{"id":52934,"date":"2026-03-12T05:00:35","date_gmt":"2026-03-12T04:00:35","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=52934"},"modified":"2026-03-16T15:51:02","modified_gmt":"2026-03-16T14:51:02","slug":"clique-clac-416","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/03\/12\/clique-clac-416\/","title":{"rendered":"Clique Clac #416"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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\u00c0 l\u2019occasion de l\u2019exposition \u00ab\u00a0Ropert Capa, photographe de guerre\u00a0\u00bb<\/strong><\/a> pr\u00e9sent\u00e9e au mus\u00e9e de la Lib\u00e9ration \u00e0 Paris, L\u2019Oeil de l\u2019Info a concoct\u00e9 une \u00e9dition sp\u00e9ciale enti\u00e8rement consacr\u00e9 \u00e0 celui qui, des campagnes de Cordoue aux plages de Normandie,\u00a0est devenu la figure embl\u00e9matique du photojournaliste.\u00a0Au sommaire : une visite de l\u2019exposition<\/a><\/strong> par Gilles Courtinat, une int\u00e9ressante interview de son co-commissaire, Michel Lefevbre<\/a><\/strong>, un article sur le r\u00f4le de Capa dans la cr\u00e9ation de l\u2019agence Magnum<\/a> <\/strong>(\u00ab\u00a0Ce n’\u00e9tait pas un tendre !\u00a0\u00bb<\/em>), un extrait de son autobiographie Slightly out of focus<\/em> \u00e0 propos de la journ\u00e9e du 6 juin 1944<\/a><\/strong>, un texte de Dominique Aubert rapportant une conversation avec Isabella Rossellini<\/strong><\/a> (dont la m\u00e8re, Ingrid Bergman, eut une relation avec Capa) et\u00a0une recension de la bande dessin\u00e9e Gerda Taro, une photographe en guerre<\/a><\/strong><\/em>, parue l’automne dernier aux \u00e9ditions La bo\u00eete \u00e0 bulles. Dans cette compilation d’articles,\u00a0il y aussi de jolies trouvailles, comme cet enregistrement<\/strong><\/a> (le seul connu) de la voix de Capa. On en ajoute deux autres : ce court-m\u00e9trage de fiction<\/strong><\/a> \u00e9voquant les ann\u00e9es parisiennes de\u00a0Gerta Pohorylle et Endre Friedmann et\u00a0cette vid\u00e9o<\/a> <\/strong>o\u00f9\u00a0Rafa\u0142 Milach et Mark Power, deux membres actuels de Magnum, tirent tour \u00e0 tour des cartes-questions. Premi\u00e8re d’entre elles : \u00ab\u00a0Si tu pouvais poser une question \u00e0 Capa, quelle serait-elle ?\u00a0\u00bb<\/em><\/span><\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/03\/DEUBNER-300×300.jpeg\u00a0\u00bb title_text=\u00a0\u00bbDEUBNER\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.visions.photo\/podcasts\/rebekka-deubner\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

L’APPEL DE FUKUSHIMA<\/strong><\/p>\n

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Si leur port\u00e9e est discutable, les tribunes ont le m\u00e9rite de pointer les engagements des uns et des autres. Accessoirement, elles permettent aussi de rep\u00e9rer des noms qu’on ne connaissait pas. Parmi les signataires d’une tribune publi\u00e9e par Les soul\u00e8vements de la Terre<\/a><\/strong> (qui remet les pendules \u00e0 l’heure en ces temps orwelliens), on est ainsi tomb\u00e9 sur le nom de Rebekka Deubner, photographe dipl\u00f4m\u00e9e des Gobelins qui a fait du Japon sa principale source d’inspiration. Dans une r\u00e9cente interview donn\u00e9e au podcast Vision(s)<\/strong><\/a>, elle raconte que la lecture de Barrage contre le Pacifique<\/em> (Duras) puis la d\u00e9couverte d’Araki (notamment le travail intime sur la maladie de sa femme) furent d\u00e9cisives dans sa d\u00e9cision d’aller \u00e0 Fukushima trois ans apr\u00e8s le tsunami. Rebekka Deubner voulait \u00ab\u00a0se confronter \u00e0 un espace boulevers\u00e9 par les \u00e9l\u00e9ments (…) mais en refusant tout spectaculaire et en restant dans quelque chose d’intime\u00a0\u00bb<\/em>. La s\u00e9rie \u00ab\u00a0Temp\u00eate apr\u00e8s temp\u00eate\u00a0\u00bb<\/a><\/strong> m\u00eale ainsi proxiphotographies marines grouillantes de vie et portraits de jeunes Japonais r\u00e9alis\u00e9s au t\u00e9l\u00e9objectif.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb22px|3px||3px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/03\/Asada2-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbAsada2″ url=\u00a0\u00bbhttps:\/\/www.france.tv\/films\/films-drame\/8101119-la-famille-asada.html\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
L’APPEL DU FUKUSHIMA (2)<\/strong><\/div>\n
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Dans la famille Asada, chacun a un r\u00eave secret : le p\u00e8re aurait aim\u00e9 \u00eatre pompier, le grand-fr\u00e8re pilote de formule 1 et la m\u00e8re se serait bien imagin\u00e9e en \u00e9pouse de yakuza ! Masashi, lui, a r\u00e9alis\u00e9 le sien : devenir photographe. Gr\u00e2ce \u00e0 son travail, il va permettre \u00e0 chacun de r\u00e9aliser que le bonheur est \u00e0 port\u00e9e de main.Tel est le synopsis de La famille Asada<\/em>, long-m\u00e9trage de\u00a0Ry\u014dta Nakano\u00a0actuellement visible sur la plateforme de France TV<\/strong><\/a>. <\/span><\/span>\u00a0\u00c0 sa sortie en 2023, Le Monde<\/em> n’avait pas \u00e9t\u00e9 tendre : \u00ab\u00a0Il n\u2019est de pire \u00e9cueil pour un film sur la photo que d\u2019encha\u00eener comme celui-ci les clich\u00e9s.\u00a0\u00bb<\/em> \u00c0 l’autre bout du spectre, Le Parisien<\/em> saluait un \u00ab\u00a0r\u00e9cit authentique et original qui chamboule autant qu\u2019il \u00e9merveille et donne lieu \u00e0 un moment unique de cin\u00e9ma.\u00a0\u00bb<\/em> Chacun se fera son avis…<\/span><\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de 9 lettres<\/strong><\/a> en lien avec la photographie ?<\/p>\n

(indice : Frederick Scott Archer l’amait humide<\/span>)<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEN BREF ET EN VRAC…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Avis aux candidats aux \u00e9lections municipales : tous les politiciens ayant fait appel \u00e0\u00a0Jean-Jacques Zumkeller<\/a><\/strong> pour leur affiche l’ont emport\u00e9 !<\/span><\/span><\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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TOEM, jeu vid\u00e9o d’exploration et d’\u00e9nigmes en noir et blanc reposant sur la photographie, va conna\u00eetre un deuxi\u00e8me volet<\/strong><\/a>.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
L’avenir de la photographie serait-il \u00e0 l’asc\u00e8se ? Apr\u00e8s l’Await Camera<\/strong><\/a> annonc\u00e9e mi-janvier, voici le Marco<\/a><\/strong>, un appareil photo r\u00e9duit \u00e0 sa plus simple expression.<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
\u00ab\u00a0L’esprit critique\u00a0\u00bb, podcast de Mediapart, a pass\u00e9 en revue les exposition de Martin Parr et Dana Lixenberg<\/a><\/strong>.\u00a0<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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\u00c0 partir d’une photo de manchot en cir\u00e9, Historia revient sur une curieuse pratique<\/strong><\/a> en vogue au d\u00e9but du XXe si\u00e8cle.<\/span><\/span><\/div>\n<\/div>\n
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Le succ\u00e8s de la Kodak Charmera fait des \u00e9mules<\/strong><\/a>.<\/span><\/span><\/div>\n<\/div>\n
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\u00c0 Toulouse, une all\u00e9e portera d\u00e9sormais le nom de Michel Viala<\/strong><\/a>, photographe de La D\u00e9p\u00eache du Midi<\/em> disparu il y a un an.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Parce que le bodypainting est un art \u00e9ph\u00e9m\u00e8re, Kazim s’est mis \u00e0 la photo pour immortaliser ses \u0153uvres<\/a><\/strong>.\u00a0<\/span><\/span><\/div>\n<\/div>\n
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\u00c0 quoi tient une vocation ? Parfois juste \u00e0 un\u00a0Fisher-Price Kidizoom<\/a><\/strong> gliss\u00e9 sous le sapin.<\/span><\/span><\/div>\n<\/div>\n
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Avant de mourir, Martin Parr a donn\u00e9 son feu vert \u00e0 un jeu de memory<\/strong><\/a> et \u00e0 une collection de t-shirts<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n
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La faune subaquatique est \u00e0 l’honneur dans le palmar\u00e8s du Underwater Photographer of the Year<\/strong><\/a> (logique) mais aussi dans les World Nature Photography Awards<\/strong><\/a>.<\/span><\/span><\/div>\n<\/div>\n
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Si votre adolescence a \u00e9t\u00e9 berc\u00e9e par la musique ind\u00e9 britannique des ann\u00e9es 90, vous devriez prendre plaisir \u00e0 d\u00e9couvrir les photos de Martyn Goodacre<\/a><\/strong> et \u00e0 lire ses commentaires. Et si vous regrettez l’absence de Placebo, Dazed<\/em> a de quoi vous contenter<\/strong><\/a>.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbGeorgia BARKER\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.30millionsdamis.fr\/actualites\/article\/25381-cette-photographe-met-en-lumiere-les-oiseaux-du-royaume-uni\/?sword_list%5B0%5D=commissions&cHash=a7f418164d2aed3e8419a26202a8cb34″ url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/03\/G-Barker.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.30millionsdamis.fr\/actualites\/article\/25381-cette-photographe-met-en-lumiere-les-oiseaux-du-royaume-uni\/?sword_list%5B0%5D=commissions&cHash=a7f418164d2aed3e8419a26202a8cb34″ link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Le sort des pigeons m\u2019a toujours interpell\u00e9e. Au Royaume-Uni, ils vivent vraiment des moments difficiles entre les enfants qui leur courent apr\u00e8s ou les maltraitances. Pourtant, quand on s\u2019int\u00e9resse \u00e0 leur pass\u00e9, on s\u2019aper\u00e7oit qu\u2019il est riche. Que ce sont des animaux qui ont aid\u00e9 lors des guerres, qui ont sauv\u00e9 des personnes\u2026<\/em><\/div>\n<\/div>\n<\/div>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbTom KERSS\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.parismatch.com\/vivre\/voyage\/elles-rechargent-mon-ame-nuits-blanches-avec-un-chasseur-daurores-boreales-265517″ url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/03\/tom-KERSS.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.parismatch.com\/vivre\/voyage\/elles-rechargent-mon-ame-nuits-blanches-avec-un-chasseur-daurores-boreales-265517″ link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Jim \u00e9tait photographe pour un grand magazine am\u00e9ricain. \u00c0 la retraite, il avait d\u00e9cid\u00e9 qu’il ne prendrait plus de photos \u2014 son travail, c’\u00e9tait termin\u00e9. Nous avons pass\u00e9 sept heures ensemble sur le pont, sous des aurores qui n’en finissaient pas. Jim n’a pas pris une seule photo. Je n’avais jamais vu quelqu’un s’abstenir \u00e0 ce point. Et il avait raison. Les souvenirs les plus forts ne sont pas fait de pixels mais d\u2019\u00e9motions.<\/span><\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Pour quelques jours encore, la galerie Parallax (Aix-en-Provence) accueille l’exposition \u00ab\u00a0J’habite une ville fant\u00f4me\u00a0\u00bb<\/strong><\/a>, s\u00e9rie racontant la lente mort des centres-villes \u00e0 travers les devantures d\u00e9fra\u00eechies de commerces abandonn\u00e9s. Le photographe, Thibaut Derien, avait fait (un peu) parler de lui au d\u00e9but des ann\u00e9es 2000 avec son groupe, De Rien. Peu de sons \u00e0 se mettre sous l’oreille sur YouTube si ce n’est ce passage \u00e0 l’\u00e9mission \u00ab\u00a0CD’aujourd’hui\u00a0\u00bb o\u00f9 l’auteur-compositeur fait d\u00e9j\u00e0 de nombreux parall\u00e8les entre musique et photographie.\u00a0<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/UzF6a9ZtsgM?si=20V3m5-Urh99Mprq\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

\u00c0 l\u2019occasion de l\u2019exposition \u00ab\u00a0Ropert Capa, photographe de guerre\u00a0\u00bb pr\u00e9sent\u00e9e au mus\u00e9e de la Lib\u00e9ration \u00e0 Paris, L\u2019Oeil de l\u2019Info a concoct\u00e9 une \u00e9dition sp\u00e9ciale enti\u00e8rement consacr\u00e9 \u00e0 celui qui, des campagnes de Cordoue aux plages de Normandie,\u00a0est devenu la figure embl\u00e9matique du photojournaliste.\u00a0Au sommaire : une visite de l\u2019exposition par Gilles Courtinat, une int\u00e9ressante […]<\/p>\n","protected":false},"author":5,"featured_media":52958,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-52934","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 416 : actus photos<\/title>\n<meta name=\"description\" content=\"Clique Clac 416 : l\u2019actualit\u00e9 photo de la semaine du 9 mars 2026 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.chassimages.com\/index.php\/2026\/03\/12\/clique-clac-416\/\" \/>\n<meta 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