{"id":50367,"date":"2025-09-04T05:00:25","date_gmt":"2025-09-04T03:00:25","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=50367"},"modified":"2025-09-09T10:21:37","modified_gmt":"2025-09-09T08:21:37","slug":"clique-clac-391","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2025\/09\/04\/clique-clac-391\/","title":{"rendered":"Clique Clac #391"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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La photo de classe traditionnelle (en rang d’oignons, les petits devant et les grands derri\u00e8re) a v\u00e9cu. La tendance actuelle est au d\u00e9poussi\u00e9rage, voire \u00e0 la r\u00e9invention, comme le montre ce sujet de 2024<\/a><\/strong> du JT de TF1 o\u00f9 l’on suit Florence Levillain dans diff\u00e9rentes \u00e9coles pr\u00e8s de Chalon-sur-Sa\u00f4ne pour un projet \u00e9labor\u00e9 avec le mus\u00e9e Nic\u00e9phore Ni\u00e9pce. Outre-Rhin, Jan von Holleben s’est lanc\u00e9 un d\u00e9fi plus fou encore. Durant le printemps dernier, en \u00e9troite collaboration avec 490 \u00e9coliers de la r\u00e9gion de Zingst (land de Mecklembourg-Pom\u00e9ranie-Occidentale<\/span>), il a compos\u00e9 une vingtaine d’images en s’inspirant de leur vision du futur<\/a><\/strong>. Cet adepte de la prise de vue en plong\u00e9e a demand\u00e9 aux \u00e9coliers de composer \u00e0 m\u00eame le sol leurs tableaux puis de s’y ins\u00e9rer. En r\u00e9sulte une s\u00e9rie vibrante de jeu et de vie : \u00ab\u00a0Rainbow Robot Space Ice\u00a0\u00bb<\/strong><\/a>.\u00a0<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/09\/SPORTALLK-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbSPORTALLK\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=F2AQCVAdhVE&ab_channel=SPORTALLK-Podcast\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

DES PISTES AUX BASSINS<\/strong><\/p>\n

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L’un est sp\u00e9cialiste de natation, l’autre d’athl\u00e9tisme.\u00a0Charles Flautre<\/strong><\/a> et Gagastrophe<\/a><\/strong> \u00e9taient les invit\u00e9s de Sportallk<\/a><\/strong>, podcast durant lequel ces deux jeunes photographes ont parl\u00e9 de leurs parcours respectifs. L’interview, bien men\u00e9e et particuli\u00e8rement exhaustive, aborde des points aussi vari\u00e9s que la pression du r\u00e9sultat, la concurrence entre photographes, les gal\u00e8res de mat\u00e9riel (par exemple, la carte SD qui se tord au moment du transfert des images sur le PC), les coulisses des JO (les suraccr\u00e9ditations, le pr\u00eat d’objectifs, etc.) ou la qu\u00eate du point de vue original. Et bien s\u00fbr, l’un et l’autre commentent certaines de leurs photos r\u00e9centes. Un tr\u00e8s bon moment.<\/span><\/span><\/span><\/span><\/span><\/div>\n
<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/09\/Morgan-HARLOW-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbMorgan HARLOW\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.olympics.com\/en\/news\/morgan-harlow-reframes-olympic-dream-swimmer-pool-side-sport-photographer\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

DES BASSINS AUX PELOUSES<\/strong><\/p>\n

La Britannique Morgan Harlow<\/strong><\/a> se destinait \u00e0 la natation de haut niveau, mais \u00e0 l’\u00e2ge de 18 ans elle a pris conscience qu’elle n’atteindrait jamais son objectif olympique. Elle a donc d\u00e9cid\u00e9 de vivre son r\u00eave au bord des bassins<\/strong><\/a>, appareil photo \u00e0 la main, en mettant \u00e0 profit les connaissances accumul\u00e9es durant ses neuf ann\u00e9es d’entra\u00eenement et de comp\u00e9tition. Bien lui en a pris. Prim\u00e9e aux Sports Journalism Awards<\/strong> <\/a>en 2023, elle vise d\u00e9sormais Los Angeles 2028. En attendant, elle couvre, pour le compte de Getty Images<\/strong><\/a>, la Coupe du monde de rugby qui se tient actuellement dans son pays.\u00a0<\/span><\/span><\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpose ludique\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#0C71C3″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Il y a deux ans, pour la journ\u00e9e mondiale de la photographie, Allocin\u00e9 avait compos\u00e9 un quiz o\u00f9 il s’agissait de reconna\u00eetre un long-m\u00e9trage \u00e0 partir d’un plan montrant une photographie<\/strong><\/a>. Le site remet le couvert cette ann\u00e9e avec un quiz o\u00f9, \u00e0 nouveau, il faut identifier un film, mais cette fois-ci \u00e0 partir d’un plan pr\u00e9sentant un photographe en action<\/strong><\/a>. (faites les quiz dans l’ordre chronologique si vous ne voulez pas vous \u00ab\u00a0auto-spoiler\u00a0\u00bb)<\/span><\/span><\/span><\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEN BREF ET EN VRAC\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb4px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Institution d\u00e9pendant des Nations unies, la World Meteorical Organization a d\u00e9voil\u00e9 les 75 finalistes<\/strong><\/a> de son concours photo annuel (dont un orage jurassien par\u00a0Ilyes Ghouil<\/a><\/strong>). Vous avez jusqu’au 8 septembre pour \u00e9lire celles qui finiront dans le calendrier 2026 de l’organisation.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Menac\u00e9es de disparition, les mangroves sont des havres de vie sauvage, comme le montrent les images prim\u00e9es au Mangrove Photographer of the Year<\/strong><\/a>.\u00a0<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Figure du Montreux Jazz Festival, Dany Gignoux<\/a> <\/strong>est d\u00e9c\u00e9d\u00e9e \u00e0 l’\u00e2ge de 81 ans.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]\n
Bien avant Curiosity et Perseverance, Mariner 4 rapportait <\/span>les premi\u00e8res photos de Mars<\/a><\/strong>. Il y a 60 ans d\u00e9j\u00e0…<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]\n
114 ans plus t\u00f4t, Julius Berkowski r\u00e9alisait la premi\u00e8re photo d’une \u00e9clipse solaire<\/strong><\/a>.\u00a0<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
En Suisse, le Mois de la Photographie durent six semaines et il promet beaucoup, comme le montre cette s\u00e9lection du Temps<\/em><\/a>.<\/strong><\/span><\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Jean Sinelle est all\u00e9 \u00e0 Biarritz pour y rencontrer le photographe de surf\u00a0Thomas Lodin<\/a><\/strong>. La promesse de l’interview en immersion n’est pas vraiment tenue, mais le discours et le parcours de Thomas Lodin demeurent int\u00e9ressants.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Contrairement \u00e0 ce que veut la l\u00e9gende, les d\u00e9buts du surf ne furent pas qu’une affaire d’hommes. Et des photos en attestent<\/strong><\/a>.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
L’\u00c9quipe<\/em> rend hommage \u00e0 Marc Francotte, \u00ab\u00a0pigiste permanent\u00a0\u00bb<\/strong><\/a> d\u00e9c\u00e9d\u00e9 \u00e0 l’\u00e2ge de 69 ans.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
\u00c9limin\u00e9e pr\u00e9matur\u00e9ment \u00e0 l’US Open, Jasmine Paolini aura quand m\u00eame marqu\u00e9 le tournoi gr\u00e2ce \u00e0 cette image<\/a><\/strong>.\u00a0<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
L’appareil photo est un outil merveilleux. Plus prosa\u00efquement, c’est aussi le moyen d’attester de rencontres qui, sans image, vous ferait passer pour un fou. Qui aurait cru Olivier Lucas s’il \u00e9tait rentr\u00e9 chez lui en disant qu’il venait de voir un nandou dans un champ de betteraves<\/strong><\/a> ?<\/span><\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
En confrontant les points de vue d’essayistes d’hier et d’aujourd’hui, St\u00e9phane Baillargeon tente de r\u00e9pondre \u00e0 cette question : \u00ab\u00a0<\/a>La prolif\u00e9ration d\u2019images de la guerre stimule-t-elle la compassion ou l\u2019indiff\u00e9rence ?\u00a0\u00bb<\/a> <\/strong>Saine lecture avant de vous rendre \u00e0 Visa pour l’Image<\/a><\/strong>.\u00a0<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Embarqu\u00e9 dans un avion distribuant des vivres aux civils palestiniens, Alaa Al Sukhni a pu photographier\u00a0ce qu’il reste de Gaza<\/strong><\/a>.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Mero\u00eb Marston Morse<\/a><\/strong> n’a pass\u00e9 que quelques mois au sein de la soci\u00e9t\u00e9 Polaroid, mais son travail a particip\u00e9 \u00e0 l’essor de la firme d’Edwin Land – qui la d\u00e9crivait comme \u00ab\u00a0une \u00e2me s\u0153ur\u00a0\u00bb.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Pour Aperture, Lesley A. Martin s’est entretenue avec\u00a0Neil Selkirk<\/a><\/strong>, la seule personne autoris\u00e9e \u00e0 tirer les n\u00e9gatifs de Diane Arbus depuis sa mort, survenue en 1971.\u00a0<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Pour ceux qui aiment l’humour qui tache<\/a><\/strong>…<\/span><\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbKristine POTTER\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/lenscratch.com\/2025\/08\/photographers-on-photographers-emily-rena-williams-in-conversation-with-kristine-potter\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/09\/Kristine-POTTER.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/lenscratch.com\/2025\/08\/photographers-on-photographers-emily-rena-williams-in-conversation-with-kristine-potter\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

La masculinit\u00e9 est un sujet sur lequel je reviens souvent, car il est \u00e9troitement li\u00e9 au pouvoir, \u00e0 la mythologie et \u00e0 la violence, tant manifeste que psychologique. J’ai grandi en observant ces dynamiques se d\u00e9rouler en temps r\u00e9el, non seulement dans ma famille, mais aussi dans les r\u00e9cits culturels plus larges qui nous ont fa\u00e7onn\u00e9s. J’ai toujours \u00e9t\u00e9 int\u00e9ress\u00e9e par la mani\u00e8re dont ces forces s’impriment sur les personnes et les lieux.<\/span><\/span><\/em><\/p>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbDidier BEN LOULOU\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=63BuaJLbHw4&ab_channel=FRANCE24″ url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/09\/Didier-BEN-LOULOU-292×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=63BuaJLbHw4&ab_channel=FRANCE24″ link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Chaque livre que je fais est un peu comme un recueil de po\u00e9sie. Ce qui m’int\u00e9resse, ce n’est pas l’\u00e9v\u00e9nementiel, pas le reportage, pas ce qui va s’inscrire dans l’histoire pr\u00e9sente, mais les choses ineffables, anodines en apparence. Ma photographie, c’est une forme d’\u00e9criture que je veux po\u00e9tique.<\/span><\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Prolongeons l’\u00e9t\u00e9 avec un extrait de Photog\u00e9nique<\/em>, le dernier album de Pomplamoose,\u00a0duo californien form\u00e9 par Jack Conte et Nataly Dawn. Le nom du groupe est volontairement approximatif. Nataly Dawn, qui a fait sa scolarit\u00e9 en France et en Belgique, ma\u00eetrise parfaitement notre langue, comme on peut s’en rendre compte dans le chaloup\u00e9 \u00ab\u00a0C’est simple\u00a0\u00bb.<\/span><\/div>\n
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Ici je me souviens
Que j\u2019aime les regards
La pluie froide, les phares
La m\u00e9tro, les solos de guitare
Ici je me souviens
Que j\u2019aime les photos
Alors laisse-moi te prendre
Seulement
En photo…<\/span><\/em><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/vyCONqOgr3o?feature=shared\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

La photo de classe traditionnelle (en rang d’oignons, les petits devant et les grands derri\u00e8re) a v\u00e9cu. La tendance actuelle est au d\u00e9poussi\u00e9rage, voire \u00e0 la r\u00e9invention, comme le montre ce sujet de 2024 du JT de TF1 o\u00f9 l’on suit Florence Levillain dans diff\u00e9rentes \u00e9coles pr\u00e8s de Chalon-sur-Sa\u00f4ne pour un projet \u00e9labor\u00e9 avec le […]<\/p>\n","protected":false},"author":5,"featured_media":50391,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-50367","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 391 : actus photo<\/title>\n<meta name=\"description\" content=\"Clique Clac 391 : l\u2019actualit\u00e9 photo de la semaine du 1er septembre 2025 avec Chasseur d\u2019Images. 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