{"id":52579,"date":"2026-02-12T05:00:50","date_gmt":"2026-02-12T04:00:50","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=52579"},"modified":"2026-02-12T07:43:00","modified_gmt":"2026-02-12T06:43:00","slug":"clique-clac-412","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/02\/12\/clique-clac-412\/","title":{"rendered":"Clique Clac #412"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]\n
Si l’on versait dans le cynisme, on dirait que Gideon Mendel ne manquera jamais de boulot. Le Sud-Africain aux six World Press s’int\u00e9resse depuis 2007 aux cons\u00e9quences humaines des d\u00e9r\u00e8glements climatiques que conna\u00eet notre plan\u00e8te.\u00a0<\/span>\u00ab\u00a0Drown world\u00a0\u00bb<\/a><\/strong>, solide travail sur les populations victimes d’inondation, lui a valu une renomm\u00e9e internationale et une pr\u00e9sentation aux\u00a0<\/span>Rencontres d’Arles 2017<\/a><\/strong>. \u00ab\u00a0Portraits in ashes\u00a0\u00bb prolonge le geste en montrant notre vuln\u00e9rabilit\u00e9 face aux\u00a0<\/strong><\/span>incendies<\/a><\/strong>. Voir ces victimes poser parmi les d\u00e9combres de leur habitation soul\u00e8ve pas mal de questions, \u00e9thiques notamment. Ce \u00e0 quoi\u00a0<\/span>Gideon Mendel r\u00e9pond en substance<\/a><\/strong>\u00a0<\/strong>: \u00ab\u00a0<\/span>Je ne suis pas l\u00e0 pour exploiter des traumatismes, je veux montrer comment ces gens se r\u00e9approprient les lieux. Je ne veux pas qu’ils passent pour des victimes impuissantes.\u00a0\u00bb<\/em><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/02\/Capture-decran-2026-02-09-164600-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbCapture d\u2019\u00e9cran 2026-02-09 164600″ url=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=6GCJ8ObuJpI\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

POUR QUE VIVENT LES COULEURS<\/strong><\/p>\n

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En janvier 2025, Magnum a entam\u00e9 la num\u00e9risation de ses archives couleur,\u00a0<\/span>soit quelque 650 000 diapositives datant des ann\u00e9es 1950 aux ann\u00e9es 2000, afin de garantir leur pr\u00e9servation.<\/span>\u00a0Une op\u00e9ration exigeant rigueur et d\u00e9licatesse, comme on peut s’en rendre compte dans la s\u00e9rie de vid\u00e9os mises en ligne par l’agence :\u00a0<\/span>l’histoire des archives couleur Magnum<\/a><\/strong>\u00a0(retrac\u00e9e par\u00a0<\/span>Pierre Mohamed-Petit<\/span><\/span><\/span><\/span>) ;\u00a0<\/span>la num\u00e9risation des diapositives<\/a><\/strong>\u00a0(r\u00e9alis\u00e9e \u00e0 l’aide d’un Fujifilm GFX100 !) ;\u00a0<\/span>la conservation et la pr\u00e9servation des archives<\/a><\/strong>\u00a0<\/strong>(o\u00f9 Na\u00efma Kaddour d\u00e9crypte le code d’identification des dias pratiqu\u00e9 chez Magnum) ;\u00a0<\/strong><\/span>le nettoyage et la retouche<\/a><\/strong>\u00a0(\u00e9tape sensible qui d\u00e9passe le simple d\u00e9poussi\u00e9rage).<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb22px|3px||3px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/02\/images.png\u00a0\u00bb title_text=\u00a0\u00bbimages\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/iconos-photo.fr\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

ICONOS PHOTO 2.0<\/strong><\/p>\n

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Deux ans apr\u00e8s son lancement, le portail\u00a0<\/span>Iconos Photo<\/a><\/strong>, dont l\u2019ambition est de r\u00e9pertorier les fonds et les collections photographiques fran\u00e7aises, \u00e9volue. La page d\u2019accueil donne maintenant acc\u00e8s \u00e0 une cartographie \u00e9largie des institutions pr\u00e9sentes sur Iconos Photo. La chronologie de l\u2019histoire de la photographie est d\u00e9sormais t\u00e9l\u00e9chargeable en pdf<\/strong><\/a>. Et un nouveau moteur de recherche permet d\u2019interroger la liste des travaux de recherche universitaire sur la photographie<\/strong><\/a>.\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de 8 lettres<\/strong> <\/a>en lien avec la photographie ?<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEn bref et en vrac\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

L’abcdr du son, webzine d\u00e9di\u00e9 au rap, a demand\u00e9 \u00e0 ses photographes<\/a> <\/strong>de commenter une des images qu’ils et elles ont r\u00e9alis\u00e9es durant l’ann\u00e9e 2025.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Dans Petites histoires de science, \u00c9tienne Ghys nous conduit sur les terres enneig\u00e9es du Vermont, \u00e0 la rencontre de Wilson Bentley<\/strong><\/a>, qui, \u00e0 la fin du XIX\u1d49 si\u00e8cle, montra par ses images la diversit\u00e9 et la complexit\u00e9 des cristaux de neige.<\/span><\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Pour optimiser vos chances de succ\u00e8s \u00e0 la prochaine \u00e9dition du concours, les Abbey Road Music Photography Awards ont mis en ligne trois tutoriels<\/a><\/strong> sur la gestion d’une s\u00e9ance de prise de vue dans le milieu de la musique, de la pr\u00e9paration de la s\u00e9ance \u00e0 la post-production des images, en passant \u00e9videmment par le shooting.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Rankin et Philippe Toledano utilisent tous les deux l’IA dans leurs pratiques respectives, mais ils n’ont pas le m\u00eame avis sur la question. D’o\u00f9 l’int\u00e9r\u00eat de la discussion organis\u00e9e par Euronews<\/a><\/strong>. Pour un r\u00e9sum\u00e9 en fran\u00e7ais de leur \u00e9change, voir ici<\/a><\/strong>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Dans le canton de Neuch\u00e2tel, l’installation de pi\u00e8ges photographiques sera d\u00e9sormais soumise \u00e0 autorisation<\/a><\/strong>. Qu’en est-il en France ? Le Club Biotope fait le point<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n
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Dans sa chronique \u00ab\u00a0Bazaar L\u00e9gendes\u00a0\u00bb, J\u00e9r\u00f4me Gauthier relate les grandes heures du magazine Harper’s Bazaar<\/em>. \u00c0 commencer par l’histoire de\u00a0Dovima et les \u00e9l\u00e9phants<\/strong><\/a>, grande photo de Richard Avedon (mais pas la plus ch\u00e8re du monde, comme l’affirme \u00e0 deux reprises le journaliste).<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Outil de m\u00e9diation d\u00e9velopp\u00e9 par le p\u00f4le de photographie Stimultania<\/a><\/strong>, Les Mots du Clic s’offre un site d\u00e9di\u00e9<\/strong><\/a>.\u00a0Vous y trouverez une pr\u00e9sentation compl\u00e8te du projet, l’ensemble des supports existants, des retours d’exp\u00e9riences et des ressources p\u00e9dagogiques.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Les lumi\u00e8res plates de l’hiver n’incitent pas \u00e0 sortir l’appareil photo. \u00ab\u00a0\u00c0 tort\u00a0\u00bb, nous dit Arnaud Pecquerie dans cette vid\u00e9o<\/strong><\/a> tourn\u00e9e en lisi\u00e8re de for\u00eat.\u00a0<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Beware ! nous fait d\u00e9couvrir Sarah Fuchs<\/strong><\/a>, photographe norv\u00e9gienne dont les s\u00e9ries jouent avec le flou et l’abstraction tout en restant intelligibles.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Photographe attitr\u00e9 du SoHo Weekly News<\/span>\u00a0dans les ann\u00e9es 70, Allan Tannenbaum se souvient des soir\u00e9es organis\u00e9es par Elton John<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n
<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbVal\u00e9rie BELIN\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/madame.lefigaro.fr\/celebrites\/culture\/valerie-belin-alors-qu-on-est-envahi-d-images-numeriques-tres-lisses-j-ai-voulu-retrouver-la-rugosite-du-reel-20260124″ url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/02\/Valerie-Belin-\u00a9-Frederic-Stucin_0-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/madame.lefigaro.fr\/celebrites\/culture\/valerie-belin-alors-qu-on-est-envahi-d-images-numeriques-tres-lisses-j-ai-voulu-retrouver-la-rugosite-du-reel-20260124″ link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Cela ne m\u2019int\u00e9resse pas du tout de faire des images avec l\u2019IA, c\u2019est en contradiction avec ce que j\u2019ai fait jusqu\u2019\u00e0 maintenant. Je photographie des gens qui se transforment en image. Si tout d\u2019un coup c\u2019est moi qui fais l\u2019image et non pas les gens, plus rien n\u2019existe, il n\u2019y a plus de dualit\u00e9 ni d\u2019enjeu. Il y a toujours quelque chose qui cloche dans mes images, car le vivant persiste. S\u2019il n\u2019y a plus de vivant, il n\u2019y aura plus de paradoxe.<\/em><\/p>\n<\/div>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbJerry SCHATZBERG\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/fisheyemagazine.fr\/article\/exposition-jerry-schatzberg-paris-cinema-club\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/02\/hom-photo-jerry-schatzberg-c-nicolas-spiess-ok-1024×1024-1-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/fisheyemagazine.fr\/article\/exposition-jerry-schatzberg-paris-cinema-club\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Je suis attir\u00e9 par le d\u00e9calage, quelque chose qui surgit, ce qu\u2019il y a derri\u00e8re. Quand je vois quelque chose d\u2019un peu bizarre, j\u2019ai envie de le garder. J\u2019ai fait de la mode, j\u2019ai travaill\u00e9 autour de gens tr\u00e8s connus, et pourtant, ce qui me touche, c\u2019est souvent ce qui ne sert \u00e0 rien commercialement, des images qui ne vendent rien, qui existent telles quelles.<\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,3_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
N\u00e9 en 1989 \u00e0 Chelsea, Qu\u00e9bec, James Samimi Farr a attendu d’avoir 36 ans pour sortir son premier v\u00e9ritable album<\/a><\/strong>. Et l’a fait sous le nom de Daguerreotypes. Interrog\u00e9 sur ce choix<\/a><\/strong>, l’artiste fait un parall\u00e8le entre le proc\u00e9d\u00e9 photographique et sa propre fa\u00e7on de composer : \u00ab\u00a0On veut aboutir \u00e0 quelque chose qui pr\u00e9tend repr\u00e9senter la r\u00e9alit\u00e9 avec une pr\u00e9cision parfaite,\u00a0mais en m\u00eame temps on sait que\u00a0<\/span>c\u2019est impossible.\u00a0\u00bb<\/em> Comme on n’arrive pas \u00e0 choisir entre les deux \u00ab\u00a0clips\u00a0\u00bb (c’est peut-\u00eatre un grand mot !) que Daguerreotypes a sortis, on vous met les deux.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/rA3iw-9rU1Q?si=y0hKFBbblQJh7v7o\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/nAdwloC1ops?si=Vi3Uf0j8JxoE5yBE\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Si l’on versait dans le cynisme, on dirait que Gideon Mendel ne manquera jamais de boulot. Le Sud-Africain aux six World Press s’int\u00e9resse depuis 2007 aux cons\u00e9quences humaines des d\u00e9r\u00e8glements climatiques que conna\u00eet notre plan\u00e8te.\u00a0\u00ab\u00a0Drown world\u00a0\u00bb, solide travail sur les populations victimes d’inondation, lui a valu une renomm\u00e9e internationale et une pr\u00e9sentation aux\u00a0Rencontres d’Arles 2017. […]<\/p>\n","protected":false},"author":5,"featured_media":52612,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-52579","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 412 : actus photos<\/title>\n<meta name=\"description\" content=\"Clique Clac 412 : l\u2019actualit\u00e9 photo de la semaine du 9 f\u00e9vrier 2026 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.chassimages.com\/index.php\/2026\/02\/12\/clique-clac-412\/\" \/>\n<meta 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