{"id":52471,"date":"2026-02-05T05:00:50","date_gmt":"2026-02-05T04:00:50","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=52471"},"modified":"2026-02-05T07:50:06","modified_gmt":"2026-02-05T06:50:06","slug":"clique-clac-411","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/02\/05\/clique-clac-411\/","title":{"rendered":"Clique Clac #411"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
\u00c0 quoi reconna\u00eet-on un bon documentaire ? \u00c0 sa capacit\u00e9 \u00e0 capter l’attention, certes, mais aussi au fait qu’il ouvre de nouvelles portes aux spectateurs.\u00a0<\/span>Germaine Krull, la photographie ou la vie<\/a><\/strong><\/em>\u00a0coche les deux cases.\u00a0<\/span>Audrey Gordon, la r\u00e9alisatrice, a trouv\u00e9 la forme juste (entre fiction et documentaire) pour nous rendre la figure de Germaine Krull imm\u00e9diatement sympathique. Durant l’entre-deux guerre, elle \u00e9tait l’\u00e9gale de Man Ray ou Kert\u00e9sz et a contribu\u00e9 \u00e0 donner un second souffle \u00e0 la photographie de reportage, en lui apportant une touche graphique, comme le prouvent ses publications dans le magazine VU<\/em>. Le documentaire nous apprend \u00e9galement qu’elle participa \u00e0 la collection \u00ab\u00a0Phototexte\u00a0\u00bb, lanc\u00e9e au d\u00e9but des ann\u00e9es 1930 par Jacques Aumont. La Folle d’Itteville<\/em>, premier (et seul !) volume de la collection, faisait cohabiter les images de Germaine Krull et les mots de Georges Simenon dans une forme qui annon\u00e7ait le roman-photo quinze ans avant son av\u00e8nement.\u00a0Tir\u00e9 \u00e0 25000 exemplaires mais jamais r\u00e9\u00e9dit\u00e9<\/a><\/strong>\u00a0(except\u00e9 dans les \u0153uvres compl\u00e8tes du romancier), ce livre hybride s’\u00e9change sur les plateformes sp\u00e9cialis\u00e9es \u00e0\u00a0des prix prohibitifs<\/a><\/strong>. Dommage, car\u00a0la description qu’en fait \u00c9l\u00e9onore Challine<\/a><\/strong>, historienne de l’art, pique la curiosit\u00e9 : \u00ab\u00a0Au fil de cette enqu\u00eate sur un meurtre perp\u00e9tr\u00e9 au bord d\u2019une route, le lecteur croise tour \u00e0 tour des sc\u00e8nes photographi\u00e9es en ext\u00e9rieur, la nuit et le jour, des sc\u00e8nes d\u2019int\u00e9rieur o\u00f9 se joue un th\u00e9\u00e2tre d\u2019ombres, des portraits dans un cadrage serr\u00e9. L\u2019int\u00e9r\u00eat de ce montage repose sur l\u2019alternance des plans et des cadrages, et sur la vari\u00e9t\u00e9 de la disposition des images sur la page, aux antipodes de la r\u00e9gularit\u00e9\u00a0: les diff\u00e9rents formats, en pleine page ou sur les bords, jouent avec le texte, ou au contraire le font dispara\u00eetre.\u00a0\u00bb\u00a0<\/em>Si un \u00e9diteur nous lit…<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/02\/Photopol-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbPhotopol\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www2.assemblee-nationale.fr\/17\/evenements\/2025\/3eme-edition-du-prix-de-la-photo-politique-assemblee-nationale-lcp\/laureats-de-l-edition-20252″ url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

POLITIQUE DES IMAGES<\/strong><\/p>\n

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\u00c9ph\u00e9m\u00e8re ministre de l’\u00e9conomie (<\/span>23 d\u00e9cembre 2024 – 5 octobre 2025<\/span>), \u00c9ric Lombard n’aura pas laiss\u00e9 un souvenir imp\u00e9rissable. Mais une image restera de son passage au gouvernement, celle qu’a fait de lui S\u00e9bastien Leban sur l’h\u00e9liport de Bercy. Ce portrait a en effet remport\u00e9\u00a0<\/span>le Prix de la photographie politique 2025<\/strong><\/a>, concours coorganis\u00e9 par l’Assembl\u00e9e nationale et LCP. Sur le site de la cha\u00eene, on peut d’ailleurs trouver\u00a0<\/span>une s\u00e9rie de courtes vid\u00e9os<\/a><\/strong>\u00a0dans lesquelles le laur\u00e9at et les onze finalistes commentent leurs photos. O\u00f9 l’on apprend que le service de communication d’\u00c9ric Lombard avait refus\u00e9 le portrait de S\u00e9bastien Leban et que celui-ci a attendu la chute du gouvernement Bayrou pour la ressortir de ses tiroirs et la pr\u00e9senter au Prix de la photographie politique.\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb22px|3px||3px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/02\/MNEH-1997-4-287-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbMNEH 1997 4 287″ url=\u00a0\u00bbhttps:\/\/www.musee-orsay.fr\/fr\/magazine\/2025-11-06\/entretien-avec-marie-robert-commissaire-de-lexposition-gabrielle-hebert-amour-fou-la-villa-medicis\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

GABRIELLE H\u00c9BERT, CHRONIQUEUSE DE LA VILLA MEDICIS<\/strong><\/p>\n

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Une fois n’est pas coutume, le mus\u00e9e d’Orsay consacre une exposition \u00e0 la photographie, en l’occurrence \u00e0 l\u2019\u0153uvre de\u00a0<\/span>Gabrielle H\u00e9bert <\/a><\/strong>(1853-1934), premi\u00e8re artiste \u00e0 avoir chroniqu\u00e9 la vie \u00e0 la Villa Medicis.<\/span>\u00a0<\/span>\u00ab\u00a0<\/i>Sa pratique<\/i>, raconte\u00a0Marie Robert, commissaire de l\u2019exposition<\/a><\/strong>,\u00a0est d\u2019une libert\u00e9 \u00e9tonnante, elle m\u00eale curiosit\u00e9, exp\u00e9rimentation et obstination. Elle photographie presque chaque jour. Elle s\u2019essaie \u00e0 tout\u00a0:\u00a0portraits, tableaux vivants, sc\u00e8nes de plein air, instantan\u00e9s, nus, images vol\u00e9es<\/a><\/strong>. Elle se moque des cat\u00e9gories et des hi\u00e9rarchies, ne cherche pas \u00e0 se conformer \u00e0 une quelconque \u00e9cole.\u00a0\u00bb\u00a0<\/i>\u00a0L’interview\u00e9e nous apprend au passage que, pour perp\u00e9tuer l’h\u00e9ritage de Gabrielle H\u00e9bert,\u00a0un album collaboratif a \u00e9t\u00e9 cr\u00e9\u00e9<\/a><\/strong>\u00a0dans lequel tous les artistes pass\u00e9s par la Villa M\u00e9dicis peuvent d\u00e9poser leurs propres images.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de 10 lettres<\/strong> <\/a>en lien avec la photographie ?<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEn bref et en vrac\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Le Prix Charles-Stark-Draper, qui\u00a0r\u00e9compense les avanc\u00e9es dans le domaine de l\u2019ing\u00e9nierie, a \u00e9t\u00e9 d\u00e9cern\u00e9 \u00e0 Eric Fossum<\/a><\/strong>, l’inventeur du capteur Cmos.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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La soci\u00e9t\u00e9 suisse\u00a0Rolling Square<\/span>\u00a0vient de lancer l’Await Camera<\/strong><\/a>, \u00e9ni\u00e8me appareil photo num\u00e9rique cens\u00e9 reproduire une exp\u00e9rience utilisateur proche de l’argentique.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Vous voulez conna\u00eetre les go\u00fbts musicaux de Sally Mann et savoir pourquoi elle s’est depuis peu tourn\u00e9e vers le num\u00e9rique ? \u00c9coutez son passage \u00e0 \u00ab\u00a0Desert Island Discs\u00a0\u00bb<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n
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Alec Soth, dont on ne soup\u00e7onnait pas l’int\u00e9r\u00eat pour la mode, marche dans les pas de Roger Schall\u00a0\u00e0<\/a><\/strong>\u00a0la villa La Pausa<\/a><\/strong>.<\/span><\/span><\/span><\/div>\n
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Le Prix Swiss Life \u00e0 4 mains<\/strong><\/a>, qui r\u00e9compense un duo officiant dans la photo et dans la musique, a \u00e9t\u00e9 remis \u00e0 Ole\u00f1ka Carrasco et La Chica pour leur projet \u00ab\u00a0Le chaos qui me donne la vie \u2013 Atlas d\u2019un pays imagin\u00e9\u201d. Avant-go\u00fbt ici<\/a><\/strong>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Depuis quatre ans, Cl\u00e9lia Odette fait poser celles que notre soci\u00e9t\u00e9 tend \u00e0 effacer du tableau : les femmes de plus de 50 ans. Un projet et d\u00e9sormais un livre dont elle a parl\u00e9 au micro de France Inter<\/strong><\/a>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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\u00c0 son entr\u00e9e en Ukraine, la photojournaliste uruguayenne Ximena Borraz\u00e1s s’est imm\u00e9diatement sentie chez elle : \u00ab\u00a0M\u00eame sans ma\u00eetriser la langue, j’ai senti une connexion avec les gens.\u00a0\u00bb<\/em> Et cela se per\u00e7oit aussi dans ses images<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Entre 2009 et 2010, Michael Prince s\u2019est rendu dans diff\u00e9rents hippodromes \u00e9cossais pour y photographier non pas les courses, mais les turfistes – et cela, au plus pr\u00e8s des visages<\/a><\/strong>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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\u00c0 15 ans de distance, Lidija Novkovi\u0107 a adopt\u00e9 le m\u00eame point de vue en contre-plong\u00e9e pour faire le portrait d’un cheval de course, logiquement r\u00e9compens\u00e9 aux One Exposure Awards<\/strong><\/a>.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Si Richard Bellia photographie avec ses oreilles (cf. CC#408<\/a><\/strong>), Aspen Mays, elle, cr\u00e9e ses images avec ses doigts<\/a><\/strong>.\u00a0<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Martin Parr a lui-m\u00eame choisi les 25 photos du jeu de memory <\/a><\/strong>que les \u00e9ditions Pyramyd vient d’\u00e9diter.<\/span><\/span><\/div>\n<\/div>\n
<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbAya CHIKRI\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/nouvelles.univ-rennes2.fr\/article\/explorer-lexperience-femmes-exil-travers-arts-visuels\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/02\/CHIKRI-AYA-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/nouvelles.univ-rennes2.fr\/article\/explorer-lexperience-femmes-exil-travers-arts-visuels\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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En exp\u00e9rimentant, j\u2019ai r\u00e9alis\u00e9 qu\u2019avant de venir en France, je photographiais principalement en noir et blanc, faute de trouver des pellicules couleur en Tunisie, et qu\u2019en France, j\u2019avais commenc\u00e9 \u00e0 travailler en couleur. Je me suis rendu compte que je superposais en fait mes images de Tunisie \u00e0 celles de Saint-\u00c9tienne, mon pays d\u2019origine \u00e0 mon pays d\u2019accueil. Le r\u00e9sultat repr\u00e9sentait finalement mon identit\u00e9 g\u00e9ographique du moment : j\u2019avais l\u2019impression d\u2019appartenir \u00e0 plusieurs villes \u00e0 la fois.<\/em><\/p>\n<\/div>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbClive ROSE\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.diyphotography.net\/interview-clive-rose-f1-photographer-getty-images\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/02\/ROSE-Clive.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.diyphotography.net\/interview-clive-rose-f1-photographer-getty-images\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Il est important de bien conna\u00eetre le circuit o\u00f9 l’on se rend si l’on veut \u00e9viter de c\u00e9der \u00e0 la panique une fois en place. Mais souvent il y a aussi une part de chance – selon la fa\u00e7on qu’a un pilote de c\u00e9l\u00e9brer sa victoire ou bien quand un \u00e9v\u00e9nement impr\u00e9vu survient. Partant de l\u00e0, il faut parfois admettre qu’on n’est simplement pas au bon endroit pour la photo. \u00c7a fait partie du job.<\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
En 1997, les Stereophonics ont d\u00e9barqu\u00e9 sur les ondes avec un titre que les fans beuglaient en concert sans forc\u00e9ment conna\u00eetre l’histoire de ce Local boy in the photograph<\/em>. Kelly Jones, le chanteur, a expliqu\u00e9 qu’il avait compos\u00e9 ce titre en hommage \u00e0 un gar\u00e7on avec qui il avait jou\u00e9 au foot plus jeune et dont il avait appris la disparition tragique par hasard, en tombant un jour sur sa photo dans le journal local. Il s’\u00e9tait jet\u00e9 sous un train.<\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]\n
Bonus Stereophonics : on a longtemps cru que la pochette de\u00a0Performance and Cocktails<\/em><\/strong><\/a>, deuxi\u00e8me album des Gallois, \u00e9tait un clin d\u2019\u0153il au Baiser de Doisneau<\/em>\u00a0<\/span>(version blas\u00e9e)<\/span><\/span>. En fait,\u00a0<\/strong><\/span>comme elle l’a expliqu\u00e9 en 2020<\/a><\/span><\/strong>, Scarlet Page, la photographe, avait comme r\u00e9f\u00e9rence\u00a0<\/span>une photo d’Annie Leibovitz<\/a><\/span><\/strong>\u00a0prise en 1971 dans une prison de Californie et montrant\u00a0<\/span>les retrouvailles de prisonniers avec leurs femmes.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/GNN8Plnx-p4?si=fybP2iR2uqPzdTgQ\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

\u00c0 quoi reconna\u00eet-on un bon documentaire ? \u00c0 sa capacit\u00e9 \u00e0 capter l’attention, certes, mais aussi au fait qu’il ouvre de nouvelles portes aux spectateurs.\u00a0Germaine Krull, la photographie ou la vie\u00a0coche les deux cases.\u00a0Audrey Gordon, la r\u00e9alisatrice, a trouv\u00e9 la forme juste (entre fiction et documentaire) pour nous rendre la figure de Germaine Krull imm\u00e9diatement […]<\/p>\n","protected":false},"author":5,"featured_media":52495,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-52471","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 411 : actus photos<\/title>\n<meta name=\"description\" content=\"Clique Clac 411 : l\u2019actualit\u00e9 photo de la semaine du 2 f\u00e9vrier 2026 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.chassimages.com\/index.php\/2026\/02\/05\/clique-clac-411\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Clique Clac 411 : actus photos\" \/>\n<meta property=\"og:description\" content=\"Clique Clac 411 : l\u2019actualit\u00e9 photo de la semaine du 2 f\u00e9vrier 2026 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.chassimages.com\/index.php\/2026\/02\/05\/clique-clac-411\/\" \/>\n<meta property=\"og:site_name\" content=\"Chassimages\" \/>\n<meta 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