{"id":54110,"date":"2026-06-04T05:00:07","date_gmt":"2026-06-04T03:00:07","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=54110"},"modified":"2026-06-08T10:54:43","modified_gmt":"2026-06-08T08:54:43","slug":"clique-clac-425","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/06\/04\/clique-clac-425\/","title":{"rendered":"Clique Clac #425"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Il ne vous reste plus que dix jours pour visionner gratuitement Toute la beaut\u00e9 et le sang vers\u00e9<\/strong><\/em><\/a>, et ce serait dommage de ne pas en profiter car ce documentaire est un mod\u00e8le du genre. Laura Poitras y suit Nan Goldin dans son combat contre la soci\u00e9t\u00e9 pharmaceutique Purdue Pharma impliqu\u00e9e dans la crise des opio\u00efdes. Parce que la photographe ne fait pas de distinction entre son art et ses activit\u00e9s militantes, le documentaire entrelace ces deux fils durant pr\u00e8s de deux heures. Et ce n’est pas de trop pour raconter la vie tumultueuse de Nan Goldin. Celle-ci raconte notamment qu’\u00e0\u00a0son arriv\u00e9e \u00e0 New York, elle a montr\u00e9 une vingtaine de photos \u00e0 Marvin Heiferman qui, malgr\u00e9 leur mauvais \u00e9tat, a tout de suite accroch\u00e9 : \u00ab\u00a0Il m’a demand\u00e9 d’autres photos. Je lui en ai apport\u00e9 une caisse enti\u00e8re ! J’ai persuad\u00e9 un chauffeur de taxi de la transporter en \u00e9change d’une pipe. C’est comme \u00e7a que je suis entr\u00e9e dans le monde de l’art ! On \u00e9tait en 1979.\u00a0\u00bb<\/em> Six ans plus tard, elle achevait \u00ab\u00a0The Ballad of sexual dependency\u00a0\u00bb, projet phare que l’on peut voir actuellement au Grand Palais dans le cadre de \u00ab\u00a0This will not end well\u00a0\u00bb<\/strong><\/a>, r\u00e9trospective o\u00f9 la voix des disparus<\/strong><\/a> emplit l’espace autant que leurs images. Cette exposition est compl\u00e9t\u00e9e par un accrochage plus modeste, \u00ab\u00a0S\u0153urs, Saintes et Sibylles\u00a0\u00bb<\/strong><\/a>, \u00e0 la Chapelle Saint-Louis de la Salp\u00eatri\u00e8re.<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/06\/Bernard-Boisson-21-carre-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbBernard-Boisson-21-carr\u00e9\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.lezephyrmag.com\/nous-avons-ete-deconnectes-des-grands-espaces-sauvages-le-seizieme-episode-den-foret-avec-le-photographe-bernard-boisson\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

L’APPEL DE LA FOR\u00caT<\/strong><\/p>\n

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Photographe et po\u00e8te attach\u00e9 \u00e0 la notion de \u00ab\u00a0primordialit\u00e9\u00a0\u00bb<\/a><\/strong>, Bernard Boisson \u00e9tait r\u00e9cemment l’invit\u00e9 d’En for\u00eat<\/strong><\/a>, podcast r\u00e9alis\u00e9 par Le Z\u00e9phyr. Celui qui se d\u00e9crit comme \u00ab\u00a0un cycliste sans v\u00e9lo\u00a0\u00bb ne parle quasiment pas photo dans cette interview, mais ce qu’il dit sur la contemplation et sur le temps long a au fond plus de valeur que n’importe quel tuto YouTube : \u00ab\u00a0Quand on s’immerge dans une vieille for\u00eat, on \u00e9prouve des sensations, des sentiments qu’on ne vit ni dans les villes, ni dans les exploitations foresti\u00e8res, ni dans les campagnes. Il faut vraiment le vivre pour s’en apercevoir. Aujourd’hui, on est plus reli\u00e9s aux id\u00e9es de la nature qu’\u00e0 la nature elle-m\u00eame. On s’en rend compte quand on regarde les m\u00e9dias.\u00a0\u00bb<\/em><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/06\/WPP-2026Contest-Europe-SIN-PaulaHornickel-carre-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbWPP-2026Contest-Europe-SIN-PaulaHornickel carr\u00e9\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.worldpressphoto.org\/collection\/photo-contest\/2026\/Paula-Hornickel\/1″ url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

BIENVENUE DANS L’ANTHROBOC\u00c8NE<\/strong><\/p>\n

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La photo la plus intrigante du palmar\u00e8s du World Press Photo 2026 est sans doute celle montrant Waltraud, pensionnaire d’une maison de retraite pr\u00e8s de Stuttgart, en pleine discussion avec Emma, un robot social<\/strong><\/a>. L’image appartient \u00e0 un sujet plus large, \u00ab\u00a0Anthrobocene\u00a0\u00bb<\/strong><\/a>, \u00e0 travers lequel Paula Hornickel documente, \u00e0 l’\u00e9chelle de l’Allemagne, la pr\u00e9sence toujours plus grande des robots dans notre quotidien.\u00a0\u00ab\u00a0J\u2019ai visit\u00e9 plusieurs endroits,<\/em> a-t-elle confi\u00e9 \u00e0 Bruno Bayley<\/a><\/strong>, o\u00f9 des personnes handicap\u00e9es collaboraient avec des robots : une compagnie de danse inclusive ou un centre de soins, par exemple. Ce qui m\u2019a marqu\u00e9e, c\u2019est que pour beaucoup d\u2019entre elles, les robots n\u2019\u00e9taient pas seulement des outils techniques ; ils les ont aid\u00e9s \u00e0 gagner en ind\u00e9pendance.\u00a0\u00bb<\/em> Ce qui n’emp\u00eache pas la photographe de s’interroger :\u00a0\u00ab\u00a0Quel r\u00f4le voulons-nous qu\u2019ils jouent dans le futur ? Quelle autonomie voulons-nous leur donner ? Ces robots existent dans un syst\u00e8me capitaliste. Qui les fabrique, qui les poss\u00e8de, qui en profite, et comment ?\u00a0\u00bb<\/em> \u00a0<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de 8 lettres<\/strong><\/a> en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEn bref et en vrac…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Qui dit premier week-end de juin dit Foire de Bi\u00e8vre<\/strong><\/a> ! Au programme de la 62e \u00e9dition, on retrouve l’immanquable march\u00e9 de l\u2019occasion et des antiquit\u00e9s photographiques, mais aussi beaucoup d’animations et une double exposition mettant \u00e0 l’honneur Jean-Christophe B\u00e9chet.<\/span><\/div>\n<\/div>\n
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\u00ab\u00a0L\u2019intelligence artificielle, ce n\u2019est pas de la photographie. La photo, c\u2019est capter le r\u00e9el\u00a0\u00bb<\/em>,\u00a0<\/span>dit Cyril Drouhet<\/a><\/strong>. Ce qui n’emp\u00eache pas le commissaire des exposition de La Gacilly Photo de s\u00e9lectionner le travail de Brodbeck & De Barbuat dans le cadre du\u00a0<\/span>festival<\/a><\/strong>.<\/span><\/div>\n<\/div>\n
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Apr\u00e8s Malick Sidib\u00e9, Reporters sans fronti\u00e8res met \u00e0 l\u2019honneur Vincent Munier<\/strong><\/a> dans son nouvel album \u00ab\u00a0100 photos pour la libert\u00e9 de la presse\u00a0\u00bb.<\/span><\/div>\n<\/div>\n
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Plus impressionnant que la deuxi\u00e8me ligue des champions du PSG, ce sujet de Brian Inganga sur une \u00e9quipe de footballeuses rwandaises<\/strong><\/a> qui se reconstruisent gr\u00e2ce au ballon rond.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Si vous travaillez en moyen-format argentique et \u00eates du genre \u00e0 jongler entre les bo\u00eetiers pour assouvir vos envies de\u00a0<\/span>portrait, de paysage ou de panoramique,\u00a0le\u00a0VZ-6617<\/a><\/strong><\/span>\u00a0peut peut-\u00eatre vous int\u00e9resser.\u00a0<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Vogue Adria a fait se rencontrer le philosophe h\u00e9g\u00e9lien Slavoj \u017di\u017eek et le portraitiste de stars Juergen Teller pour une s\u00e9ance photo suivie d’une discussion \u00e0 b\u00e2tons rompus<\/a><\/strong> o\u00f9 il est question de Trump, d’Orban, des joies du confinement, des crises pr\u00e9sentes et \u00e0 venir, de la s\u00e9rie Pluribus et des moeurs sexuelles de la Gen Z.<\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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L’arr\u00eat de l’utilisation de produits phytosanitaires a fait revenir la vie dans le cimeti\u00e8re du P\u00e8re-Lachaise. S’il n’y \u00e9tait pas favorable au d\u00e9part, Beno\u00eet Gallot, son conservateur, se r\u00e9jouit aujourd’hui de voir et photographier des renards parmi les tombes<\/strong><\/a>.<\/div>\n<\/div>\n
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Le Belfast Photo Festival fait le buzz en accueillant \u00ab\u00a0Camera obsolete\u00a0\u00bb<\/a><\/strong>, une exposition qui laisse la possibilit\u00e9 aux visiteurs de d\u00e9truire des appareils photo \u00e0 coups de marteau.<\/span><\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Pour c\u00e9l\u00e9brer le centi\u00e8me anniversaire de la naissance de Marilyn Monroe, Beaux-arts a retenu\u00a0<\/strong><\/span>sept images cultes<\/a><\/strong>.\u00a0<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Gr\u00e2ce \u00e0 la NASA, vous pouvez d\u00e9sormais \u00e9crire votre nom avec des vues terrestres<\/strong><\/a>. \u00c7a ne sert \u00e0 rien ? Oui, et c’est pour \u00e7a que c’est bien !<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbMona KUHN\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/museemagazine.com\/features\/2021\/8\/17\/6-questions-with-mona-kuhn-video\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/06\/KUHN-Mona.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/museemagazine.com\/features\/2021\/8\/17\/6-questions-with-mona-kuhn-video\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
J’aime \u00e0 penser que je pourrais \u00eatre amie avec mes mod\u00e8les, que l’appareil photo soit l\u00e0 ou non. J’adore c\u00f4toyer d’autres personnes, parler avec elles. Durant les s\u00e9ances, 80% du temps il n’est pas question de photographie. On discute, je demande \u00e0 mes mod\u00e8le comment ils vont, ce qui chang\u00e9 dans leur vie depuis la derni\u00e8re fois qu’on s’est vus. Et les 20% restants, on se demande ce qu’on pourrait cr\u00e9er d’int\u00e9ressant ensemble.<\/span><\/span><\/em><\/div>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbSMITH\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.telerama.fr\/arts-expositions\/dans-l-univers-mystique-du-photographe-smith-rien-n-est-fixe-il-n-y-a-que-la-vie-et-ses-transformations-7031283.php\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/06\/Smith-carre-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.telerama.fr\/arts-expositions\/dans-l-univers-mystique-du-photographe-smith-rien-n-est-fixe-il-n-y-a-que-la-vie-et-ses-transformations-7031283.php\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Pour moi qui ai grandi en ville et qui habite en r\u00e9gion parisienne, il a fallu que je parte au P\u00e9rou pour ressentir l\u2019intimit\u00e9 de notre lien aux plantes. Chaque cycle correspond \u00e0 un travail d\u2019\u00e9veil, spirituel, politique, humain, animal, v\u00e9g\u00e9tal. Chaque fois, j\u2019ai t\u00e2ch\u00e9 de m\u2019ouvrir \u00e0 quelque chose qui m\u2019\u00e9tait myst\u00e9rieux. Et cela commence toujours par une image.<\/span><\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Ah, les ricochets de la m\u00e9moire… on regarde un documentaire vintage sur Jim Brandeburg<\/a><\/strong>\u00a0<\/span>et, d\u00e8s le pr\u00e9g\u00e9n\u00e9rique, on tombe sur une empreinte de loup dans la neige qui fait tilt : \u00ab\u00a0Mais ne serait-ce pas la photo de pochette de Falange canibal<\/em>\u00a0<\/span>?\u00a0\u00bb Renseignement pris,\u00a0<\/strong>c’est bien le cas<\/strong><\/a><\/span>. Cet album paru en 2002 est un des pics de la carri\u00e8re de Lenine. Qu’est devenu le chanteur br\u00e9silien ? Eh bien, il est toujours actif et a m\u00eame sorti il y a quelques mois un nouvel album, Eita<\/em>, o\u00f9 l’on trouve ce duo avec la l\u00e9gende Maria Beth\u00e2nia<\/span>.\u00a0<\/p>\n

A foto que tem cheiro, de t\u00e3o n\u00edtida, ressoa tudo que a mem\u00f3ria\u00a0descortina.<\/em>\u00a0
(La photo qui a une odeur, tellement nette, fait r\u00e9sonner tout ce que la m\u00e9moire\u00a0d\u00e9voile.)<\/i><\/span><\/p>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/83MOblQbRCo?si=kWP_iJqnM8jyYM1T\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\n\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Il ne vous reste plus que dix jours pour visionner gratuitement Toute la beaut\u00e9 et le sang vers\u00e9, et ce serait dommage de ne pas en profiter car ce documentaire est un mod\u00e8le du genre. Laura Poitras y suit Nan Goldin dans son combat contre la soci\u00e9t\u00e9 pharmaceutique Purdue Pharma impliqu\u00e9e dans la crise des […]<\/p>\n","protected":false},"author":5,"featured_media":54135,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-54110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 425 : actus photos<\/title>\n<meta name=\"description\" content=\"Clique Clac 425 : l\u2019actualit\u00e9 photo de la semaine du 1er Juin 2026 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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