{"id":50472,"date":"2025-09-11T05:00:27","date_gmt":"2025-09-11T03:00:27","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=50472"},"modified":"2025-10-21T16:34:12","modified_gmt":"2025-10-21T14:34:12","slug":"clique-clac-392","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2025\/09\/11\/clique-clac-392\/","title":{"rendered":"Clique Clac #392"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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En mettant Alain Laboile<\/strong><\/a> en t\u00eate d’affiche de sa nouvelle \u00e9dition (apr\u00e8s B\u00e9n\u00e9dicte Kurzen, Alain Keler ou Peter Turnley), l’\u00e9quipe organisatrice de BarrObjectif <\/a><\/strong>a surpris son monde. Rassurons les fid\u00e8les du rendez-vous charentais, cette note de l\u00e9g\u00e8ret\u00e9, soulign\u00e9e par la presse locale<\/a><\/strong>, n’affecte pas l’ADN du festival. On retrouve au programme 2025 de nombreux reportages engag\u00e9s : \u00ab\u00a0Are you recording ?\u00a0\u00bb<\/strong><\/a> de Fran\u00e7ois Sylvestre de Sacy (sur l’oppression subie par la communaut\u00e9 LGBT chinoise<\/span><\/span>), \u00ab\u00a0Sakartvelo\u00a0\u00bb<\/a><\/strong> de Marylise Vigneau (sur la r\u00e9sistance du peuple g\u00e9orgien face \u00e0 un pouvoir autoritariste), \u00ab\u00a0Vous qui entrez ici\u00a0\u00bb<\/strong><\/a> de Victor d’Allant (sur les maladies mentales en Inde), \u00ab\u00a0Ici, la terre ne blesse plus\u00a0\u00bb<\/a><\/strong> de Cassandre Nativel (sur les op\u00e9rations de d\u00e9minage en Angola) ou encore le travail de Ga\u00ebl Turine sur les ravages de la tranq<\/a> <\/strong>aux \u00c9tats-Unis. Le photoreporter belge \u00e9tait r\u00e9cemment l’invit\u00e9 des \u00ab\u00a0Petits papiers\u00a0\u00bb<\/a><\/strong>, une \u00e9mission de la RTBF. L’occasion pour lui d’affirmer sa fiert\u00e9 d’exercer le m\u00e9tier de journaliste (\u00ab\u00a0important, plus que jamais\u00a0\u00bb) et de raconter les circonstances dans lesquelles il a suivi les personnes tomb\u00e9es dans la tranq : \u00ab\u00a0J\u2019ai travaill\u00e9 \u00e0 Philadelphie, qui est vraiment le hub d\u2019importation, de diffusion et de\u00a0consommation de cette drogue chimique. (…) En pratique, j<\/em>\u2019essaye de rentrer en contact avec une personne. Si elle accepte que je l\u2019accompagne un temps, je m\u2019accroche \u00e0 cet accord\u00a0et je reste avec elle en essayant d\u2019\u00eatre \u00e0 la fois hyper vigilant \u00e0 tout ce qui m\u2019entoure parce qu\u2019on est\u00a0dans un des quartiers les plus dangereux des \u00c9tats-Unis.\u00a0\u00bb<\/em> Le genre de reportage dont on ne ressort pas indemne :\u00a0\u00ab\u00a0Le soir, quand je rentrais dans ce tout petit appartement que j\u2019avais lou\u00e9 dans le quartier pour vraiment m\u2019assurer l\u2019immersion la plus compl\u00e8te possible, je n\u2019en menais pas large. Parce que quand on d\u00e9pose l\u2019appareil, on se prend la vague\u00a0\u00bb<\/em>. Le festival BarrObjectif se tient \u00e0 Barro (Charente) du 13 au 21 septembre.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/09\/Midis-de-culture-300×300.webp\u00a0\u00bb title_text=\u00a0\u00bbMidis de culture\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.radiofrance.fr\/franceculture\/podcasts\/les-midis-de-culture\/critique-expo-bilan-et-recommendations-des-rencontres-de-la-photographie-d-arles-focus-sur-deux-expositions-4683821″ url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

REGARDS CRITIQUES<\/strong><\/h2>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Un mois avant la cl\u00f4ture des expositions, Corinne Rondeau et Sally Bonn ont dress\u00e9 le bilan des Rencontres d’Arles pour les Midis de Culture<\/strong><\/a>. Disons-le tout de go, les deux critiques ont un avis mitig\u00e9 sur la ligne emprunt\u00e9e par cette \u00e9dition (le lapsus \u00ab\u00a0imb\u00e9ciles\u00a0\u00bb\/\u00a0\u00bbindociles\u00a0\u00bb qui ouvre la s\u00e9quence est r\u00e9v\u00e9lateur), ce qui ne les emp\u00eache pas d’appr\u00e9cier les accrochages r\u00e9serv\u00e9s aux photos de Letizia Battaglia<\/a> <\/strong>et d’Agn\u00e8s Geoffrey<\/strong><\/a>. Il vous reste une vingtaine de jours pour vous faire un avis, et si le coeur vous en dit, vous pouvez m\u00eame revivre les \u00e9v\u00e9nements qui ont \u00e9maill\u00e9 la semaine d’ouverture<\/a><\/strong> : conf\u00e9rences, Nuit de l’Ann\u00e9e, soir\u00e9es du Th\u00e9\u00e2tre antique et rencontres avec les photographes.\u00a0<\/span><\/span><\/span><\/span><\/span><\/p>\n

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LE COIN FICTION<\/strong><\/h2>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Si vous aimez les films nordiques, aust\u00e8res et contemplatifs, on vous conseille Godland<\/a><\/strong><\/em>, long-m\u00e9trage d’Hlynur P\u00e1lmason qui raconte le voyage d’un jeune pasteur danois en Islande \u00e0 la fin du XIXe si\u00e8cle. Voyage port\u00e9 par la double mission d’y construire une \u00e9glise et de photographier la population locale. Le texte de pr\u00e9sentation qui ouvre le film (autour d’un coffret en bois d\u00e9couvert en Islande, contenant sept n\u00e9gatifs sur plaque de verre pris par un pasteur danois) laisse \u00e0 penser qu’il s’inspire d’une histoire vraie. Ce n’est pas le cas : le cin\u00e9aste a fait de son missionnaire un photographe pour ajouter une dimension suppl\u00e9mentaire \u00e0 l’histoire, comme il l’indiquait au Sydney Morning Herald<\/a><\/em><\/strong> en 2023. Le travail de reconstitution n’en est pas moins pertinent et dit la foi qu’avaient les pionniers de la photographie dans la capacit\u00e9 du collodion humide \u00e0 r\u00e9v\u00e9ler les \u00e2mes.\u00a0<\/span><\/span><\/span><\/span><\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpose ludique\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_level=\u00a0\u00bbh2″ title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#0C71C3″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

En mai dernier, on vous parlait de TimeGuessr<\/a><\/strong>, un jeu invitant \u00e0 deviner le lieu et l’ann\u00e9e d’une photographie. Ouest France<\/em> en propose une version plus localis\u00e9e (et plus cheap)\u00a0sur son site<\/a><\/strong> : chaque jour, une nouvelle image \u00e0 situer dans un d\u00e9partement du Grand Ouest et dans un cr\u00e9neau temporel. Avec, \u00e0 la cl\u00e9, un article relatif \u00e0 l’\u00e9v\u00e9nement photographi\u00e9.<\/span><\/span><\/span><\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEN BREF ET EN VRAC\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_level=\u00a0\u00bbh2″ title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb4px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Entr\u00e9 en photographie en 1975 avec une m\u00e9morable s\u00e9rie sur les Teddy Boys<\/a><\/strong>, Chris Steele Perkins a ensuite parcouru le monde, notamment sous la banni\u00e8re Magnum dont il fut pr\u00e9sident \u00e0 la fin des ann\u00e9es 1990. L’agence a annonc\u00e9 sa mort<\/strong><\/a>, survenue le 8 septembre dernier. Il avait 78 ans.<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Artiste conceptuel, Kwon Han Kyul a cr\u00e9\u00e9 une \u0153uvre sonore<\/a> <\/strong>\u00e0 partir des fragments d’ambiance enregistr\u00e9s par son iPhone en mode Live Photo. Tiendrez-vous jusqu’au bout ?<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Marcher comme un seul homme : illustration<\/a><\/strong>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Pour rendre hommage \u00e0 ses arri\u00e8re-grands-parents disparus \u00e0 Hiroshima, Will Matsuda a r\u00e9alis\u00e9 une s\u00e9rie de photogrammes<\/a><\/strong> \u00e0 partir des objets ayant surv\u00e9cu au bombardement.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
\u00c9tienne Dumont tente de comprendre pourquoi Simon Baker quitte la MEP<\/strong><\/a>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Visa pour l’Image 2025 : quand Louis Aliot, maire RN de Perpignan, fait sa contre-programmation<\/strong><\/a>…\u00a0<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Dans Trucks and Tuks<\/strong><\/a>, s<\/em>on dernier livre, Christopher Herwig s’int\u00e9resse aux v\u00e9hicules bariol\u00e9s <\/span>\u00e0 trois et quatre roues qui sillonnent les routes du Pakistan et du Sri Lanka.\u00a0<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Flashback se souvient de la collaboration fructueuse entre deux ma\u00eetres de la photographie et de la mode : <\/span>Irving Penn et Issey Miyake<\/strong><\/a>.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Jolie archive que cette vid\u00e9o<\/a> <\/strong>d\u00e9gott\u00e9e par Beaux-Arts Magazine<\/em>, o\u00f9 affleurent l’espi\u00e8glerie et le go\u00fbt du jeu d’Agn\u00e8s Varda et Brassa\u00ef<\/span><\/span><\/span>.<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
La d\u00e9fense de la biodiversit\u00e9 passe (aussi) par l’image, et c’est pourquoi Vincent Verzat\u00a0(de la cha\u00eene YT \u00ab\u00a0Partager c’est sympa\u00a0\u00bb) appelle les photographes et vid\u00e9astes animaliers<\/a><\/strong> \u00e0 venir exercer leurs talents sur les terrains de lutte.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Un an apr\u00e8s leur installation sur le littoral manchois, les dispositifs de sciences participatives CoastSnap<\/strong><\/a> ont \u00e9t\u00e9 adopt\u00e9s par les photographes de passage.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
180000 personnes sont all\u00e9es voir l’exposition \u00ab\u00a0Robert Doisneau – Instant donn\u00e9s\u00a0\u00bb<\/strong><\/a> au mus\u00e9e Maillol. Forte de ce succ\u00e8s, l’exposition est prolong\u00e9e jusqu’au 19 octobre, avant de rejoindre Li\u00e8ge<\/strong><\/a>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Carrie Brownstein se souvient<\/a><\/strong> du portrait de Chan Marshall (Cat Power) r\u00e9alis\u00e9 par Richard Avedon<\/a><\/strong> pour le New Yorker<\/em>.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_level=\u00a0\u00bbh2″ title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#8300E9″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb custom_margin=\u00a0\u00bb-29px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sp\u00e9cial <\/strong>Visa pour l’Image<\/strong><\/a><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbSandra CALLIGARO\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.radiofrance.fr\/franceculture\/podcasts\/les-midis-de-culture\/sandra-calligaro-photographie-l-afghanistan-a-l-ombre-des-drapeaux-blancs-6130387″ url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/09\/Visa-pour-limage.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.radiofrance.fr\/franceculture\/podcasts\/les-midis-de-culture\/sandra-calligaro-photographie-l-afghanistan-a-l-ombre-des-drapeaux-blancs-6130387″ link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

On savait que les talibans allaient finir par revenir, mais on s’\u00e9tait presque habitu\u00e9s \u00e0 cette menace, et d’un coup, ils\u00a0\u00e9taient\u00a0l\u00e0 et on n’\u00e9tait pas pr\u00e9par\u00e9s. […] Les talibans qu\u2019on essayait de photographier depuis dix ans, mais sans succ\u00e8s parce qu\u2019ils se cachaient, \u00e9taient l\u00e0. On \u00e9tait ahuris, abasourdis.<\/em><\/span><\/span><\/p>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbJosh EDELSON\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/madeinperpignan.com\/visa-pour-l-image-perpignan-josh-edelson-interview-exposition-feux-incendies\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/09\/Visa-pour-limage.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/madeinperpignan.com\/visa-pour-l-image-perpignan-josh-edelson-interview-exposition-feux-incendies\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Si un journaliste entrave leurs op\u00e9rations, les pompiers peuvent d\u00e9cider de l\u2019expulser. J\u2019essaie donc d\u2019\u00eatre invisible, respectueux. Malheureusement, depuis quelque temps on voit aussi appara\u00eetre des pseudo-journalistes, souvent des influenceurs ou des YouTubers, qui se mettent en danger et ternissent la r\u00e9putation des professionnels.<\/span><\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbPaloma LAUDET\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.francebleu.fr\/infos\/societe\/visa-pour-l-image-originaire-de-banyuls-sur-mer-cette-photoreporter-concourt-pour-le-visa-d-or-4365564″ url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/09\/Visa-pour-limage.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.francebleu.fr\/infos\/societe\/visa-pour-l-image-originaire-de-banyuls-sur-mer-cette-photoreporter-concourt-pour-le-visa-d-or-4365564″ link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Je me dis que je suis l\u00e0 pour mon travail. Ce que je vois me touche \u00e9norm\u00e9ment, mais j’essaie de me concentrer. C’est surtout le retour, qui est difficile. Il faut du temps pour se r\u00e9adapter et dig\u00e9rer ce qu’on a v\u00e9cu. Les psychologues sont importants dans ces cas-l\u00e0, m\u00eame si \u00e7a reste encore tabou dans la profession.<\/span><\/em><\/div>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbGa\u00eblle GIRBES\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.franceinfo.fr\/culture\/arts-expos\/photographie\/visa-pour-l-image-gaelle-girbes-photographie-les-ukrainiens-qui-survivent-au-milieu-des-ruines_7470571.html\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/09\/Visa-pour-limage.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.franceinfo.fr\/culture\/arts-expos\/photographie\/visa-pour-l-image-gaelle-girbes-photographie-les-ukrainiens-qui-survivent-au-milieu-des-ruines_7470571.html\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Ce que j’ai voulu montrer, c’est que des villages compl\u00e8tement d\u00e9vast\u00e9s, ras\u00e9s, ce ne sont pas des exceptions, c’est 30% du pays. Montrer \u00e7a et montrer aussi la r\u00e9silience et le courage des Ukrainiens qui n’ont pas le choix que d’essayer de survivre dans ces conditions terribles.<\/span><\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbEugene RICHARDS\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.lindependant.fr\/2025\/09\/04\/visa-pour-limage-a-perpignan-les-etats-unis-ont-perdu-leur-innocence-12910343.php\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/09\/Visa-pour-limage.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.lindependant.fr\/2025\/09\/04\/visa-pour-limage-a-perpignan-les-etats-unis-ont-perdu-leur-innocence-12910343.php\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Le progr\u00e8s des mentalit\u00e9s s\u2019est arr\u00eat\u00e9 avec l\u2019administration Trump, qui veut revenir en arri\u00e8re. En disant qu\u2019il veut rendre sa grandeur \u00e0 l\u2019Am\u00e9rique, Trump fait mine de vouloir revenir \u00e0 la situation des ann\u00e9es 1950. Je pense que son ambition est de gommer ces progr\u00e8s. Le fait que l\u2019administration ait banni des documents et discours officiels une liste de 500 mots, dont \u00ab\u00a0femmes\u00a0\u00bb, \u00ab\u00a0diversit\u00e9\u00a0\u00bb, \u00ab\u00a0queer\u00a0\u00bb ou \u00ab\u00a0transgenre\u00a0\u00bb, est une premi\u00e8re \u00e9tape.<\/span><\/em><\/div>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbJean-Pierre LAFFONT\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.telerama.fr\/arts-expositions\/visa-pour-l-image-re-decouvrez-le-travail-de-jean-pierre-laffont-sur-les-etats-unis-en-six-photos-7027125.php\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/09\/Visa-pour-limage.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.telerama.fr\/arts-expositions\/visa-pour-l-image-re-decouvrez-le-travail-de-jean-pierre-laffont-sur-les-etats-unis-en-six-photos-7027125.php\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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La rotation des h\u00e9lices [de l’h\u00e9licopt\u00e8re de Richard Nixon] \u00e9tait si forte que le tapis rouge s\u2019est envol\u00e9 et enroul\u00e9 autour des trois gardes. Cette photo saugrenue, o\u00f9 l\u2019on voit aussi la main de Nixon \u00e0 travers le hublot, a fait le tour de la presse.<\/span><\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_level=\u00a0\u00bbh2″ title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbjustify\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Artiste exp\u00e9rimental bas\u00e9 en Grande-Bretagne, Edd Carr<\/a><\/strong> avait fait parler de lui en 2021<\/a><\/strong> pour un vid\u00e9o-clip r\u00e9alis\u00e9 \u00e0 partir de 5000 cyanotypes (un record). \u00ab\u00a0Seulement\u00a0\u00bb 2100 ont \u00e9t\u00e9 utilis\u00e9s pour sa nouvelle r\u00e9alisation, mais vu le pedigree du groupe avec lequel il a collabor\u00e9 cette fois-ci, il y a des chances que le clip circule davantage.
Si vous voulez en savoir plus sur Edd Carr et sur ce projet en particulier, lisez l’article<\/strong><\/a> que lui a consacr\u00e9 DPreview.<\/span><\/span><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/rvIFhW7e9K4?feature=shared\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

En mettant Alain Laboile en t\u00eate d’affiche de sa nouvelle \u00e9dition (apr\u00e8s B\u00e9n\u00e9dicte Kurzen, Alain Keler ou Peter Turnley), l’\u00e9quipe organisatrice de BarrObjectif a surpris son monde. Rassurons les fid\u00e8les du rendez-vous charentais, cette note de l\u00e9g\u00e8ret\u00e9, soulign\u00e9e par la presse locale, n’affecte pas l’ADN du festival. On retrouve au programme 2025 de nombreux reportages […]<\/p>\n","protected":false},"author":5,"featured_media":50543,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-50472","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 392 : actus photo<\/title>\n<meta name=\"description\" content=\"Clique Clac 392 : l\u2019actualit\u00e9 photo de la semaine du 1er septembre 2025 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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