{"id":52759,"date":"2026-02-26T05:00:56","date_gmt":"2026-02-26T04:00:56","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=52759"},"modified":"2026-02-26T07:51:56","modified_gmt":"2026-02-26T06:51:56","slug":"clique-clac-414","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/02\/26\/clique-clac-414\/","title":{"rendered":"Clique Clac #414"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Trois ans apr\u00e8s La Panth\u00e8re des neiges<\/em>, Vincent Munier fera-t-il\u00a0<\/span>la passe de deux aux C\u00e9sar<\/a><\/strong>\u00a0? Le Chant des for\u00eats<\/em> aura en tout cas fort \u00e0 faire avec, face \u00e0 lui, entre autres, deux documentaires o\u00f9 la photographie joue un r\u00f4le pr\u00e9pond\u00e9rant :\u00a0<\/span>Le Cinqui\u00e8me Plan de La Jet\u00e9e<\/em> de Dominique Cabrera, film inspir\u00e9 du c\u00e9l\u00e8bre \u00ab\u00a0photo-roman\u00a0\u00bb de Chris Marker (cf.\u00a0CC#382<\/a><\/strong>) et\u00a0Put your soul on your hand and walk<\/em>, film de Sepideh Farsi documentant, \u00e0 travers les yeux de la photojournaliste Fatima Hassouna, la vie dans le nord de Gaza sous le si\u00e8ge militaire impos\u00e9 par Isra\u00ebl <\/span>(cf. CC#381<\/strong><\/a>). Pour \u00eatre complet sur les C\u00e9sars, notons parmi les nominations la pr\u00e9sence de\u00a0La Venue de l’avenir<\/a><\/strong><\/em>, long-m\u00e9trage de C\u00e9dric Klapish entrem\u00ealant les \u00e9poques et mettant en sc\u00e8ne, notamment, la gu\u00e9guerre entre les impressionnistes et les pionniers de la photographie (on y croise m\u00eame\u00a0Nadar sous les traits de Fred Testot<\/a><\/strong>). La 51e c\u00e9r\u00e9monie des C\u00e9sar<\/a> <\/strong>se tient ce jeudi 26 f\u00e9vrier \u00e0 partir de 20h30.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/02\/Capture-decran-2026-02-23-190327-300×291.jpg\u00a0\u00bb title_text=\u00a0\u00bbCapture d\u2019\u00e9cran 2026-02-23 190327″ url=\u00a0\u00bbhttps:\/\/leica-camera.com\/fr-FR\/event\/le-bruit-de-la-neige?srsltid=AfmBOoq4O-rBav1itLG-02rIYXw0gHsQdRRmR28Hxy28dQMTMmOX89-v\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

CONTE JAPONAIS<\/strong><\/p>\n

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Form\u00e9e au reportage d\u2019actualit\u00e9 (elle a, par exemple, couvert \u00e0 ses d\u00e9buts les manifestations de la place Tian\u2019anmen),\u00a0<\/span>Catherine Henriette<\/a><\/strong>\u00a0a ensuite gliss\u00e9 vers le documentaire contemplatif, fuyant les spots surm\u00e9diatis\u00e9s pour se rendre dans des r\u00e9gions moins \u201ccot\u00e9es\u201d. Un choix payant, puisqu’il lui a permis de remporter en 2013 le Prix de l’Acad\u00e9mie des Beaux-arts pour sa s\u00e9rie sino-rohm\u00e9rienne\u00a0<\/span>\u00ab\u00a0Conte d’hiver, conte d’\u00e9t\u00e9\u00a0\u00bb<\/a><\/strong>. Le travail qu\u2019elle pr\u00e9sente actuellement \u00e0 la\u00a0<\/span>galerie Leica<\/a><\/strong>\u00a0l\u2019a conduite au cap S\u014dya, le point le plus septentrional du Japon. Balay\u00e9 par les vents, sem\u00e9 de bicoques rong\u00e9es de rouille, survol\u00e9 par des nu\u00e9es de corbeaux, le lieu n\u2019a rien de s\u00e9duisant. Et c\u2019est justement ce qui a convaincu Catherine Henriette d\u2019y r\u00e9aliser une s\u00e9rie en notes de gris et de blanc. \u201cRien de plus facile au fond que de faire du beau avec du beau,<\/em> disait-elle il y a deux ans \u00e0 nos confr\u00e8res de\u00a0<\/span>Sud-Ouest<\/a><\/strong><\/em>, c\u2019est bien plus dr\u00f4le de trouver le beau dans le moche\u201d<\/em>.\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb22px|3px||3px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/02\/Capture-decran-2026-02-23-190919-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbCapture d\u2019\u00e9cran 2026-02-23 190919″ url=\u00a0\u00bbhttps:\/\/www.rfi.fr\/fr\/culture\/20260131-myop-le-collectif-de-photographe-qui-regarde-le-monde-avec-lucidit%C3%A9″ url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
MYOP, VISION AU LONG COURS<\/strong><\/div>\n
\u00c0 l’occasion des 20 ans de Myop<\/a><\/strong>, Olivier Rogez (RFI) a interview\u00e9 trois membres de ce collectif engag\u00e9 dans le photojournalisme sur le temps long.\u00a0<\/span>Un entretien passionnant<\/a><\/strong>\u00a0<\/strong>qui aborde l’esprit de groupe, les enjeux de l’information ou le souci permanent de l’image juste. Extrait : \u00ab\u00a0C’est quelque chose que l’on doit aux gens que l’on photographie, que de bien photographier. Il n\u2019y a pas de raison de mal cadrer ou de ne pas respecter les r\u00e8gles de composition au nom d’une forme d’esth\u00e9tique brute. Comme si la mauvaise image \u00e9tait synonyme de v\u00e9rit\u00e9. Le pi\u00e8ge \u00e0 \u00e9viter, c’est celui o\u00f9 l’esth\u00e9tisation vient gommer la r\u00e9alit\u00e9 de ce qu’il y a en face de nous. Si vous allez dans un camp de r\u00e9fugi\u00e9s, qu’il y a des gens qui meurent de faim et que votre photo ressemble \u00e0 une pub pour des bijoux, l\u00e0 il y a un vrai probl\u00e8me !\u00a0\u00bb<\/em><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de 9 lettres<\/strong> <\/a>en lien avec la photographie ?<\/em><\/p>\n

(indice : le premier se pr\u00e9nommait Coriolano)<\/span><\/span><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbCette ann\u00e9e-l\u00e0…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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1647<\/span> <\/strong>: le roi Charles 1er est arr\u00eat\u00e9 pour haute trahison… et pas un photographe pour immortaliser la sc\u00e8ne ! 380 ans plus tard, la donne a bien chang\u00e9<\/a><\/strong>.<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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1857<\/strong> <\/span>: Joseph Petzval<\/span><\/span>\u00a0\u00e9tablit la formule pour d\u00e9terminer le diam\u00e8tre d’un st\u00e9nop\u00e9, formule que, 169 ans plus tard, Paride Ambrogi remet au \u00ab\u00a0go\u00fbt\u00a0\u00bb du jour<\/a><\/strong>.<\/span><\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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1879<\/strong> <\/span>: Louis Cellerier\u00a0devient d\u00e9tenteur pour la Suisse du brevet du \u00ab\u00a0Bonnaudtype\u00a0\u00bb<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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1880<\/strong> <\/span>:\u00a0Ukai Gyokusen, premier photographe professionnel, enterre des centaines de plaques de verre<\/a><\/strong> dans un cimeti\u00e8re de Tokyo.<\/span><\/span><\/span><\/span><\/div>\n<\/div>\n
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1886<\/strong> <\/span>:\u00a0Le Journal Illustr\u00e9<\/em> publie le premier reportage photographique et d\u00e9bride la cr\u00e9ativit\u00e9 des maquettistes<\/strong><\/a>.<\/span><\/span><\/span><\/span><\/div>\n<\/div>\n
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1889 <\/strong><\/span>: \u00e0 l’exposition universelle de Paris, la photographie est rang\u00e9e dans le pavillon de l’industrie. Un affront pour les photographes qui se r\u00eavent artistes<\/a><\/strong>.\u00a0<\/span><\/span><\/div>\n<\/div>\n
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1915<\/strong> <\/span>:\u00a0la France institutionnalise l\u2019image militaire<\/strong><\/a> en cr\u00e9ant successivement la Section cin\u00e9matographique de l\u2019arm\u00e9e et la Section photographique de l\u2019arm\u00e9e.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]\n
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1955<\/strong> <\/span>: Verve publie Les Europ\u00e9ens<\/em> d’Henri Cartier-Bresson, ouvrage d\u00e9cisif, comme le rappelle Cl\u00e9ment Ch\u00e9roux au micro de RFI<\/strong><\/a>.\u00a0<\/span><\/span><\/div>\n<\/div>\n
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1965<\/strong> <\/span>: Duane Michals croise la route de Ren\u00e9 Magritte \u00e0 Bruxelles. Une rencontre importante<\/a><\/strong> pour le photographe.<\/span><\/span><\/div>\n<\/div>\n
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1966<\/strong> <\/span>: Robert Whitaker photographie les Beatles \u00e0 Chelsea pour une session m\u00ealant barbaque et baigneurs d\u00e9capit\u00e9s<\/a><\/strong> qui finira sur la pochette de leur album am\u00e9ricain Yesterday and Today<\/em>.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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1997<\/strong> <\/span>: naissance de Thibault Anselmet, r\u00e9cent double m\u00e9daill\u00e9 olympique qui a trouv\u00e9 dans la photo animali\u00e8re<\/a><\/strong> de quoi canaliser sa fougue.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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2026 <\/strong><\/span>: on c\u00e9l\u00e8bre le bicentenaire de la photographie, mais on peine toujours \u00e0 en d\u00e9finir les contours et les \u00e9volutions futures<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbPauline BALLET\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/phototrend.fr\/2026\/02\/interview-pauline-ballet-photographe-jo-hiver-2026\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/02\/pauline_ballet_itw_jo_2026_phototrend-1155x770b.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/phototrend.fr\/2026\/02\/interview-pauline-ballet-photographe-jo-hiver-2026\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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L\u2019\u00e9volution des appareils et des capteurs a quelque chose de rassurant, et je m\u2019en rends encore plus compte apr\u00e8s ces deux semaines pass\u00e9es \u00e0 photographier avec un Graflex\u2026 Aujourd\u2019hui, on peut saisir des images ou immortaliser des moments qui \u00e9taient autrefois impossibles, comme une balle de tennis qui d\u00e9forme les cordes au moment de l\u2019impact. Le suivi autofocus est aussi impressionnant, notamment avec le suivi 3D de Nikon, qui permet de composer de mani\u00e8re beaucoup plus souple.<\/span><\/span><\/em><\/p>\n<\/div>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbDirk CAREMANS\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.sohorse.eu\/portraits-interviews\/2026\/01\/22\/dirk-caremans-interview-photographe-equestre\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/02\/Capture-decran-2026-02-23-185130.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.sohorse.eu\/portraits-interviews\/2026\/01\/22\/dirk-caremans-interview-photographe-equestre\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Avant, on imprimait sur papier. C’\u00e9tait plus beau que maintenant, \u00e0 mon avis. Aujourd’hui 80% des photos sont pour Internet. Les gens regardent une fois, et puis c’est fini. Je pense que \u00e7a a diminu\u00e9 l’importance accord\u00e9e \u00e0 la qualit\u00e9 des photos. Les cavaliers se contentent souvent d’une photo gratuite, m\u00eame si elle est mauvaise, plut\u00f4t que de payer pour une bonne image. Financi\u00e8rement, \u00e7a a chang\u00e9 tout le m\u00e9tier.<\/span><\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]\n
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Appliquer une pellicule de vaseline sur une plaque de verre fix\u00e9e \u00e0 l’avant de votre objectif permet de cr\u00e9er des flous aussi irr\u00e9els qu’al\u00e9atoires<\/a><\/strong>. L’astuce est connue au-del\u00e0 des cercles de photographes, puisqu’elle a inspir\u00e9 \u00e0 Captain Mustache un titre qui rappelle les belles heures de l’electroclash (l\u00e0 o\u00f9 on attendait plut\u00f4t de la pop embrum\u00e9e).<\/div>\n
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This is the life I\u2019ve always wanted<\/em>
Starring in my favorite scene<\/em>
Shimmering sunsets on a celluloid screen<\/em>
Camera lens with vaseline<\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/bivwaN1qQ9o?si=VQIX-2e0XVcpWady\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Trois ans apr\u00e8s La Panth\u00e8re des neiges, Vincent Munier fera-t-il\u00a0la passe de deux aux C\u00e9sar\u00a0? Le Chant des for\u00eats aura en tout cas fort \u00e0 faire avec, face \u00e0 lui, entre autres, deux documentaires o\u00f9 la photographie joue un r\u00f4le pr\u00e9pond\u00e9rant :\u00a0Le Cinqui\u00e8me Plan de La Jet\u00e9e de Dominique Cabrera, film inspir\u00e9 du c\u00e9l\u00e8bre \u00ab\u00a0photo-roman\u00a0\u00bb […]<\/p>\n","protected":false},"author":5,"featured_media":52791,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-52759","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 414 : actus photos<\/title>\n<meta name=\"description\" content=\"Clique Clac 414 : l\u2019actualit\u00e9 photo de la semaine du 23 f\u00e9vrier 2026 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