{"id":51080,"date":"2025-10-09T05:00:35","date_gmt":"2025-10-09T03:00:35","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=51080"},"modified":"2025-10-09T09:08:53","modified_gmt":"2025-10-09T07:08:53","slug":"clique-clac-395-2","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2025\/10\/09\/clique-clac-395-2\/","title":{"rendered":"Clique Clac #396"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Parmi les rendez-vous propos\u00e9s chaque ann\u00e9e dans le cadre du Prix Bayeux-Calvados des correspondants de guerre<\/strong><\/a>, il en est un dont on se passerait bien : le d\u00e9voilement de la st\u00e8le saluant la m\u00e9moire des journalistes de guerre disparus durant les douze mois \u00e9coul\u00e9s. Aux 73 noms grav\u00e9s cette ann\u00e9e sur le M\u00e9morial des reporters il faudra ajouter celui d’Antoni Lallican<\/strong><\/a>, photojournaliste tu\u00e9 vendredi dernier par un drone alors qu’il exer\u00e7ait son m\u00e9tier dans le Donbass. Membre de l’agence Hans Lucas<\/strong><\/a>, Antoni Lallican diffusait ses reportages dans de nombreux titres de presse, dont Le Temps<\/em><\/strong><\/a>, <\/strong><\/em><\/a>Lib\u00e9ration<\/strong><\/a><\/em>, Mediapart<\/strong><\/a><\/em>, Le Figaro<\/strong><\/em><\/a> et Le Monde<\/strong><\/em><\/a>. En 2022, dans le cadre de Solidays, il avait donn\u00e9 une interview<\/a><\/strong> o\u00f9 il racontait son m\u00e9tier de photographe de guerre, sp\u00e9cifiquement en Ukraine, et o\u00f9 il posait cette question toujours d’actualit\u00e9 : \u00ab\u00a0Pourquoi, dans une soci\u00e9t\u00e9 o\u00f9 l’image est centrale, notre profession se paup\u00e9rise-t-elle ?\u00a0\u00bb Vous pouvez retrouver les reportages d’Antoni Lallican sur son site personnel<\/strong><\/a>.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/10\/SALON-DE-LA-PHOTO-300×300.png\u00a0\u00bb title_text=\u00a0\u00bbSALON DE LA PHOTO\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.lesalondelaphoto.com\/fr-FR\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

RENDEZ-VOUS AU SALON !<\/strong><\/p>\n

Pour pr\u00e9parer au mieux votre visite au Salon de la Photo (o\u00f9 Chasseur d’Images est de retour<\/strong><\/a>), \u00e9coutez cet \u00e9pisode sp\u00e9cial<\/a><\/strong> de Faut pas pousser les ISO avec, en invit\u00e9 principal, Simon Edwards, directeur artistique de la manifestation depuis 2015. Le Salon se d\u00e9roule du 9 au 12 octobre et est, plus que jamais, ouvert \u00e0 toutes et tous puisqu’un espace d’exposition sera r\u00e9serv\u00e9 aux malvoyants<\/strong><\/a>. Au cours du podcast est aussi \u00e9voqu\u00e9e\u00a0l’\u00e9tude de l’AFNUM (Alliance fran\u00e7aise des industries du num\u00e9rique) sur la pratique photo en France. L’enqu\u00eate, en libre acc\u00e8s<\/strong><\/a>, nous apprend notamment que la G\u00e9n\u00e9ration Z pl\u00e9biscite les appareils au design r\u00e9tro et que 30% des<\/span><\/span><\/span>\u00a0pratiquants (tous \u00e2ges confondus) sont favorables \u00e0 une retouche syst\u00e9matique par IA.<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/10\/GOTTSCHALK.png\u00a0\u00bb title_text=\u00a0\u00bbGOTTSCHALK\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.le-bal.fr\/2025\/05\/nous-autres-de-donna-gottschalk-et-helene-giannecchini-avec-carla-williams\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

LES EFFAC\u00c9ES<\/strong><\/p>\n

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De Diane Arbus \u00e0 Antoine d’Agata en passant par Larry Clark, les photographes attir\u00e9s par les marges sont l\u00e9gion. Donna Gottschalk, elle, les a photographi\u00e9es de l’int\u00e9rieur. \u00c0 une \u00e9poque o\u00f9 afficher son homosexualit\u00e9 vous menait tout droit en prison, la New-yorkaise a chroniqu\u00e9 le quotidien des lesbiennes avec lesquelles elle vivait et militait. Et parce que ces images faisaient courir des risques aux personnes photographi\u00e9es, elle les a longtemps gard\u00e9es pour elle. C’est la rencontre avec H\u00e9l\u00e8ne Giannecchini (et peut-\u00eatre aussi le virage r\u00e9pressif pris par les \u00c9tats-Unis)<\/span>\u00a0qui a convaincu Donna Gottschalk de montrer enfin ce travail : dans une exposition pr\u00e9sent\u00e9e au BAL<\/a><\/strong> jusqu’au 16 novembre et dans un beau livre (Nous autres<\/strong><\/a><\/em>) paru \u00e0 l’Atelier EXB. Pour bien en comprendre les enjeux, on vous conseille l’\u00e9coute de l’\u00e9mission \u00ab\u00a0<\/strong>Le cours de l’histoire\u00a0\u00bb du 26 septembre dernier<\/strong><\/a>, o\u00f9 H\u00e9l\u00e8ne Giannecchini \u00e9tait invit\u00e9e.<\/span><\/div>\n<\/div>\n
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Sur le principe de feu Motus, saurez-vous trouver ce mot de cinq lettres<\/strong> <\/a>en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEn bref et en vrac…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb25px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Spot a convi\u00e9 autour de sa table l’acteur Alexandre Desane (qui incarne Frantz Fanon actuellement au cin\u00e9ma) et Thierry Maignan,\u00a0infirmier en psychiatrie. Deux personnalit\u00e9s qui ont en commun de pratiquer la photo assid\u00fbment, mais qui ont surtout\u00a0<\/strong>beaucoup de choses int\u00e9ressantes \u00e0 dire<\/strong><\/a>.<\/span><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
\u00ab\u00a0Invitation au voyage\u00a0\u00bb fait une halte en Papouasie Nouvelle-Guin\u00e9e<\/strong><\/a>, pays o\u00f9, en 1970, Irving Penn se rendit pour photographier \u00ab\u00a0les peuples non perturb\u00e9s\u00a0\u00bb \u00e0 l’aide de son studio mobile.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
La station Pannenhuis (Bruxelles) est pris\u00e9e des photographes : on la retrouve en couverture du dernier num\u00e9ro de Chasseur d’Images<\/a><\/strong><\/em> mais aussi dans le palmar\u00e8s 2025 des Analog Sparks Awards<\/strong><\/a>.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Invit\u00e9 d’honneur du Festival photo de Saint-Benoit <\/a><\/strong>(pr\u00e8s de Poitiers), Reza donnera ce vendredi une conf\u00e9rence autour de son exposition \u00ab\u00a0La nature de l’Homme\u00a0\u00bb. Faute de pouvoir y assister, vous pouvez \u00e9couter les \u00e9pisodes de \u00ab\u00a0101 Visages\u00a0\u00bb<\/a><\/strong>,\u00a0podcast\u00a0dans lequel le photographe raconte ses clich\u00e9s les plus embl\u00e9matiques.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Le diaporama<\/a>\u00a0<\/strong>mis en ligne par The Guardian<\/em> en hommage \u00e0 Jane Goodall nous apprend que la primatologue fut mari\u00e9e durant dix ans au photographe naturaliste Hugo van Lawick<\/strong><\/a>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Empathie et discr\u00e9tion sont les ma\u00eetres mots quand on est photographe de plateau. Nouvelle preuve avec Enda Bowe <\/strong><\/a>qui raconte son exp\u00e9rience sur les tournages de la s\u00e9rie Normal People <\/em>et du film Small things like these<\/em>.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Qui a dit que le roman-photo \u00e9tait une forme d\u00e9su\u00e8te ? Pas nous (cf. le D\u00e9fi de\u00a0CI n\u00b0470<\/strong><\/a>). Pas Michel Poivert<\/strong><\/a> non plus.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
France 3 Normandie a profit\u00e9 du\u00a0festival international de cerfs-volants de Dieppes pour interroger Pierre Lesage<\/strong><\/a>, un adepte de\u00a0l’a\u00e9rophotographie.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
La Jama\u00efque avait ses Rasta Rocketts, le Kenya a ses Ice Lions<\/a><\/strong>, une \u00e9quipe de hockey sur glace qu’a suivie\u00a0Khadija M. Farah.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Quel impact des coupes budg\u00e9taires sur l’\u00e9dition photographique ? Ericka Weidmann a men\u00e9 l’enqu\u00eate<\/strong><\/a>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Avis aux ornithophiles : la livraison annuelle des Audubon Photography Awards<\/strong><\/a> est servie (pour les insatiables, il y a m\u00eame un Top 100<\/strong><\/a>).<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbJo-Anne MCARTHUR\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.morninglazziness.com\/rule-breakers\/jo-anne-mcarthur\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/10\/MCARTHUR-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.morninglazziness.com\/rule-breakers\/jo-anne-mcarthur\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Nous avons cr\u00e9\u00e9 un nouveau genre photographique : le photojournalisme animalier. Le photojournalisme traditionnel se concentre sur la condition humaine, tandis que la photographie animali\u00e8re s’int\u00e9resse aux animaux sauvages et aux esp\u00e8ces que nous souhaitons \u00e9tudier et prot\u00e9ger. Mais ces genres excluent la plupart des animaux que les humains utilisent quotidiennement, ceux qui vivent dans les fermes, les laboratoires, les zoos, les aquariums, ceux utilis\u00e9s pour le divertissement et ceux utilis\u00e9s pour le travail. Le photojournalisme animalier comble cette lacune.<\/span><\/em><\/p>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbGilles BENSIMON\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.lepoint.fr\/culture\/gilles-bensimon-je-ne-crois-pas-que-l-ia-va-faire-disparaitre-la-photographie-11-09-2025-2598353_3.php\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/10\/BENSIMON-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.lepoint.fr\/culture\/gilles-bensimon-je-ne-crois-pas-que-l-ia-va-faire-disparaitre-la-photographie-11-09-2025-2598353_3.php\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Je ne suis pas s\u00fbr d’avoir un style. De vous \u00e0 moi, je suis parfois \u00e9tonn\u00e9 de ne pas reconna\u00eetre mes images. Peut-\u00eatre parce que je m’efface derri\u00e8re les sujets que je photographie. L’intention que je poursuis consiste \u00e0 capter la sp\u00e9cificit\u00e9 des personnes que j’ai en face de moi \u00e0 travers des signes imperceptibles, une allure, un geste, une expression. Je cherche la rencontre plus qu’\u00e0 affirmer une patte.<\/span><\/em><\/p>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Blanca<\/em>, le dernier album en date de Julia Eckhardt, doit son nom \u00e0 la petite ville espagnole o\u00f9 l’artiste belge a effectu\u00e9 une r\u00e9sidence en novembre 2022. Pour cr\u00e9er, la musicienne s’appuyait sur un protocole pr\u00e9cis<\/strong><\/a> : chaque jour, elle partait dans la campagne murcienne et revenait de sa promenade avec un \u00e9chantillon sonore et une photographie ; elle s’inspirait ensuite de cette mati\u00e8re pour composer des pi\u00e8ces au violon. La vid\u00e9o ci-contre donne \u00e0 entendre trois extraits de l’album, accompagn\u00e9s des photos qui les ont inspir\u00e9s.<\/span><\/span><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/-LPOMRjzrEg?si=wZcUiVqay95mxwHg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Parmi les rendez-vous propos\u00e9s chaque ann\u00e9e dans le cadre du Prix Bayeux-Calvados des correspondants de guerre, il en est un dont on se passerait bien : le d\u00e9voilement de la st\u00e8le saluant la m\u00e9moire des journalistes de guerre disparus durant les douze mois \u00e9coul\u00e9s. Aux 73 noms grav\u00e9s cette ann\u00e9e sur le M\u00e9morial des reporters […]<\/p>\n","protected":false},"author":5,"featured_media":51103,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-51080","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 396 : actus photo<\/title>\n<meta name=\"description\" content=\"Clique Clac 396 : l\u2019actualit\u00e9 photo de la semaine du 6 octobre 2025 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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