{"id":51505,"date":"2025-11-13T05:00:07","date_gmt":"2025-11-13T04:00:07","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=51505"},"modified":"2025-11-14T12:51:16","modified_gmt":"2025-11-14T11:51:16","slug":"clique-clac-401","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2025\/11\/13\/clique-clac-401\/","title":{"rendered":"Clique Clac #401"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Ce jeudi 13 novembre s’ouvre au Grand Palais la 28e \u00e9dition de Paris Photo<\/strong><\/a>.\u00a0Cette ann\u00e9e, la foire rassemble 179 galeries et 43 \u00e9diteurs en provenance de 33 pays. Pour aider le visiteur \u00e0 trouver son chemin dans ce d\u00e9dale de propositions, chacun y va de ses conseils. Vogue <\/a><\/strong><\/em>se focalise sur le parcours Elles x Paris Photo et sur la collection Estrellita B. Brodsky<\/span>\u00a0; L’Oeil de la Photographie<\/a><\/strong><\/em> s’int\u00e9resse \u00e0 la vente aux ench\u00e8res\u00a0L\u00e9on Herschtritt ;\u00a0<\/span>Le Monde<\/a> <\/strong><\/em>et le blog Regardauteur<\/strong><\/em><\/a> craquent pour la s\u00e9rie-performance de Jack Davison ; Beaux-Arts<\/a><\/strong><\/em> pointe un \u00ab\u00a0nouveau rapport \u00e0 la mat\u00e9rialit\u00e9\u00a0\u00bb quand, au contraire,\u00a0Lib\u00e9 <\/a><\/strong><\/em>devise sur les nouveaux enjeux de l’image immat\u00e9rielle. Et parce que Paris Photo draine une flop\u00e9e d’\u00e9v\u00e9nements, Paris Capitale<\/strong><\/em><\/a> fait l’inventaire des expos qui valent le d\u00e9tour en ce moment. Une liste \u00e0 laquelle on se permettra d’ajouter le parcours PhotoSaintGermain<\/a><\/strong>, le salon a ppr oc h e<\/strong><\/a>, la Biennale de l’image tangible<\/strong><\/a>, le festival Photo Days<\/a><\/strong> et la foire du livre photo Polycopies<\/a><\/strong>.<\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/11\/Matt-BLACK-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbMatt BLACK\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.nationalgeographic.com\/photography\/article\/sierra-nevada-climate-wildfires\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

CHARBON BRILLANT\u00a0<\/strong><\/p>\n

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Notre nom peut-il conditionner notre parcours professionnel ? Parfois, oui. Prenez les exemple de Thierry Le Luron, humoriste, Benjamin Millepied, danseur, ou Daniel Lavoie, chanteur. Matthew Black, lui, a fait du noir profond sa signature photographique. \u00ab\u00a0American geography\u00a0\u00bb<\/a><\/strong>, son projet le plus c\u00e9l\u00e8bre, l’a ainsi vu sillonner les \u00c9tats-Unis pendant six ans pour aller \u00e0 la rencontre de communaut\u00e9s vivant sous le seuil de pauvret\u00e9. Sans se renier, le photographe a cependant chang\u00e9 d’outil quand il s’est agi de documenter les paysages de Sierra Nevada d\u00e9vast\u00e9s par les incendies<\/a><\/strong>. Pour s’\u00e9viter des comparaisons avec Ansel Adams, il a recouru \u00e0 une cam\u00e9ra thermique. Une r\u00e9v\u00e9lation : \u00ab\u00a0Comme les troncs carbonis\u00e9s pi\u00e8gent la chaleur, ils deviennent les points les plus brillants du paysage. Ils paraissent vivants \u00e0 nouveau, mais brillent comme le feraient des fant\u00f4mes parmi les ruines.\u00a0\u00bb<\/em><\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/11\/Yeager-Naked-ambition.jpg\u00a0\u00bb title_text=\u00a0\u00bbYeager Naked ambition\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/petapixel.com\/2025\/10\/08\/how-an-ap-photographer-told-a-sleepy-scientist-she-won-the-nobel-prize\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.musicboxfilms.com\/film\/naked-ambition\/\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

ET BUNNY YEAGER CR\u00c9A LA PIN-UP<\/strong><\/p>\n

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Music Box Films a mis en ligne\u00a0la bande-annonce de <\/a><\/strong>Naked ambition<\/a><\/strong><\/em>, documentaire consacr\u00e9e au parcours de Bunny Yeager, la photographe qui r\u00e9inventa l’image de la pin-up. Il faudra sans doute attendre avant de voir le film sur nos \u00e9crans, mais d’ici l\u00e0, vous pouvez visionner Bettie Page se d\u00e9voile<\/strong><\/a><\/em>, documentaire retra\u00e7ant la vie de la pin-up la plus c\u00e9l\u00e8bre du monde. \u00c0 partir de la 27e minute, on y voit Bunny Yeager \u00e0 l\u2019\u0153uvre sur la plage. La photographe raconte aussi dans quelles circonstances elle a r\u00e9alis\u00e9 des clich\u00e9s de Bettie Page dans le plus simple appareil et entour\u00e9e de gu\u00e9pards.<\/span><\/span><\/span><\/div>\n<\/div>\n<\/div>\n
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Sur le principe de feu Motus, saurez-vous trouver ce mot de cinq lettres<\/strong> <\/a>en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEn bref et en vrac…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb25px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab\u00a0Si je n\u2019avais pas essay\u00e9 d\u2019\u00eatre sur ce tournage, je pense que je l\u2019aurai regrett\u00e9 toute ma vie. Je suis peut-\u00eatre le seul photographe au monde \u00e0 avoir fait les images de l\u2019\u00e9v\u00e9nement qui l\u2019a traumatis\u00e9.\u00a0\u00bb<\/em> Belle interview de David Fritz Goeppinger<\/strong><\/a>, survivant du Bataclan devenu photographe de plateau sur la s\u00e9rie Des vivants<\/em>.<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Soci\u00e9t\u00e9 sp\u00e9cialis\u00e9e depuis 2009 dans la remise en service de vieux photomatons, Autophoto vient d’ouvrir un mus\u00e9e-galerie \u00e0 New York<\/strong><\/a>. Y sont pr\u00e9sent\u00e9es une collection de machines restaur\u00e9es et des expos d\u2019artistes utilisant cet outil.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Si elle fait envie sur le papier, cette r\u00e9\u00e9dition des Contemplations<\/em><\/a><\/strong> de Victor Hugo, enrichie de 136 photographies datant des d\u00e9buts du m\u00e9dium, n’est pas \u00e0 la port\u00e9e de toutes les bourses.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
En moins de trois minutes, France 24 rappelle le r\u00f4le pr\u00e9curseur de Lewis Hine<\/strong><\/a> dans la photographie sociale.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Dans le cadre du mois du film documentaire, la plateforme de France TV propose \u00e0 nouveau Le Sel de la Terre<\/a><\/strong><\/em>, film de Wim Wenders et\u00a0Juliano Ribeiro Salgado retra\u00e7ant le parcours de Sebastiao Salgado.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
\u00ab\u00a0L’image peut-elle encore nous percuter ?\u00a0\u00bb Autour de cette question binaire, La fabrique de l’information<\/a><\/strong> propose une discussion nuanc\u00e9e. La qualit\u00e9 des invit\u00e9s (Samuel Bollendorff, H\u00e9lo\u00efse Con\u00e9sa, Eric Baradat et\u00a0Gilles Courtinat) y est \u00e9videmment pour beaucoup.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Dans le m\u00eame ordre d’id\u00e9e, cet article de The Conversation<\/strong><\/a> montre comment la publication de photos de la r\u00e9volution irlandaise dans la presse d’ici a eu un impact sur l’opinion fran\u00e7aise.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
T\u00e9l\u00e9rama<\/em> a mis les articles de son site en acc\u00e8s libre jusqu’\u00e0 mercredi prochain. Profitez-en pour d\u00e9couvrir le road-movie rural de<\/a> C\u00e9dric Calandraud<\/strong>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
\u00ab\u00a0Il\u00a0faut jeter les 10\u00a0000 premi\u00e8res photos qu’on fait.\u00a0\u00bb\u00a0L’exigeant Cartier-Bresson ne m\u00e2chait pas ses mots, mais il en fallait plus pour stopper Matthieu Ricard<\/strong><\/a>.\u00a0<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Quels risques prend-on \u00e0 confier des photos aux chatbots d\u2019intelligence artificielle ? \u00c9l\u00e9ments de r\u00e9ponse<\/a>.<\/strong><\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Bernard Asset s’harnachait \u00e0 l’arri\u00e8re<\/strong><\/a> de la Formule 1 d’Alain Prost pour ses photos sur piste. Chez Porsche, c’est \u00e0 l’avant<\/a>\u00a0<\/strong>que \u00e7a se passe.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Nina et L\u00e9on<\/span><\/span>\u00a0confondent \u00ab\u00a0des portraits de toi\u00a0\u00bb avec \u00ab\u00a0des portes et des toits\u00a0\u00bb, une bonne raison pour Yetili de leur lire l’histoire d’<\/span>Ernest et C\u00e9lestine chez le photographe<\/strong><\/em><\/a>.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbNina ROEHRS\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/mailchi.mp\/fisheyeimmersive.com\/fisheye-immersive-16539269?e=c7f44fe0de\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/11\/ROEHRS-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/mailchi.mp\/fisheyeimmersive.com\/fisheye-immersive-16539269?e=c7f44fe0de\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

L’enjeu n’est pas le remplacement de l’image photographique, mais son expansion. Les artistes utilisent [l’IA] pour explorer des questions qui ont toujours d\u00e9fini le m\u00e9dium : l’authenticit\u00e9, la paternit\u00e9, ainsi que la relation entre l’image et la r\u00e9alit\u00e9. \u00c0 mesure que ces questions se posent dans de nouveaux contextes technologiques, il est tout \u00e0 fait naturel que les galeries et le march\u00e9 de l’art s’y int\u00e9ressent. Ce changement n’est pas une rupture, mais la continuation de la volont\u00e9 inh\u00e9rente \u00e0 la photographie de se r\u00e9inventer.<\/em><\/p>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbMario TESTINO\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.marieclaire.fr\/,les-astuces-de-mario-testino-pour-prendre-des-photos-sur-instagram,734710.asp\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/11\/mario-testino-vogue-2-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.marieclaire.fr\/,les-astuces-de-mario-testino-pour-prendre-des-photos-sur-instagram,734710.asp\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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J\u2019adore Instagram, c\u2019est un peu comme mon propre magazine, dans un certain sens. C\u2019est vraiment g\u00e9nial d\u2019avoir un lien direct avec les personnes. Le monde bouge \u00e0 une allure tellement rapide. Je peux le capturer avec une photo, la poster imm\u00e9diatement et avoir une r\u00e9action imm\u00e9diate ! J\u2019ai vu beaucoup de changements dans cette industrie, depuis l\u2019\u00e9poque o\u00f9 nous photographions instantan\u00e9ment sans savoir si la photo serait r\u00e9ussie jusqu\u2019au retour du laboratoire une semaine plus tard.<\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

L\u00e9gende de la photographie, Ralph Gibson<\/strong><\/a> a d\u00e9couvert la guitare bien avant de toucher son premier appareil photo. Aujourd’hui \u00e2g\u00e9 de 86 ans, il a d\u00e9cid\u00e9 de revisiter en musique quinze de ses images les plus embl\u00e9matiques en composant un morceau original pour chacune d’elles. L’album, intitul\u00e9 Vu\/Impr\u00e9vu, est disponible sur toutes les plateformes depuis le 31 octobre. Une version physique, couplant un livre photo et un disque vinyle, est en vente sur le site IIKKI Books<\/a><\/strong>. S’il n’y a plus d’exemplaires disponibles au moment o\u00f9 vous cliquez sur le lien, consolez-vous avec ce premier extrait…<\/span><\/span><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/L-MZzglEEcc?si=oJfW53e4FQMsp5CF\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Ce jeudi 13 novembre s’ouvre au Grand Palais la 28e \u00e9dition de Paris Photo.\u00a0Cette ann\u00e9e, la foire rassemble 179 galeries et 43 \u00e9diteurs en provenance de 33 pays. Pour aider le visiteur \u00e0 trouver son chemin dans ce d\u00e9dale de propositions, chacun y va de ses conseils. Vogue se focalise sur le parcours Elles x […]<\/p>\n","protected":false},"author":5,"featured_media":51566,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-51505","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 401 : actus photo<\/title>\n<meta name=\"description\" content=\"Clique Clac 401 : l\u2019actualit\u00e9 photo de la semaine du 10 novembre 2025 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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