{"id":51853,"date":"2025-12-09T10:47:37","date_gmt":"2025-12-09T09:47:37","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=51853"},"modified":"2026-02-12T09:56:16","modified_gmt":"2026-02-12T08:56:16","slug":"clique-clac-405","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2025\/12\/09\/clique-clac-405\/","title":{"rendered":"Clique Clac #405"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Lors de son passage le 3 novembre dernier sur le plateau du 28 Minutes<\/strong><\/a> d’Arte, Martin Parr nous avait paru alerte, r\u00e9pondant du tac au tac aux questions d’\u00c9lizabeth Quin et des autres journalistes. Certes il avait gliss\u00e9, l’air de rien, \u00ab\u00a0J’ai un cancer, donc je profite au mieux du temps qu’il me reste\u00a0\u00bb<\/em>, mais on ne se doutait pas que sa mort \u00e9tait si proche. Elle est survenue le 6 d\u00e9cembre<\/a><\/strong> et le regard mordant qu’il portait sur ses contemporains nous manque d\u00e9j\u00e0. On ne va pas vous retracer ici la vie du photographe, juste vous aider \u00e0 comprendre ce qui faisait sa singularit\u00e9 \u00e0 travers quelques liens gl\u00e2n\u00e9s ici et l\u00e0…<\/p>\n[\/et_pb_text][et_pb_heading title=\u00a0\u00bbUne vie d’\u00e9clats…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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La biographie illustr\u00e9e<\/strong><\/a> de Magnum Photos est un bon point de d\u00e9part pour voir par quels chemins est pass\u00e9 Martin Parr avant de trouver la voie qui a fait son succ\u00e8s. Sur le site de l’agence, on trouve aussi d’excellents compl\u00e9ments sur ses d\u00e9buts en noir et blanc<\/strong><\/a>, sur sa s\u00e9rie phare \u00ab\u00a0The last resort\u00a0\u00bb<\/strong><\/a> ou sur sa relation aux plages<\/strong><\/a>.<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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En 2004, pour leurs 35 ans, les Rencontres d’Arles avaient confi\u00e9 \u00e0 Martin Parr le poste de commissaire invit\u00e9. Un r\u00f4le qu’il n’a pas pris \u00e0 la l\u00e9g\u00e8re, comme le montre ce documentaire d’\u00e9poque d’Olivier Etcheverry<\/a><\/strong>. L’occasion aussi d’entendre le photographe \u00e9voquer le travail de ses pairs : Chris Killip, James Mollison, Neeta Madahar ou Katy Grannan.\u00a0<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Paru en 2021, D\u00e9j\u00e0 View<\/em> met en regard les images de Martin Parr et les photos d’amateurs tir\u00e9es du Anonymous Project. Un dialogue savoureux<\/a><\/strong>.<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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France 3 Hauts-de-France se souvient de \u00ab\u00a0One day trip\u00a0\u00bb<\/strong><\/a>, s\u00e9rie de la fin des ann\u00e9es 1980 documentant les escapades \u00e0 Boulogne-sur-Mer de ses compatriotes pour acheter de la bi\u00e8re et des cigarettes \u00e0 moindre co\u00fbt.\u00a0<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Nadia Lee Cohen et Martin Parr avaient quarante ans d\u2019\u00e9cart, mais le m\u00eame regard grin\u00e7ant sur l\u2019\u00e9poque. Leur collaboration \u00e9tait <\/span>\u00e9crite<\/a><\/strong>.<\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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France TV a remis en ligne I am Martin Parr<\/em><\/strong><\/a>, documentaire de Lee Shulman un brin r\u00e9v\u00e9rencieux, mais qui ne botte pas en touche quand il s’agit de pointer les critiques auxquelles a fait face le photographe britannique.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
On le savait parfois caustique, on le d\u00e9couvre intervieweur bienveillant dans la s\u00e9rie des \u00ab\u00a0Sofa sessions\u00a0\u00bb<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Le saviez-vous ? Henri Cartier-Bresson s\u2019\u00e9tait initialement oppos\u00e9<\/strong><\/span> son entr\u00e9e \u00e0 l\u2019agence Magnum Photos. D’o\u00f9 l’id\u00e9e de la Fondation HCB d’organiser, il y a deux ans, une exposition en forme de r\u00e9conciliation<\/a> <\/strong>(quelques images ici<\/strong><\/a>).<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Fin businessman, Martin Parr a d\u00e9clin\u00e9 ses images dans de nombreux produits d\u00e9riv\u00e9s : tote-bag<\/strong><\/a>, drap de bain<\/a><\/strong>, puzzle<\/strong><\/a>, pin’s<\/strong><\/a>, sticker<\/a><\/strong>, masque facial<\/a><\/strong>, etc. Pour les f\u00eates de No\u00ebl 2017, il avait m\u00eame sorti un <\/span>cahier de coloriage<\/strong><\/span><\/a>.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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En 2010, confront\u00e9 \u00e0 des accusations de racisme<\/strong><\/a>, il a quitt\u00e9 son poste de directeur artistique du tout jeune festival photo de Bristol.<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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En 2006, Graham Fellows a r\u00e9alis\u00e9 un mockumentaire, It’s nice up North<\/em>, pour lequel Martin Parr tenait la cam\u00e9ra et \u00e9tait r\u00e9guli\u00e8rement pris \u00e0 t\u00e9moin par le protagoniste principal. Une curiosit\u00e9 \u00e0 voir ici<\/a> <\/strong>(accrochez-vous, c’est en V.O. non sous-titr\u00e9e).\u00a0<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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\u00c0 un moment de sa vie, Martin Parr, bibliophile inv\u00e9t\u00e9r\u00e9, avait une collection de 30000 livres photo \u00e0 son domicile bristolien. 12000 ont \u00e9t\u00e9 vendus \u00e0 la Tate Gallery en 2004. Un long processus que le photographe a \u00e9voqu\u00e9 lors de cette conversation avec Cl\u00e9mentine de La F\u00e9ronni\u00e8re<\/strong><\/a>. Conversation o\u00f9 il est aussi beaucoup question des nombreux livres qu’il a publi\u00e9s sous son nom (NB : il y a des probl\u00e8mes de son \u00e0 partir de la 17e minute). Pour la petite histoire, l’argent r\u00e9colt\u00e9 lors de la transaction avec la Tate a servi \u00e0 financer sa fondation<\/a><\/strong>.<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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\u00c0 la question \u00ab\u00a0L’humour anglais vous inspire-t-il ?\u00a0\u00bb Il r\u00e9pondait qu’il \u00e9tait un grand admirateur de Tony Hancock<\/strong><\/a>. Sans doute connaissait-il ce sketch<\/strong><\/a> dans lequel le com\u00e9dien anglais se moque des photographes qui se prennent un peu trop pour des artistes.<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Le 9 juillet 2015, au Th\u00e9\u00e2tre antique d’Arles, Martin Parr s’\u00e9tait pr\u00eat\u00e9 au jeu de la projection comment\u00e9e<\/a><\/strong>. L’occasion de voir quelques extraits (tr\u00e8s dr\u00f4les) issus de ses documentaires vid\u00e9o.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Le Jeu de Paume, qui se pr\u00e9pare \u00e0 accueillir \u00ab\u00a0Global warning\u00a0\u00bb, a partag\u00e9 un texte et une photo<\/strong><\/a> montrant l’implication de Martin Parr dans cette nouvelle exposition.<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Excentrique ou \u00e9gocentrique ? Les deux !<\/a><\/strong><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus !\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/lemot.fr\/defi\/six?lm=YnJpZGdl\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ces trois mots (<\/span>1<\/a><\/strong>,\u00a0<\/span>2<\/strong><\/a> et\u00a0<\/span>3<\/a><\/strong><\/strong>) sans aucun lien avec la photographie, mais qui, une fois replac\u00e9s dans le bon ordre, forment (phon\u00e9tiquement) le titre d’un album dont la pochette a \u00e9t\u00e9 r\u00e9alis\u00e9 par Martin Parr ?<\/span><\/strong><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial url=\u00a0\u00bbhttps:\/\/www.ina.fr\/ina-eclaire-actu\/martin-parr-photo-photographie-kitsch-british-magnum\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/12\/PARR-1.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.ina.fr\/ina-eclaire-actu\/martin-parr-photo-photographie-kitsch-british-magnum\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Si je ne collectionnais pas tous ces objets, personne ne le ferait, ils seraient n\u00e9glig\u00e9s et oubli\u00e9s, je les sauve et leur offre un pi\u00e9destal.<\/span><\/em><\/p>\n[\/et_pb_testimonial][et_pb_testimonial url=\u00a0\u00bbhttps:\/\/www.magnumphotos.com\/theory-and-practice\/martin-parrs-advice-documentary-photographers\/?_gl=1*guye9z*_up*MQ..*_ga*NzI2NDI1MDIwLjE3NjUyNjMxMDg.*_ga_50D0ZG80LT*czE3NjUyNjMxMDgkbzEkZzAkdDE3NjUyNjMxMDgkajYwJGwwJGgyMTc0OTA0NjU.*_ga_Y4MWFWT6P9*czE3NjUyNjMxMDgkbzEkZzAkdDE3NjUyNjMxMDgkajYwJGwwJGgw\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/12\/PARR-3.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.magnumphotos.com\/theory-and-practice\/martin-parrs-advice-documentary-photographers\/?_gl=1*guye9z*_up*MQ..*_ga*NzI2NDI1MDIwLjE3NjUyNjMxMDg.*_ga_50D0ZG80LT*czE3NjUyNjMxMDgkbzEkZzAkdDE3NjUyNjMxMDgkajYwJGwwJGgyMTc0OTA0NjU.*_ga_Y4MWFWT6P9*czE3NjUyNjMxMDgkbzEkZzAkdDE3NjUyNjMxMDgkajYwJGwwJGgw\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

La grande erreur est de vouloir en dire trop. Les apprentis photographes aspirent \u00e0 changer le monde entier avec un seul projet. Ils ne r\u00e9alisent pas qu’aborder un sujet pr\u00e9cis avec soin et pertinence est bien plus efficace que de tenter de couvrir simultan\u00e9ment une multitude d’aspects du monde. <\/span>Si l’on ne peut expliquer sa d\u00e9marche en une phrase, elle n’en vaut gu\u00e8re la peine.<\/span><\/em><\/p>\n[\/et_pb_testimonial][et_pb_testimonial url=\u00a0\u00bbhttps:\/\/www.dailymotion.com\/video\/x78l98j\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/12\/PARR-2.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.dailymotion.com\/video\/x78l98j\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

C\u2019est tr\u00e8s difficile de dire ce qui fait une bonne photo, il doit y avoir une intention derri\u00e8re, une contradiction, une ambigu\u00eft\u00e9 et aussi une bonne construction dans l\u2019image. Elle doit attirer l\u2019\u0153il du spectateur, lui donner mati\u00e8re \u00e0 r\u00e9fl\u00e9chir ou m\u00eame le bousculer. Il doit y avoir un deuxi\u00e8me niveau de lecture.<\/em><\/p>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Bouclons la boucle avec un dernier clin d\u2019\u0153il \u00e0 Martin Parr. En mati\u00e8re de musique, on a l’embarras du choix : le photographe a sign\u00e9 de nombreuses pochettes d’albums, pour Madness<\/strong><\/a>, Salad<\/strong> <\/a>(on en avait parl\u00e9 dans CC#367<\/strong><\/a>), Blur<\/strong><\/a>, The Madcaps<\/a><\/strong> ou encore Louane<\/strong><\/a>. De ce c\u00f4t\u00e9-ci de la Manche, Vincent Delerm lui a \u00e9crit une chanson<\/strong><\/a> et M a collabor\u00e9 avec lui le temps d’une exposition<\/a><\/strong>. Mais il nous semble plus judicieux de conclure avec le seul clip musical (\u00e0 notre connaissance) qu’ait jamais r\u00e9alis\u00e9 Martin Parr. \u00ab\u00a0London\u00a0\u00bb par The Pet Shop Boys : un vrai concentr\u00e9 de l’esprit Parr. Et une exp\u00e9rience qui a laiss\u00e9 un bon souvenir \u00e0 Chris Tennant et Neil Lowe<\/a><\/strong>.<\/span><\/span><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/2p8Tu56UU4M?si=tKRO_OKigE20qGa2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbbonus\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ background_color=\u00a0\u00bb#EDF000″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Nous reproduisons ci-dessous la chronique de Compl\u00e8tement paresseux et \u00e9tourdi<\/em>, publi\u00e9e dans le n\u00b0471 de Chasseur d’Images.\u00a0<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2025\/12\/PARR-Completement-paresseux-et-etourdi.jpg\u00a0\u00bb title_text=\u00a0\u00bbPARR Compl\u00e8tement paresseux et etourdi\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/talking-pictures.online\/2025\/08\/27\/judith-crispin-the-compassion-of-country\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.musicboxfilms.com\/film\/naked-ambition\/\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

MARTIN PAR(R) L’IMAGE<\/strong><\/p>\n

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Devant les r\u00e9ticences de Martin Parr \u00e0 se pr\u00eater au jeu de l\u2019interview classique, Wendy Jones, qui souhaitait \u00e9crire sa biographie, a eu l\u2019heureuse id\u00e9e de le confronter aux images de sa vie, celles qu\u2019il a r\u00e9alis\u00e9es comme celles qui l\u2019ont constitu\u00e9. Le Britannique s\u2019est tout de suite montr\u00e9 plus disert. L\u2019ouvrage que la journaliste a tir\u00e9 de ses \u00e9changes en conserve la forme\u2009: Martin Parr d\u00e9roule le fil de sa vie en commentant 150 photos choisies parmi 48\u2009000. D\u2019un portrait de son p\u00e8re sur un ruisseau gel\u00e9 (\u201cla premi\u00e8re photo que je me rappelle avoir prise\u201d) \u00e0 une vue de Ramsgate par Tony Ray-Jones (\u201cquand j\u2019\u00e9tais \u00e0 la fac et que je regardais ses photos, j\u2019\u00e9tais sans cesse \u00e9merveill\u00e9 par leur qualit\u00e9\u201d), de \u201cJune Street\u201d, s\u00e9rie fondatrice r\u00e9alis\u00e9e en derni\u00e8re ann\u00e9e de fac en collaboration avec Daniel Meadows, au passage \u00e0 la couleur dans les rues de New Brighton au d\u00e9but des ann\u00e9es 1980 (\u201cje ne suis jamais revenu en arri\u00e8re\u201d), Martin Parr prend un plaisir \u00e9vident \u00e0 revenir sur les \u00e9tapes qui l\u2019ont construit, avec l\u2019humour pince-sans-rire qu\u2019on lui conna\u00eet, une pointe de tendresse in\u00e9dite (notamment quand il \u00e9voque ses proches) et sans une once d\u2019amertume… ce qui ne l\u2019emp\u00eache pas d\u2019\u00e9gratigner au passage les gens qui n\u2019ont pas cru en lui \u2013 \u00e0 commencer par ce professeur de fran\u00e7ais qui dans un de ses bulletins scolaires avait appos\u00e9 ce commentaire cinglant\u2009: \u201cCompl\u00e8tement paresseux et \u00e9tourdi\u201d.<\/div>\n
Martin Parr – Compl\u00e8tement paresseux et \u00e9tourdi<\/strong>
304 pages, 19 \u00d7 25,5 cm, \u00e9ditions Michel Lafon, 39,95\u202f\u20ac<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Lors de son passage le 3 novembre dernier sur le plateau du 28 Minutes d’Arte, Martin Parr nous avait paru alerte, r\u00e9pondant du tac au tac aux questions d’\u00c9lizabeth Quin et des autres journalistes. Certes il avait gliss\u00e9, l’air de rien, \u00ab\u00a0J’ai un cancer, donc je profite au mieux du temps qu’il me reste\u00a0\u00bb, mais […]<\/p>\n","protected":false},"author":5,"featured_media":51904,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-51853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 405 : actus photos<\/title>\n<meta name=\"description\" content=\"Clique Clac 405 : l\u2019actualit\u00e9 photo de la semaine du 24 novembre 2025 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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