{"id":53135,"date":"2026-03-25T20:17:25","date_gmt":"2026-03-25T19:17:25","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=53135"},"modified":"2026-03-27T11:56:34","modified_gmt":"2026-03-27T10:56:34","slug":"clique-clac-418","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/03\/25\/clique-clac-418\/","title":{"rendered":"Clique Clac #418"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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La 15e \u00e9dition du Printemps photographique de Pomerol<\/a><\/strong>, qui d\u00e9bute ce jeudi 26 mars, a tout de l\u2019excellent cru. La programmation, attrayante tout en \u00e9tant pointue, entrem\u00eale histoires et Histoire. Deux exemples : dans ses diptyques<\/a><\/strong>, Anne Kuhn passe au r\u00e9v\u00e9lateur la psych\u00e9 de quelques h\u00e9ro\u00efnes romanesques (de Lolita \u00e0 Folcoche) quand John Vink<\/strong><\/a>, photojournaliste pass\u00e9 par les agences VU’ et Magnum, sonde, du Sahel au Cambodge, les traumas de notre temps. \u00ab\u00a0Aujourd\u2019hui, tout le monde est photographe,<\/em> dit-il. Ce n\u2019est pas \u00e7a qui m\u2019inqui\u00e8te, mais le manque d\u2019\u00e9ducation \u00e0 l\u2019image. Il n\u2019y a pas de v\u00e9ritable enseignement de la photographie ou de son histoire dans les lyc\u00e9es, et je le regrette.\u00a0\u00bb<\/em> Des mots qui sonnent juste en cette Semaine de la presse \u00e0 l’\u00e9cole<\/a><\/strong>. L\u2019affiche du Printemps photographique de Pomerol comporte une dizaine de noms et presque autant de projections, rencontres, ateliers et conf\u00e9rences. \u00c0 noter que les expositions patrimoniales (\u00ab\u00a0Nadar et la Farm security administration\u00a0\u00bb et \u00ab\u00a0Walker Evans : l\u2019\u0153il am\u00e9ricain\u00a0\u00bb) se poursuivent au-del\u00e0 des dates du festival. La manifestation est gratuite et en acc\u00e8s libre.<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/03\/TEODROS-300×300.webp\u00a0\u00bb title_text=\u00a0\u00bbTEODROS\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.arte.tv\/fr\/videos\/124015-002-A\/tracks\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00caTRE ARTISTE EN TEMPS DE GUERRE<\/strong><\/p>\n

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\u00c0 l’occasion de l’exposition de la BnF \u00ab\u00a0La photographie \u00e0 tout prix\u00a0\u00bb<\/strong><\/a>, le journal d’Arte a interrog\u00e9 Randa Mirza<\/strong><\/a> au sujet d'\u00a0\u00bbAtlal\u00a0\u00bb, s\u00e9rie r\u00e9alis\u00e9e dans les d\u00e9combres de villages du Sud-Liban suite aux bombardements isra\u00e9liens de 2024. Les cons\u00e9quences de ces frappes sont \u00e9galement au c\u0153ur du travail de Ruwan Teodros, sa coll\u00e8gue et compatriote, qui, elle, a \u00e9t\u00e9 interview\u00e9e par Tracks<\/a><\/strong>. \u00ab\u00a0Photographier est un acte de r\u00e9sistance\u00a0\u00bb<\/em>, dit Randa Mirza. \u00ab\u00a0Je veux que la mort de chaque individu compte\u00a0\u00bb<\/em>, rench\u00e9rit Ruwan Teodros. Des propos qui entrent en r\u00e9sonance avec l’initiative \u00ab\u00a0Photos for home\u00a0\u00bb<\/strong><\/a> que m\u00e8nent deux \u00e9tudiantes de Sciences Po Paris, Noor Chahabeddine et Lama Masaad. Sous la plume de Myriam El-Hindi, L’Orient-Le jour<\/em> leur a consacr\u00e9 un tr\u00e8s bel article<\/strong><\/a>, o\u00f9 l’on peut lire ceci : \u00ab\u00a0La r\u00e9sistance par l\u2019art ne se d\u00e9cr\u00e8te pas : elle advient apr\u00e8s coup, dans le regard de celui qui contemple.\u00a0\u00bb<\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb22px|3px||3px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/03\/Puma.jpg\u00a0\u00bb title_text=\u00a0\u00bbPuma\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=IHI_7l7FuQU\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
DANS L’ANTRE DU PUMA<\/strong><\/div>\n
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En 2022, le Grand JD avait accompagn\u00e9 le photographe naturaliste Neil Villard dans un petit village des Carpates o\u00f9, la nuit venue, <\/span>des ours bruns erraient dans les rues<\/strong><\/a>. Le courant est si bien pass\u00e9 entre le Genevois et le Neuch\u00e2telois qu’ils ont renouvel\u00e9 l’exp\u00e9rience. Pour leur derni\u00e8re vid\u00e9o, le duo s’est aventur\u00e9 en Am\u00e9rique du Nord, dans les Rocheuses. Avec pour objectif de photographier le puma \u00e0 l’\u00e9tat sauvage. Conduit comme une enqu\u00eate animali\u00e8re (trouver les indices de pr\u00e9sence, pister, placer les pi\u00e8ges photo, aff\u00fbter), <\/span>Le Fant\u00f4me des Rocheuses<\/a><\/em><\/strong> plaira aux amateurs d’images spectaculaires. Dommage qu’il laisse peu de place au silence et \u00e0 l’attente, deux donn\u00e9es importantes dans une qu\u00eate photo-naturaliste (des points sur lesquels insiste d’ailleurs Neil Villard en interview<\/strong><\/a>). On peut regretter aussi l’absence de mise en garde concernant la pose d’outils d’enregistrement intrusifs \u00e0 l’entr\u00e9e de la tani\u00e8re du puma. Quand on est suivi, comme le Grand JD, par 4,16 millions d’internautes, c’est le minimum syndical pour \u00e9viter les d\u00e9rives.\u00a0<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de 9 lettres<\/strong> <\/a>en lien avec la photographie ?<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEN BREF ET EN VRAC…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Dans l’atelier de SMITH on trouve un grand lit, outil indispensable pour les s\u00e9ances de m\u00e9ditation. Et dans sa biblioth\u00e8que ? R\u00e9ponse\u00a0<\/span>ici<\/a><\/strong>.<\/span><\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Il y a 75 ans, Arthur Sasse prenait un instantan\u00e9 qui allait traverser les \u00e9poques. Retour en huit points sur\u00a0<\/span>cette ic\u00f4ne de la pop-culture<\/a><\/strong>.<\/span><\/div>\n<\/div>\n
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Dans les mus\u00e9es, de plus en plus de visiteurs photographient les tableaux avant m\u00eame de les observer<\/span>. Faut-il\u00a0<\/strong><\/span>s’en plaindre<\/a><\/strong>\u00a0ou bien\u00a0<\/strong><\/span>tourner ce geste en d\u00e9rision<\/a><\/strong>\u00a0<\/strong>?<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Kourtney Roy \u00e9tait de passage sur RFI<\/a> <\/strong>pour \u00e9voquer \u00ab\u00a0All inclusive\u00a0\u00bb, sa nouvelle expo.<\/span><\/div>\n<\/div>\n
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Premi\u00e8re femme \u00e0 prendre la direction de la MEP, Julie Jones promet de faire le pont entre figures historiques de la photographie et sc\u00e8ne \u00e9mergente<\/a><\/strong>. L’id\u00e9e d’un festival au sein de l’institution est m\u00eame dans les cartons. \u00c0 suivre…<\/span><\/div>\n<\/div>\n
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Les photographes re\u00e7us par Eva Bester \u00e0 \u00ab\u00a0La 20e Heure\u00a0\u00bb font l’objet d’une page sp\u00e9ciale<\/a><\/strong> sur le site de France Inter.<\/span><\/div>\n<\/div>\n
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De Barbara \u00e0 la BnF \u00e0 la culture clubbing au Quai de la Photo, il y a quelques belles expos musicales<\/a><\/strong> \u00e0 voir en ce moment \u00e0 Paris. Une s\u00e9lection \u00e0 laquelle on peut ajouter \u00ab\u00a0Par le mur de son. F\u00eates techno\u00a0\u00bb<\/a> <\/strong>(Gentilly n’est pas si loin).<\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Pour c\u00e9l\u00e9brer une derni\u00e8re fois Chuck Norris, Paris Match a sorti de ses archives\u00a0<\/span>un reportage \u00ab\u00a0coup de poing\u00a0\u00bb<\/a><\/strong>\u00a0r\u00e9alis\u00e9 en 1976 par Jean-Claude Deutsch.\u00a0<\/span><\/div>\n<\/div>\n
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Dans le cadre de la Semaine des Mus\u00e9es belges<\/span><\/span>, museumPASSmus\u00e9es lance un concours public visant \u00e0 \u00e9lire le\u00a0<\/span>\u00ab\u00a0Chef d\u2019\u0153uvre de l’ann\u00e9e\u00a0\u00bb<\/strong><\/a>. La s\u00e9lection est compos\u00e9e de pi\u00e8ces issues des collections des mus\u00e9es belges. Parmi elles, on trouve\u00a0<\/span>The Anniversary<\/a>\u00a0<\/em><\/strong>de Julia Margaret Cameron <\/span><\/span>(propos\u00e9 par le Mus\u00e9e de la photographie de Charleroi). Mais vous avez parfaitement le droit de voter pour\u00a0<\/span>Torpille, le chien empaill\u00e9<\/a><\/strong>.<\/span><\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbMa\u00ef LUCAS\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/radikalmag.com\/notes\/mai-lucas-all-eyes-on-me\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/03\/MAI-LUCAS2-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/radikalmag.com\/notes\/mai-lucas-all-eyes-on-me\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Derri\u00e8re une fa\u00e7ade dure se cache en r\u00e9alit\u00e9 des hommes sensibles, vuln\u00e9rables. Le hip-hop a ce c\u00f4t\u00e9 tendre.\u00a0Aux \u00c9tats-Unis, j\u2019ai constat\u00e9 que beaucoup d\u2019hommes sont protecteurs, respectueux ce qui change des clich\u00e9s qu\u2019on peut en avoir ailleurs. Les hommes que j\u2019ai photographi\u00e9s m\u2019ont toujours montr\u00e9 du respect, m\u2019ont encourag\u00e9e dans ce long projet.\u00a0<\/span>Il y avait de la solidarit\u00e9, de l\u2019entraide, un vrai sentiment communautaire.<\/span><\/span><\/em><\/div>\n<\/div>\n<\/div>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbCharles FR\u00c9GER\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.swissinfo.ch\/fre\/culture\/quand-les-masques-traditionnels-r%c3%a9veillent-la-pagaille-dans-les-t%c3%aates\/90951922″ url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/03\/Charles_Freger_Portrait2.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.swissinfo.ch\/fre\/culture\/quand-les-masques-traditionnels-r%c3%a9veillent-la-pagaille-dans-les-t%c3%aates\/90951922″ link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
En Europe, il nous faut \u00eatre capables de raviver notre capacit\u00e9 \u00e0 caricaturer, notre disposition \u00e0 la satire, \u00e0 la moquerie, dans un monde o\u00f9 elles ne sont plus possibles. (…)\u00a0Le charivari, ce n\u2019est pas seulement le jeu de la libert\u00e9, celle de trop boire, trop manger, de faire ce qui nous passe par la t\u00eate. C\u2019est aussi le moment o\u00f9 l\u2019on se regarde dans la glace et l\u2019on rit de soi. Tout ce qui nous manque en ce moment.<\/span><\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Si on finit par le trouver en cherchant un peu, le clip officiel de \u00ab\u00a0La nuit je mens\u00a0\u00bb n’arrive pas en t\u00eate des requ\u00eates quand on tape le titre dans Google. Et pour cause, un litige oppose depuis trente ans Jacques Audiard, le r\u00e9alisateur dudit clip, et la photographe am\u00e9ricaine Merry Alpern, celle-ci reprochant au cin\u00e9aste d’avoir copi\u00e9 sa s\u00e9rie \u00ab\u00a0Dirty windows\u00a0\u00bb<\/strong><\/a>. On peut difficilement lui donner tort. Jacques Audiard a r\u00e9cemment\u00a0admis le pompage<\/strong><\/a> (on lui avait offert le livre d’Alpern un an avant le tournage) et un accord financier a \u00e9t\u00e9 trouv\u00e9 entre les deux parties. Quand on conna\u00eet cette histoire<\/span>, certains vers de la chanson de Bashung (Tes pens\u00e9es, je les faisais miennes \/\u00a0T’accaparer, seulement t’accaparer<\/em>) prennent un \u00e9trange double sens.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/_MpVWI9u7LA?si=ebcRs5ik_Ffa-rog\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

La 15e \u00e9dition du Printemps photographique de Pomerol, qui d\u00e9bute ce jeudi 26 mars, a tout de l\u2019excellent cru. La programmation, attrayante tout en \u00e9tant pointue, entrem\u00eale histoires et Histoire. Deux exemples : dans ses diptyques, Anne Kuhn passe au r\u00e9v\u00e9lateur la psych\u00e9 de quelques h\u00e9ro\u00efnes romanesques (de Lolita \u00e0 Folcoche) quand John Vink, photojournaliste […]<\/p>\n","protected":false},"author":5,"featured_media":53159,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-53135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 418 : actus photos<\/title>\n<meta name=\"description\" content=\"Clique Clac 418 : l\u2019actualit\u00e9 photo de la semaine du 23 mars 2026 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, 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