{"id":54054,"date":"2026-05-28T05:00:45","date_gmt":"2026-05-28T03:00:45","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=54054"},"modified":"2026-06-01T11:32:47","modified_gmt":"2026-06-01T09:32:47","slug":"clique-clac-424","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/05\/28\/clique-clac-424\/","title":{"rendered":"Clique Clac #424"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Lanc\u00e9e en 1986, la revue qu\u00e9becoise Ciel variable<\/em> propose trois fois par an un tour de la sc\u00e8ne photographique contemporaine, t<\/span>out en s\u2019int\u00e9ressant de pr\u00e8s \u00e0 l\u2019histoire de la photographie et \u00e0 ses diff\u00e9rents usages<\/span>. Chaque num\u00e9ro est construit autour d’une th\u00e9matique. Le dernier en date, tout juste paru<\/a><\/strong>, explore les relations entre mise en sc\u00e8ne, cadrage et narration dans la photographie contemporaine (avec quelques pointures au programme, dont Jeff Wall et Luc Delahaye). Celui publi\u00e9 cet hiver avait pour fil rouge\u00a0<\/strong><\/span>la collection<\/a><\/strong>. Au sommaire, on trouvait, entre autres, le nom de <\/span>Michel Campeau<\/a><\/strong>, Montr\u00e9alais de 68 ans dont le dernier ouvrage, formidable travail d’archiviste, met \u00e0 l’honneur\u00a0<\/span>l<\/a><\/strong>es gestes et rituels associ\u00e9s \u00e0 la pratique de la chambre noire<\/a><\/strong>. La version papier de Ciel variable<\/em> co\u00fbte 14,95 \u20ac… \u00e0 multiplier par deux une fois les frais de port ajout\u00e9s. Heureusement, il existe une version num\u00e9rique (10,95 \u20ac). Et puis, \u00e0 intervalles r\u00e9guliers, la revue met en libre acc\u00e8s ses archives. C’est le cas, par exemple, de\u00a0ce num\u00e9ro de l’automne 2021<\/a><\/strong>\u00a0dont le dossier central montre comment les expositions photographiques peuvent\u00a0fac\u0327onner notre vision du monde.<\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/05\/louise-arner-boyd-elle-a-tue-29-ours-polaires-pour-etre-couronnee-reine-de-larctique-nicephore-histoires-photographiques.jpg.c4575d0dc6be4d90c6179d764f0f5a61-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bblouise-arner-boyd-elle-a-tue-29-ours-polaires-pour-etre-couronnee-reine-de-larctique-nicephore-histoires-photographiques.jpg.c4575d0dc6be4d90c6179d764f0f5a61″ url=\u00a0\u00bbhttps:\/\/www.podcastics.com\/podcast\/episode\/louise-arner-boyd-elle-a-tue-29-ours-polaires-pour-etre-couronnee-reine-de-larctique-404573\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

DE LA CALIFORNIE \u00c0 L’ARCTIQUE<\/strong><\/p>\n

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L’histoire de Louise Arner Boyd, c’est d’abord l’histoire d’une \u00e9mancipation. H\u00e9riti\u00e8re d’une famille fortun\u00e9e, la Californienne aurait pu s’adonner aux joies de la haute-soci\u00e9t\u00e9, allant de mondanit\u00e9s en mondanit\u00e9s. Mais \u00e0 l’occasion d’une croisi\u00e8re en Norv\u00e8ge en 1924, elle se prend de passion pour le Grand Nord et d\u00e9cide, \u00e0 l’\u00e2ge de 37 ans, de devenir exploratrice.\u00a0De 1926 \u00e0 1941, elle organisera sept exp\u00e9ditions en Arctique, qu’elle documentera gr\u00e2ce \u00e0 la photographie, m\u00e9dium qu’elle apprend sur le terrain. Et qu’elle ma\u00eetrise rapidement, comme le montre\u00a0cette carte dynamique<\/a><\/strong>\u00a0illustr\u00e9e par ses photos. Dans l’\u00e9pisode qui lui est consacr\u00e9,\u00a0le podcast Nic\u00e9phore<\/strong><\/a>\u00a0dit tr\u00e8s bien le r\u00f4le de pionni\u00e8re qu’a jou\u00e9 Louise Arner Boyd dans la cause des femmes, mais il ne passe pas sous silence le regard colonial qui \u00e9tait le sien quand elle photographiait la banquise comme s’il s’agissait d’un territoire inhabit\u00e9. De la prise de vue \u00e0 la prise de pouvoir, il n’y a qu’un pas…<\/span><\/span><\/span><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/05\/images.jpg\u00a0\u00bb title_text=\u00a0\u00bbimages\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=Yol-sgoCiCI\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

DANS L’OMBRE DU MA\u00ceTRE<\/strong><\/p>\n

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Stefan Rappo a travaill\u00e9 pendant huit ans en tant que premier assistant de\u00a0Peter Lindbergh<\/a><\/strong>. Autant dire qu’il a beaucoup d’anecdotes \u00e0 raconter sur les coulisses des sessions du ma\u00eetre avec les plus grands mannequins du monde. C’est dans cette br\u00e8che que s’engouffre\u00a0le podcast Empara<\/a><\/strong><\/span><\/span>. Le ton de l’interview est tr\u00e8s people (comment se comportait untel\/unetelle…), mais Stefan Rappo r\u00e9ussit \u00e0 glisser quelques infos photographiquement int\u00e9ressantes – ne serait-ce que sur les marottes de Lindbergh ou sur le r\u00f4le d’un assistant lors des shootings. Si vous voulez en savoir plus sur le parcours du photographe suisse et sur sa production personnelle, on vous renvoie au portfolio publi\u00e9 en mai 2025 dans le\u00a0n\u00b0466 de Chasseur d’Images<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de 5 lettres<\/strong><\/a> en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEn bref et en vrac…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Rescap\u00e9 du g\u00e9nocide arm\u00e9nien,<\/span>\u00a0Kegham Djeghalian<\/span>\u00a0trouva refuge \u00e0 Gaza o\u00f9 il fonda en 1944 le premier studio de la ville. Le Centre photographique de Marseille fait revivre\u00a0<\/span>sa m\u00e9moire<\/a><\/strong>.<\/span><\/div>\n<\/div>\n
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Vous aimez les proc\u00e9d\u00e9s anciens ? Rendez-vous \u00e0 Sabl\u00e9-sur-Sarthe ce week-end<\/strong><\/a>.<\/span><\/div>\n<\/div>\n
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D\u00e9licieuse archive de la BBC<\/a><\/span><\/strong> datant de 1990, dans laquelle les animateurs de \u00ab\u00a0Tomorrow’s World\u00a0\u00bb font le point sur les derni\u00e8res \u00e9volutions technologiques li\u00e9es \u00e0 la photo et se demandent \u00e0 quoi ressemblera l’appareil du futur.\u00a0<\/span><\/div>\n<\/div>\n
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Prim\u00e9 lors du dernier Wildlife Photographer of the Year, le jeune Lubin Godin va b\u00e9n\u00e9ficier du soutien du Festival de Montier et du compagnonnage de Jean-Michel Lenoir pour concevoir\u00a0<\/span>sa premi\u00e8re expo<\/a><\/strong>.\u00a0<\/span><\/div>\n<\/div>\n
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Si vous passez par Hambourg d’ici novembre, ne ratez pas la r\u00e9trospective consacr\u00e9e \u00e0 Hans Hansen, ma\u00eetre de la photographie publicitaire<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n
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Le toujours pertinent<\/span>\u00a0\u00c9tienne Dumont se demande<\/a><\/strong>\u00a0<\/strong>s’il est judicieux de d\u00e9cerner un prix richement dot\u00e9 (en l’occurrence le\u00a0<\/span>Prix Roswitha Haftmann)<\/span>\u00a0\u00e0 un photographe d\u00e9j\u00e0 bien install\u00e9 (en l’occurrence Wolfgang Tillmans).<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Le nu comme contre-pouvoir, petite histoire de\u00a0<\/span>l’\u00e9cole de Kharkiv<\/a>.<\/strong><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Accr\u00e9dit\u00e9 le 6 mai dernier au concert donn\u00e9 par Bruce Springsteen au Madison Square Garden,\u00a0<\/span>Mark V. Krajnak<\/span>\u00a0nous fait revivre\u00a0<\/span>cette soir\u00e9e sur son site<\/a><\/strong>. Une belle exp\u00e9rience, m\u00eame s’il est difficile d’obtenir des clich\u00e9s sortant de l’ordinaire tant les premi\u00e8res minutes du spectacle (seul moment o\u00f9 les photos sont autoris\u00e9es) sont particuli\u00e8rement cadr\u00e9es par le Boss et son groupe.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Sur les 29 scientifiques pr\u00e9sents sur cette photo<\/a><\/strong>, prise en 1927 par Benjamin Couprie, 17 recevront un Prix Nobel. D’o\u00f9 son surnom : \u00ab\u00a0The most intelligent photo ever taken\u00a0\u00bb.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Moti\u00e9 du duo Photoingame, Maxence va sortir\u00a0<\/span>\u00c9motions virtuelles<\/a><\/em><\/strong>,\u00a0<\/span>deuxi\u00e8me livre au monde d\u00e9di\u00e9 \u00e0 la photographie dans les jeux vid\u00e9o.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Le c\u00e9l\u00e8bre comics Batman : The killing joke<\/em> va conna\u00eetre une nouvelle \u00e9dition \u00ab\u00a0prestige\u00a0\u00bb, qui se pr\u00e9sentera sous la forme d’un\u00a0<\/span>appareil photo g\u00e9ant<\/a><\/span><\/strong>\u00a0dans son \u00e9crin de cuir. Prix de l’objet : 15000 \u20ac.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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V\u00e9rifiez vos connaissances avec\u00a0<\/span>ce quiz<\/strong><\/a>\u00a0sur les grands noms de l’histoire de la photographie.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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La plus d\u00e9jant\u00e9e des courses (on ne l’appelle pas pour rien la \u00ab\u00a0brise-tibia\u00a0\u00bb) a eu lieu lundi dernier \u00e0 Cooper’s Hill. Adrian Dennis et ses confr\u00e8res y \u00e9taient<\/strong><\/a>.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Scandale \u00e0 Rome : le pr\u00eatre sexy qui a fait le succ\u00e8s d’un fameux calendrier \u00e9tait en fait…\u00a0<\/span>steward<\/a><\/strong>.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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R.I.P. Sonny Rollins<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbAnne PACEO\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=sdZhv99_iVo\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/05\/anne-paceo-2025-intro-1-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.youtube.com\/watch?v=sdZhv99_iVo\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Historiquement, les pochettes de jazz fran\u00e7ais, elles \u00e9taient \u00e9clat\u00e9es au sol. Il y a m\u00eame eu un compte Instagram qui s’en moquait. Mais aujourd’hui, les musiciens ont pris conscience du fait qu’il faut avoir de belles photos, que le package soit soign\u00e9 et r\u00e9fl\u00e9chi. Pas juste le leader du trio devant avec une chemise color\u00e9e et les deux autres derri\u00e8re l\u00e9g\u00e8rement flous.<\/em><\/div>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbJussi PUIKKONEN\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/wepresent.wetransfer.com\/stories\/jussi-puikkonen-photography-cruise\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/05\/wouter_halfwerk_jussi_puikkonen_480x300_mailchimp_5.jpgmediaclass-list-image.e236162578feb619104a8b70b221afe1aa6b7c0d-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/wepresent.wetransfer.com\/stories\/jussi-puikkonen-photography-cruise\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
C’est comme dans les films am\u00e9ricains – la premi\u00e8re fois qu’un personnage roule \u00e0 l’\u00e9cran, sa voiture vous dit d\u00e9j\u00e0 quelque chose sur le personnage. Ce que j\u2019ai remarqu\u00e9, c\u2019est que la voiture fonctionne souvent comme une sorte d\u2019extension de soi, en particulier dans les endroits o\u00f9 il n\u2019y a pas beaucoup d\u2019autres fa\u00e7ons de se d\u00e9marquer. Les choix sont rarement al\u00e9atoires.<\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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M\u00eame si son album de 2007 se nomme Pictures<\/em>, Katie Melua a longtemps cultiv\u00e9 une relation amour-haine \u00e0 la photo. En 2020, alors qu’elle venait de finir l’enregistrement de son huiti\u00e8me LP, elle a d\u00fb pourtant s’y mettre. Confinement oblige, elle a r\u00e9alis\u00e9 elle-m\u00eame\u00a0<\/span>la photo de pochette<\/a><\/strong>. Cet autoportrait au miroir a \u00e9t\u00e9 pris avec un\u00a0<\/span>Mamiya RZ67 qu’elle a emprunt\u00e9 pour la circonstance \u00e0 la photographe professionnelle\u00a0Rosie Matheson<\/a><\/strong><\/span>. Via Zoom, celle-ci lui a expliqu\u00e9 le fonctionnement de l’appareil et l’a guid\u00e9e dans ses r\u00e9glages. Une exp\u00e9rience qui a chang\u00e9 la vision que la chanteuse avait de la pratique photo, comme elle l’a confi\u00e9 au site\u00a0<\/span>35mmc<\/a><\/strong>. Dans le clip de \u00ab\u00a0Your longing is gone\u00a0\u00bb, on la voit m\u00eame manipuler un reflex bi-objectif.<\/span><\/p>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/Gk5OiUR63l0?si=c3oNTmnQ1tmz6dfJ\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\n\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Lanc\u00e9e en 1986, la revue qu\u00e9becoise Ciel variable propose trois fois par an un tour de la sc\u00e8ne photographique contemporaine, tout en s\u2019int\u00e9ressant de pr\u00e8s \u00e0 l\u2019histoire de la photographie et \u00e0 ses diff\u00e9rents usages. Chaque num\u00e9ro est construit autour d’une th\u00e9matique. Le dernier en date, tout juste paru, explore les relations entre mise en […]<\/p>\n","protected":false},"author":5,"featured_media":54089,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[3],"tags":[],"class_list":["post-54054","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chasseur-dimages","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 424 : actus photos<\/title>\n<meta name=\"description\" content=\"Clique Clac 424 : l\u2019actualit\u00e9 photo de la semaine du 25 mai 2026 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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