{"id":52271,"date":"2026-01-22T05:00:03","date_gmt":"2026-01-22T04:00:03","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=52271"},"modified":"2026-01-22T08:01:37","modified_gmt":"2026-01-22T07:01:37","slug":"clique-clac-409","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/01\/22\/clique-clac-409\/","title":{"rendered":"Clique Clac #409"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Xavier Mauduit, producteur du \u00ab\u00a0Cours de l’histoire\u00a0\u00bb sur France Culture,\u00a0 lance de belle mani\u00e8re le bicentenaire de la photographie en consacrant une s\u00e9rie de quatre \u00e9missions d’une heure \u00e0 notre m\u00e9dium pr\u00e9f\u00e9r\u00e9. Le premier volet plante le d\u00e9cor en retra\u00e7ant les d\u00e9buts de la photographie<\/a><\/strong>, invention \u00e0 la paternit\u00e9 partag\u00e9e (rendez-vous ici <\/a><\/strong>pour le fichier haute r\u00e9solution du Point de vue du Gras<\/em> dont il est question dans l’\u00e9pisode). Le deuxi\u00e8me volet fait la lumi\u00e8re sur le flash<\/a><\/strong>\u00a0(\u00e0 compl\u00e9ter par la lecture du dernier Photographica <\/a><\/strong><\/em>ou par une visite du Camera Museum<\/strong><\/a> de Vevey) quand le troisi\u00e8me tente (sans y parvenir vraiment) de faire la distinction entre les pratiques amateur et professionnelle<\/a><\/strong>. En conclusion sont abord\u00e9es la question du photomontage <\/a><\/strong>et sa r\u00e9cup\u00e9ration \u00e0 des fins d’agit-prop, en pr\u00e9sence de\u00a0Max Bonhomme, co-commissaire de l\u2019exposition \u00ab\u00a0Couper, coller, imprimer\u00a0: le photomontage politique au XX\u1d49 si\u00e8cle\u00a0\u00bb<\/a><\/strong>. Tous les invit\u00e9s convi\u00e9s au micro\u00a0 (historiens et historiennes pour la plupart) m\u00e9riteraient d’ailleurs d’\u00eatre cit\u00e9s tant leur apport est \u00e9clairant. Les archives sonores qui \u00e9maillent les \u00e9missions (Brassa\u00ef, Janine Ni\u00e9pce, Ronis, Barthes, etc.) font aussi tout l’int\u00e9r\u00eat de la s\u00e9rie.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/01\/sREG2wZieWc8IcNuiv4f1Uwsjua3B7L50Hv2DVCr_400x400-300×300.jpeg\u00a0\u00bb title_text=\u00a0\u00bbsREG2wZieWc8IcNuiv4f1Uwsjua3B7L50Hv2DVCr_400x400″ url=\u00a0\u00bbhttps:\/\/podcast.ausha.co\/concretement-flou\/35-margaux-brugvin\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

FIGURES DE STYLE<\/strong><\/p>\n

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Lisette Model<\/strong><\/a> disait que quand elle appuyait sur le d\u00e9clencheur, elle posait une question ; Rosalind Fox Solomon<\/a><\/strong>, elle, a avou\u00e9 qu’elle photographiait parce qu’elle ne comprenait pas. Les deux approches se font \u00e9cho, et c’est sans doute pour cela que la premi\u00e8re a pris la seconde sous son aile. La relation entre les deux photographes est parfaitement explicit\u00e9e dans deux \u00ab\u00a0shorts\u00a0\u00bb post\u00e9s il y a quelques mois (Model ici<\/a><\/strong>, Solomon l\u00e0<\/a><\/strong>) par Margaux Brugvin,\u00a0critique d’art et cr\u00e9atrice de contenus. Si vous voulez en savoir plus sur cette dipl\u00f4m\u00e9e de l’\u00c9cole du Louvre devenue passeuse d’art sur Instagram<\/a><\/strong>, \u00e9coutez l’interview qu’elle a accord\u00e9e au podcast Concr\u00e8tement Flou<\/strong><\/a>.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb22px|3px||3px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/01\/YAB-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbYAB\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.france.tv\/documentaires\/documentaires-societe\/7603544-photos-de-famille.html\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

LE TOUR DE YAB<\/strong><\/p>\n

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Trente-cinq ans apr\u00e8s les bestiaux <\/a><\/strong>photographi\u00e9s au Salon de l’agriculture, la b\u00e2che en toile de jute de Yann Arthus-Bertrand a repris du service le temps d’un tour de France de deux ans durant lequel le photographe a pos\u00e9 son studio dans quatre-vingts villes et villages de France. C’est cette aventure que retrace \u00ab\u00a0Photos de famille\u00a0\u00bb<\/strong><\/a>, documentaire de Sibylle D’Orgeval\u00a0o\u00f9 l’on voit essentiellement YAB et son \u00e9quipe \u00e0 l\u2019\u0153uvre, m\u00eame si quelques pastilles bienvenues nous font entrevoir le quotidien de certaines personnes portraitur\u00e9es. D\u00e9clin\u00e9 en livre<\/a><\/strong>, le projet s’expose aussi dans les lieux o\u00f9 le photographe est pass\u00e9, comme \u00e0\u00a0Villefranche-de-Rouergue<\/strong><\/a> par exemple.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de 9 lettres<\/a><\/strong> en lien avec la photographie ?<\/p>\n

(indice : un \u00e9quivalent du fromage anglais<\/span>)<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEn bref et en vrac\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Puisqu’il sera bient\u00f4t impossible de distinguer une image IA d’une photo r\u00e9elle, c’est \u00e0 la source qu’il faut agir. Ainsi est n\u00e9e la certification C2PA, une solution efficace mais qui a ses limites, nous rappelle La revue des m\u00e9dias<\/strong><\/em><\/a>.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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M\u00eame hors ann\u00e9e olympique, il y a de belles prises (cf. la m\u00e9daille d’argent en cat\u00e9gorie \u00ab\u00a0Golf\u00a0\u00bb) dans les World Sports Photography Awards 2025<\/strong><\/a>.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Il y a deux semaines, \u00ab\u00a0La Derni\u00e8re\u00a0\u00bb (Radio Nova) a re\u00e7u Louis Witter<\/strong><\/a>, photojournaliste connu, entre autres, pour ses reportages sur les exil\u00e9s de la \u00ab\u00a0jungle\u00a0\u00bb de Calais. Restez jusqu’\u00e0 la fin, car \u00ab\u00a0l’invit\u00e9 de l’invit\u00e9\u00a0\u00bb est un photographe au travail tout aussi int\u00e9ressant : Marin Driguez.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Un portrait du jeune Oscar Wilde sign\u00e9 par Napoleon Saroni sera mis aux ench\u00e8res<\/strong><\/a> le 18 f\u00e9vrier prochain.<\/span><\/span><\/div>\n

<\/strong><\/a><\/span><\/span><\/p>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Paris est bien repr\u00e9sent\u00e9 dans ce Top 10 de Dazed<\/strong><\/a> compilant les expos \u00e0 ne pas manquer en 2026.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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ENSP d’Arles, Gobelins, Fresnoy, ECAL… Le Journal des Arts<\/em> a mis \u00e0 jour son guide des \u00e9coles d’art<\/strong><\/a>. Une mine d’informations bien utile en cette pr\u00e9-p\u00e9riode de portes ouvertes.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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\u00c0 l’occasion de la sortie am\u00e9ricaine du biopic de Peter Hujar, Another Mag dresse une liste de dix films<\/a><\/strong> retra\u00e7ant la vie de photographes c\u00e9l\u00e8bres.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
La double vie d’Anabelle Berthelemot, sommeli\u00e8re et boxeuse, a convaincu Julie Mitchell de produire un reportage sur elle<\/strong><\/a>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
\u00c0 ses d\u00e9buts, il y a dix ans,\u00a0Alan McFadyen\u00a0avait besoin de 720000 d\u00e9clenchements pour photographier le plongeon d’un martin-p\u00eacheur. Aujourd’hui sept suffisent<\/a><\/strong>.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Au rythme d’une image par ann\u00e9e, National Geographic<\/em> propose un r\u00e9cap<\/a> <\/strong>du premier quart du XXIe si\u00e8cle.\u00a0<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Cet article du Temps<\/em><\/a><\/strong> n’est accessible qu’en partie, mais on peut quand m\u00eame y d\u00e9couvrir un graphique saisissant sur le nombre de photojournalistes tu\u00e9s dans l’exercice de leur m\u00e9tier ces trente derni\u00e8res ann\u00e9es.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Dans le cadre des c\u00e9l\u00e9brations du bicentenaire de la photographie, un fonds est mis en place<\/strong><\/a>\u00a0pour accompagner l\u2019\u00e9dition, la traduction et la r\u00e9\u00e9dition de livres photo.\u00a0Une visio-conf\u00e9rence de pr\u00e9sentation aura lieu le 29 janvier.\u00a0Le d\u00e9p\u00f4t des demandes se fera entre le 1er et le 31 mars aupr\u00e8s du CNL.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Connaissez-vous H\u00e9l\u00e8ne Plessis Vieillard<\/a><\/strong> ? Nous, non plus – et pourtant, elle \u00e9tait poitevine<\/span><\/span> !<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbSared RAMIREZ\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.rfi.fr\/fr\/podcasts\/100-cr%C3%A9ation\/20251227-sared-ramirez-100-ans-apr%C3%A8s-la-ciup-inspire-toujours-l-art-et-la-photographie\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/01\/RAMIREZ.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.rfi.fr\/fr\/podcasts\/100-cr%C3%A9ation\/20251227-sared-ramirez-100-ans-apr%C3%A8s-la-ciup-inspire-toujours-l-art-et-la-photographie\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]\n
Pour moi, raconter des histoires, c\u2019est essentiel. Mon processus consiste \u00e0 \u00eatre attentive \u00e0 ce que la vie me donne sur le moment, et \u00e0 faire avec. J\u2019avais un laboratoire photo, ce b\u00e2timent de Le Corbusier, et des personnes tr\u00e8s int\u00e9ressantes autour de moi. J\u2019ai d\u00e9cid\u00e9 de faire un portrait, et j\u2019ai racont\u00e9 des histoires \u00e0 travers la photographie, en laissant parler mon instinct.<\/span><\/em><\/div>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbRomain BERNINI\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/fr.africanews.com\/2025\/12\/18\/le-photographe-belgo-marocain-mous-lamrabat-reinvente-la-culture-pop-en-afrique\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/01\/LAMRABAT-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/fr.africanews.com\/2025\/12\/18\/le-photographe-belgo-marocain-mous-lamrabat-reinvente-la-culture-pop-en-afrique\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Mettre l’Afrique sous les projecteurs, c’est un enjeu essentiel. Ce que je vais dire est triste, mais dans de nombreux pays europ\u00e9ens ou occidentaux, les personnes noires ou racis\u00e9es sont toujours trop peu repr\u00e9sent\u00e9es. Nous serons toujours per\u00e7us comme inf\u00e9rieurs, mais je pense que l’art est notre porte d’entr\u00e9e. C’est par lui que nous pouvons revendiquer notre place, d\u00e9montrer notre richesse cr\u00e9ative et d\u00e9clarer avec force : \u00ab\u00a0Regardez ce que nous poss\u00e9dons, regardez ce que nous produisons.\u00a0\u00bb<\/span><\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Comment dit-on \u00ab\u00a0le petit oiseau va sortir\u00a0\u00bb en anglais ? <\/span>Eh bien, demandons \u00e0\u00a0Martha Raye…<\/span><\/span><\/span><\/div>\n
(au passage, cela vous donne un indice suppl\u00e9mentaire pour le Photus de la semaine)<\/span><\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/ezguxsgIWqE?si=IghtKKNLaJXkYPKf\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Xavier Mauduit, producteur du \u00ab\u00a0Cours de l’histoire\u00a0\u00bb sur France Culture,\u00a0 lance de belle mani\u00e8re le bicentenaire de la photographie en consacrant une s\u00e9rie de quatre \u00e9missions d’une heure \u00e0 notre m\u00e9dium pr\u00e9f\u00e9r\u00e9. Le premier volet plante le d\u00e9cor en retra\u00e7ant les d\u00e9buts de la photographie, invention \u00e0 la paternit\u00e9 partag\u00e9e (rendez-vous ici pour le fichier […]<\/p>\n","protected":false},"author":5,"featured_media":52300,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-52271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 409 : actus photos<\/title>\n<meta name=\"description\" content=\"Clique Clac 409 : l\u2019actualit\u00e9 photo de la semaine du 19 janvier 2026 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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