudrais \u00eatre<\/a><\/em> <\/strong>raconte, sous la forme d’un diaporama de 3000 photos, la vie caboss\u00e9e (les amours, les emmerdes, les voyages, les aspirations contrari\u00e9es…) d’une femme n\u00e9e pour la photographie mais dont la valeur n’aura \u00e9t\u00e9 reconnue qu’en 2019<\/a><\/strong> (Libuse Jarcovj\u00e1kov\u00e1 a alors 67 ans), \u00e0 l’occasion d’une r\u00e9trospective aux Rencontres d’Arles.<\/span><\/span><\/div>\n
<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/08\/William-KEO-300×300.png\u00a0\u00bb title_text=\u00a0\u00bbWilliam KEO\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.arretsurimages.net\/emissions\/arret-sur-images\/jeunes-habitants-des-quartiers-20-ans-de-maltraitance-mediatique\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

LE 93 DE WILLIAM KEO<\/strong><\/p>\n

Le photographe ind\u00e9pendant William Keo \u00e9tait l’un des invit\u00e9s de l’\u00e9mission hebdomadaire d’<\/span>Arr\u00eat sur images<\/a><\/strong>. L’occasion pour ce collaborateur du Monde<\/em>, du New York Times<\/em> ou de Lib\u00e9<\/em> de parler du traitement m\u00e9diatique des jeunes de quartier depuis vingt ans. Sujet que cet habitant d’Aulnay-sous-Bois conna\u00eet bien et\u00a0<\/span>qu’il nourrit r\u00e9guli\u00e8rement depuis 2021<\/a><\/strong>. Son travail sur la jeunesse s’inscrit dans un projet plus vaste sur les \u00ab\u00a0fonctionnements et dysfonctionnements\u00a0\u00bb de la Seine-Saint-Denis, pour lequel William Keo a suivi de l’int\u00e9rieur\u00a0<\/span>les missions de la BAC<\/a><\/strong>\u00a0ou encore couvert la Coupe d’Afrique des Nations des banlieues. Ce volet, dont quelques images sont montr\u00e9es \u00e0 la fin de l’\u00e9mission d’ASI, fait l’objet d’un recueil aux\u00a0<\/span>\u00e9ditions Four Eyes<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpose ludique\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#0C71C3″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Les d\u00e9crypteurs de Radio Canada ont concoct\u00e9\u00a0<\/span>un quiz<\/a><\/strong> autour de vraies et de fausses photos
(\u00e9tay\u00e9 de quelques conseils bienvenus pour vous aider \u00e0 rep\u00e9rer les \u00ab\u00a0fakes\u00a0\u00bb dans votre quotidien).
Et <\/span>cette image<\/a><\/strong>\u00a0alors : vraie ou fausse ?<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbDES GUERRES ET DES IMAGES\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb4px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00c0 l’occasion des 80 ans du bombardement d’Hiroshima et de Nagasaki, le New York Times<\/em> a produit\u00a0<\/span>un long format<\/strong>\u00a0<\/span><\/a>r\u00e9unissant les t\u00e9moignages et portraits des ultimes survivants. Les photos sont sign\u00e9es par <\/span>Kentaro Takahashi, trentenaire bas\u00e9 \u00e0 Tokyo dont vous pouvez retrouver le travail\u00a0ici<\/a><\/strong>.<\/span>\u00a0<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Pour sa part, Magnum Photos a ressorti de ses archives\u00a0<\/span>un reportage de Wayne Miller<\/a><\/strong>\u00a0r\u00e9alis\u00e9 \u00e0 Hiroshima un mois apr\u00e8s le passage d’Enola Gay.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Depuis avril 2023, la guerre civile d\u00e9chire le Soudan. Au d\u00e9part simple amateur de photographie, Mosab Abushama utilise aujourd’hui le m\u00e9dium pour\u00a0<\/span>documenter le conflit et ses cons\u00e9quences<\/a><\/strong>, notamment en enchev\u00eatrant les images avant\/apr\u00e8s.\u00a0<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Habitu\u00e9 des th\u00e9\u00e2tres de guerre (du Vietnam au Chili), Chas Gerretsen fut enr\u00f4l\u00e9 en 1979 comme photographe de plateau sur le tournage d’Apocalypse now<\/em>. \u00c0 cette occasion, il ne manqua pas de\u00a0<\/span>distiller ses conseils<\/a><\/strong>, proposant par exemple \u00e0 Francis Ford Coppola de mettre autour du cou du personnage jou\u00e9 par Dennis Hopper non pas un mais plusieurs appareils photo.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Quand les mouvements populaires virent \u00e0 la bataille rang\u00e9e, difficile de r\u00e9sister \u00e0 l’appel du \u00ab\u00a0riot porn\u00a0\u00bb. Dans\u00a0<\/span>un article tr\u00e8s int\u00e9ressant<\/a><\/strong>, La revue des m\u00e9dias<\/em> (INA) a demand\u00e9 \u00e0 plusieurs photojournalistes fran\u00e7ais comment ils faisaient pour photographier la violence sans l’esth\u00e9tiser.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Martin Barzilai dresse les portraits (en textes et en images) des\u00a0<\/span>\u00ab\u00a0refuzniks\u00a0\u00bb<\/a><\/strong>, ces jeunes Isra\u00e9liens et Isra\u00e9liennes qui refusent de faire leur service militaire. Des voix d’autant plus importantes qu’elles sont souvent r\u00e9duites au silence dans leur pays.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
La guerre qui s\u00e9vit au Y\u00e9men depuis 2014 est tr\u00e8s mal document\u00e9e. Et la situation ne va pas s’am\u00e9liorer vu les dispositions prises par les autorit\u00e9s locales : il faut d\u00e9sormais\u00a0<\/span>une autorisation de Sanaa pour conduire une interview ou prendre des photos<\/strong><\/a>. Rappelons que le Y\u00e9men est plac\u00e9\u00a0<\/span>154e<\/a><\/strong>\u00a0<\/strong>(sur 180 pays) au classement RSF de la libert\u00e9 de la presse.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Pour l’\u00e9mission \u00ab\u00a0\u00c0 l’affiche\u00a0\u00bb (France 24),<\/span> Raymond<\/a><\/strong> Depardon<\/strong> <\/a>revient sur ses clich\u00e9s pris en 1979 dans le camp de concentration d\u2019Auschwitz-Birkenau<\/span><\/span><\/span>.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Dans un court documentaire produit pour la BBC,\u00a0<\/span>Howard Timberlake nous raconte\u00a0l’histoire, aussi \u00e9mouvante qu’improbable, de Jimmy<\/strong><\/a>\u00a0(n\u00e9 Lo Manh Hung), photographe vietnamien qui, \u00e0 l’\u00e2ge de 12 ans (!), couvrit la guerre du Vietnam. En cela, il suivait l’exemple de son p\u00e8re photojournaliste et d\u00fbt m\u00eame subvenir seul aux besoins de sa famille quand celui-ci fut bless\u00e9 dans un accident de la route.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Habitu\u00e9 des manifs parisiennes, Serge D’Ignazio va sortir <\/span>un livre<\/a><\/strong>\u00a0<\/strong>en soutien \u00e0 la cause palestinienne.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Pour leur part, les \u00e9ditions Textuel publieront le 24 septembre Les yeux de Gaza<\/em><\/strong><\/a>, un livre-hommage au travail de Fatma Hassona, photojournaliste palestinienne tu\u00e9e par l’arm\u00e9e isra\u00e9lienne le 16 avril dernier. (on vous en parlait ici<\/strong><\/a>)<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Un documentaire consacr\u00e9 au travail de la photographe de guerre Lynsey Addario sera pr\u00e9sent\u00e9 en avant-premi\u00e8re d\u00e9but septembre lors du Festival de Toronto. Bande-annonce\u00a0<\/span>ici<\/a><\/strong>. \u00c0 noter qu’elle \u00e9tait invit\u00e9e le 10 ao\u00fbt sur MSNBC pour parler d’une des crises les plus graves et les moins m\u00e9diatis\u00e9es du moment :\u00a0<\/span>la guerre civile au Soudan<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbAgn\u00e8s COSTA, tireuse\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/fisheyemagazine.fr\/article\/les-metiers-de-la-photographie-le-tirage\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/08\/AGNES-COSTA.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/fisheyemagazine.fr\/article\/les-metiers-de-la-photographie-le-tirage\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Aujourd\u2019hui, il y a un r\u00e9el retour au tirage analogique, m\u00eame si certain\u00b7es y voient un effet de mode. Je pense au contraire que le besoin d\u2019objets tangibles est r\u00e9el et durable. Cette mat\u00e9rialit\u00e9 redonne du sens et de la valeur \u00e0 la photographie.<\/em><\/p>\n[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbPascal L\u00c9GITIMUS, acteur\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.technikart.com\/pascal-legitimus-je-suis-moule-et-langoustine\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/08\/pascal-legitimus-technikart-magazine-770×514-1-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.technikart.com\/pascal-legitimus-je-suis-moule-et-langoustine\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Au d\u00e9part, je prenais les coquillages dans leur \u00e9l\u00e9ment naturel, c\u2019est-\u00e0-dire l\u2019exotisme. Quand je partais dans les \u00eeles, c\u2019\u00e9tait naturel. Apr\u00e8s, j\u2019ai eu envie de les mettre dans des endroits incongrus. Et c\u2019est l\u00e0 o\u00f9 j\u2019ai commenc\u00e9 \u00e0 mettre des coquillages dans la neige, puis en automne, j\u2019ai fait les quatre saisons.<\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

N\u00e9 J\u00e9r\u00e9my Larroux en 1993, le rappeur Laylow a d\u00fb patienter avant de conna\u00eetre le succ\u00e8s public. L’ind\u00e9pendance a un prix que le jeune homme explique en se comparant \u00e0 un… fichier Raw. <\/span>\u00ab\u00a0Je suis un fichier lourd qui n\u2019est pas compress\u00e9\u00a0\u00bb, disait-il \u00e0 Hypebeast il y a quelques ann\u00e9es. La m\u00e9taphore est tout sauf t\u00e9l\u00e9phon\u00e9e, comme le fait remarquer No\u00e9 G\u00e9n\u00e9raption<\/a><\/strong>. Tel un photographe, le rappeur compte sur la post-production pour magnifier des \u00e9motions brutes. Quitte parfois \u00e0 se perdre dans le digital<\/strong><\/a> et \u00e0 s’identifier \u00e0 un logiciel… triste, qui plus est.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/5Uo_gsAo0Rw?feature=shared\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

L’adolescence est la p\u00e9riode de la vie aux contours les plus flous (quand commence-t-elle ? o\u00f9 finit-elle ?), d’o\u00f9 la difficult\u00e9 de la documenter photographiquement. D’o\u00f9 aussi la n\u00e9cessit\u00e9 de recourir \u00e0 un brin de sc\u00e9narisation pour illustrer cet \u00e2ge des possibles. Dans \u00ab\u00a0Girl pictures\u00a0\u00bb, projet men\u00e9 entre 1997 et 2002, Justine\u00a0Kirland a demand\u00e9 \u00e0 […]<\/p>\n","protected":false},"author":5,"featured_media":50301,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-50275","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 390 : actus photo<\/title>\n<meta name=\"description\" content=\"Clique Clac 390 : l\u2019actualit\u00e9 photo de la semaine du 25 ao\u00fbt 2025 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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