{"id":53361,"date":"2026-04-16T05:00:14","date_gmt":"2026-04-16T03:00:14","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=53361"},"modified":"2026-04-21T15:52:56","modified_gmt":"2026-04-21T13:52:56","slug":"clique-clac-419","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/04\/16\/clique-clac-419\/","title":{"rendered":"Clique Clac #419"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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L\u00e0 o\u00f9 d’autres s’\u00e9vertuent \u00e0 immortaliser les monuments dans leurs moindres d\u00e9tails, Thomas Kellner envisage la prise de vue architecturale comme une entreprise de d\u00e9construction. Il utilise un appareil argentique avec lequel il r\u00e9alise une succession de clich\u00e9s qu’il met ensuite bout \u00e0 bout pour constituer des \u0153uvres mosa\u00efques<\/strong><\/a> o\u00f9 les monuments semblent en \u00e9tat d’\u00e9bri\u00e9t\u00e9 ou pris de vertiges (un comble !). Un travail de fourmi qu’il a d\u00e9taill\u00e9 \u00e0 Talking Pictures<\/strong><\/a> : \u00ab\u00a0Une fois que j\u2019ai d\u00e9cid\u00e9 du sujet, du point de vue et du meilleur moment de la journ\u00e9e, je fais un croquis du b\u00e2timent sur lequel je trace un quadrillage afin de d\u00e9finir le nombre de films dont j’aurai besoin. Cela me donne aussi une id\u00e9e de la taille de l’image finale. Je fixe ensuite mon appareil photo \u00e0 un tr\u00e9pied sur lequel j’ai marqu\u00e9 une \u00e9chelle gradu\u00e9e. Je commence par le coin sup\u00e9rieur gauche du sujet, j’appuie sur le d\u00e9clencheur, j’avance le film, je d\u00e9cale la vis\u00e9e \u00e0 droite et je recommence. Quand j’arrive \u00e0 la fin de ma ligne virtuelle, je descends d’une rang\u00e9e et refais une s\u00e9rie de vues. Ainsi de suite jusqu’\u00e0 la base du monument.\u00a0\u00bb<\/em> Dans cette interview, on apprend que le photographe allemand applique aussi cette technique aux portraits et aux paysages – son panorama du Grand Canyon<\/a><\/strong> a ainsi n\u00e9cessit\u00e9 la bagatelle de 2160 vues !<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/04\/HESS-SABINE-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbHESS SABINE\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/swisspressaward.ch\/fr\/member\/d00031205\/hu4″ url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

TROUBLE VISION<\/strong><\/p>\n

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Touch\u00e9 par la cataracte,\u00a0Frank D\u00f6litzsch s’est alarm\u00e9 quand il a commenc\u00e9 \u00e0 voir des choses qui n’existaient pas. Les deux sont li\u00e9s, a dit son ophtalmologue, qui lui a diagnostiqu\u00e9 une maladie rare : le syndrome de Charles Bonnet.\u00a0Ce syndrome consiste en des hallucinations visuelles complexes survenant chez des sujets \u00e2g\u00e9s ne pr\u00e9sentant pas de troubles mentaux.\u00a0Pour le magazine NZZ Folio<\/em>, Sabine Hess est all\u00e9e documenter le quotidien de Frank<\/a><\/strong>. \u00c0 c\u00f4t\u00e9 des portraits classiques, elle a produit, \u00e0 l’aide de filtres color\u00e9s et de distorsions optiques, des images plus exp\u00e9rimentales cens\u00e9es traduire les probl\u00e8mes de perception dont souffre le vieil homme. Ce travail a valu \u00e0 la photojournaliste le premier prix du Swiss Press Photo dans la cat\u00e9gorie \u00ab\u00a0Vie quotidienne\u00a0\u00bb. Le Temps<\/em> propose ici <\/a><\/strong>un r\u00e9sum\u00e9 illustr\u00e9 et comment\u00e9 du palmar\u00e8s (palmar\u00e8s au sein duquel on trouve la s\u00e9rie \u00ab\u00a0F\u00e9minicides\u00a0\u00bb de Flavia Leuenberger, dont on vous avait parl\u00e9 dans CC#403<\/strong><\/a>).<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb custom_padding=\u00a0\u00bb22px|3px||3px|false|false\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/04\/Gabor-Szilasi-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbGabor Szilasi\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.lapresse.ca\/arts\/2026-04-10\/gabor-szilasi-1928-2026\/inoubliable-artisan-de-la-memoire.php\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
LE DOYEN DE LA PHOTOGRAPHIE CANADIENNE TIRE SA R\u00c9V\u00c9RENCE<\/strong><\/div>\n
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Gabor Szilasi, r\u00e9f\u00e9rence de la photographie documentaire canadienne, s’est \u00e9teint<\/strong><\/a> le 10 avril \u00e0 l’\u00e2ge de 98 ans. En 2022, il avait donn\u00e9\u00a0une interview<\/a><\/strong>\u00a0<\/span>\u00e0 Radio Canada qu’on vous invite \u00e0 r\u00e9\u00e9couter (on vous l’avait d\u00e9j\u00e0 conseill\u00e9e \u00e0 l’\u00e9poque<\/strong>) car l’homme a eu une vie des plus mouvement\u00e9es, de son enfance hongroise sous le joug du nazisme puis du communisme \u00e0 son exil au Canada en 1956, de l’achat de son premier appareil (un Zorki) \u00e0 la rencontre avec Doreen, sa future femme.\u00a0\u00ab\u00a0Si javais re\u00e7u mon visa su\u00e9dois avant le canadien,<\/em> s’amusait-il,\u00a0ma femme se serait appel\u00e9e Ingrid et je ne parlerais ni le fran\u00e7ais ni l’anglais.\u00a0\u00bb<\/em>\u00a0Le fonds Gabor Szilasi comporte 100 000 photos, quelques-unes sont visibles ici<\/span><\/strong><\/a><\/span>. Esp\u00e9rons que le documentaire de Joannie Lafreni\u00e8re<\/a><\/strong> racontant la dr\u00f4le de vie du photographe sera un jour diffus\u00e9 de ce c\u00f4t\u00e9-ci de l’Atlantique. En attendant, il est disponible en VOD<\/strong><\/a>.<\/span><\/span><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de 8 lettres<\/strong> <\/a>en lien avec la photographie ?<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEN BREF ET EN VRAC…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Ce week-end, la baie de Somme accueille la 35e \u00e9dition du Festival de l’Oiseau et de la Nature<\/strong><\/a>. L’\u00e9quipe de Nat’Images vous en propose un avant-go\u00fbt \u00e0 travers ce num\u00e9ro sp\u00e9cial<\/a><\/strong> d\u00e9taillant le palmar\u00e8s du concours photo organis\u00e9 dans le cadre de l’\u00e9v\u00e9nement.<\/span><\/span><\/div>\n<\/div>\n
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Disparition \u00e0 68 ans de Jacques Witt<\/a><\/strong>, photographe de presse sp\u00e9cialis\u00e9 dans l’actualit\u00e9 \u00e9lys\u00e9enne.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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\u00c0 peine \u00e9lu maire de Vauvert,\u00a0Nicolas Meizonnet (RN)\u00a0d\u00e9programme une exposition photo<\/strong><\/a>.<\/span><\/span><\/div>\n<\/div>\n
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Julia Buruleva est dans l’\u0153il du cyclone depuis qu’elle a fait peindre en rose un \u00e9l\u00e9phant, d’aucuns l’accusant d’avoir pr\u00e9cipit\u00e9 la mort du pachyderme<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Petite histoire compar\u00e9e de \u00ab\u00a0Blue Marble\u00a0\u00bb et des clich\u00e9s r\u00e9alis\u00e9s lors de la mission Artemis II.<\/a><\/strong> Pour photographier la Terre en 1972, nous avions besoin d’une \u00e9toile pour l’illuminer. En 2026, progr\u00e8s technologiques aidant, la lumi\u00e8re \u00e9mise par la Terre suffit.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Dans l’espace, personne n’entend votre carte m\u00e9moire crier<\/strong><\/a>.<\/span><\/div>\n<\/div>\n
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Certaines photos ressemblent \u00e9trangement \u00e0 des tableaux, et cela ne doit rien au hasard<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Le pola n’est pas un art mineur, la preuve avec cette s\u00e9lection de cinq beaux livres<\/a><\/strong> \u00e9labor\u00e9e par Harpers Bazaar<\/em>.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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On connaissait le land-art, Thomas Jackson invente le linge-art<\/a><\/strong> !<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
La r\u00e9alisatrice M\u00e9lanie Auffret cherche une photographe de 45-60 ans<\/a><\/strong> pour un petit r\u00f4le dans son prochain film, dont le tournage se tiendra en Bretagne. Passez le message…<\/span><\/span><\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Pas un bo\u00eetier d’envergure<\/a><\/strong> \u00e0 se mettre sous la dent depuis le d\u00e9but de l’ann\u00e9e. Mais ne d\u00e9sesp\u00e9rons pas, le Saturnix<\/a> <\/strong>arrive !<\/span><\/span><\/div>\n<\/div>\n
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Les pr\u00e9commandes de Selkies<\/em>, trimestriel photo cr\u00e9\u00e9 par Gw\u00e9na\u00eblle Fliti<\/a><\/strong>, sont lanc\u00e9es<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n
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Apr\u00e8s s’\u00eatre attaqu\u00e9 \u00e0 la cassette audio et au t\u00e9l\u00e9phone \u00e0 cadran rotatif, le collectif BPM revisite les soir\u00e9es diapo et le roman-photo<\/a><\/strong> sur la sc\u00e8ne du Th\u00e9\u00e2tre de l’Atelier. D\u00e8s 1983, l’avant-gardiste Th\u00e9\u00e2tre de Bouvard avait pressenti le filon<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n
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Vandystadt, c’\u00e9tait le panache. Il a cr\u00e9\u00e9 la photo esth\u00e9tisante de sport en France. Il a commenc\u00e9 \u00e0 bouger dans les stades, \u00e0 chercher les belles lumi\u00e8res, \u00e0 faire des photos avec des ombres, des cadrages audacieux, etc. Il \u00e9tait tr\u00e8s, tr\u00e8s bon. C’est devenu la r\u00e9f\u00e9rence pour tous les jeunes photographes \u00e0 l’\u00e9poque, qui allaient le voir en esp\u00e9rant \u00eatre embauch\u00e9s dans son agence. (…) Il \u00e9tait tr\u00e8s abordable, et tr\u00e8s inspirant.<\/em><\/div>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbBe(atriz) RYDER\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.dpreview.com\/articles\/2243379376\/breathing-through-fear-be-ryder-s-path-to-world-class-surf-photography?utm_source=feedotter_DPR_Weekly&utm_medium=email&utm_campaign=FO-03-14-2026&utm_content=httpswwwdpreviewcomarticles2243379376breathingthroughfearberyderspathtoworldclasssurfphotography&utm_source=DPReview%27s+Email+Newsletter+List&utm_campaign=65c818f4d8-EMAIL_CAMPAIGN_2026_03_14_09_09&utm_medium=email&utm_term=0_0ba4bdef1a-65c818f4d8-68992287&mc_cid=65c818f4d8&mc_eid=f4331627ce\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/04\/Be-Ryder.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.dpreview.com\/articles\/2243379376\/breathing-through-fear-be-ryder-s-path-to-world-class-surf-photography?utm_source=feedotter_DPR_Weekly&utm_medium=email&utm_campaign=FO-03-14-2026&utm_content=httpswwwdpreviewcomarticles2243379376breathingthroughfearberyderspathtoworldclasssurfphotography&utm_source=DPReview%27s+Email+Newsletter+List&utm_campaign=65c818f4d8-EMAIL_CAMPAIGN_2026_03_14_09_09&utm_medium=email&utm_term=0_0ba4bdef1a-65c818f4d8-68992287&mc_cid=65c818f4d8&mc_eid=f4331627ce\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Photographier les surfeurs professionnels, c’est beaucoup de pression parce que tout se passe en direct. Certains jouent leur carri\u00e8re et vous, vous \u00eates litt\u00e9ralement dans leurs pattes. C’est comme si vous photographiiez un joueur de tennis depuis le court. C’est un privil\u00e8ge d’avoir une telle proximit\u00e9, mais en m\u00eame temps, cela entra\u00eene un tas de responsabilit\u00e9s.<\/em><\/div>\n<\/div>\n<\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Vivian Maier<\/a> <\/strong>aurait eu 100 ans cette ann\u00e9e. Si vous avez pass\u00e9 les quinze derni\u00e8res ann\u00e9es en hibernation, ce documentaire de\u00a0<\/a>Tatiana Becquet Genel<\/a><\/strong> vous dira tout de l’incroyable histoire de la \u00ab\u00a0nanny photographe\u00a0\u00bb. Si vous n’avez que quelques minutes devant vous, cette \u00e9vocation po\u00e9tique de sa vie<\/a><\/strong> (Where the newspapers fall asleep \/ Blowin’ past the people who are walking down the street \/\u00a0Said that you were a spy \/\u00a0Well, so am I<\/em>) devrait vous contenter. Du m\u00eame Patrick Watson (fan assum\u00e9<\/a><\/strong>), on conseille aussi \u00ab\u00a0Ode to Vivian\u00a0\u00bb, court instrumental en apesanteur joliment mis en images par Yoann Bourgeois.\u00a0<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/Gr1FRsL6D_M?si=l16UAmr4X3MqDgYJ\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

L\u00e0 o\u00f9 d’autres s’\u00e9vertuent \u00e0 immortaliser les monuments dans leurs moindres d\u00e9tails, Thomas Kellner envisage la prise de vue architecturale comme une entreprise de d\u00e9construction. Il utilise un appareil argentique avec lequel il r\u00e9alise une succession de clich\u00e9s qu’il met ensuite bout \u00e0 bout pour constituer des \u0153uvres mosa\u00efques o\u00f9 les monuments semblent en \u00e9tat […]<\/p>\n","protected":false},"author":5,"featured_media":53387,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-53361","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 419 : actus photos<\/title>\n<meta name=\"description\" content=\"Clique Clac 418 : l\u2019actualit\u00e9 photo de la semaine du 13 avril 2026 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.chassimages.com\/index.php\/2026\/04\/16\/clique-clac-419\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Clique Clac 419 : actus photos\" \/>\n<meta property=\"og:description\" content=\"Clique Clac 418 : l\u2019actualit\u00e9 photo de la semaine du 13 avril 2026 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.chassimages.com\/index.php\/2026\/04\/16\/clique-clac-419\/\" \/>\n<meta property=\"og:site_name\" content=\"Chassimages\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/chasseurimages\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-16T03:00:14+00:00\" \/>\n<meta property=\"article:modified_time\" 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