{"id":54363,"date":"2026-06-18T05:00:42","date_gmt":"2026-06-18T03:00:42","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=54363"},"modified":"2026-06-18T11:46:47","modified_gmt":"2026-06-18T09:46:47","slug":"clique-clac-427","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/06\/18\/clique-clac-427\/","title":{"rendered":"Clique Clac #427"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Duane Michals, dont on a appris\u00a0<\/span>la disparition<\/a><\/strong>\u00a0la semaine derni\u00e8re, restera comme un des grands r\u00e9novateurs du langage photographique. Cet autodidacte, fascin\u00e9 par l\u2019\u0153uvre de Magritte, sondait le monde et ses fant\u00f4mes\u00a0<\/strong><\/span>en usant de l’exposition multiple et en ajoutant \u00e0 ses petits tirages noir et blanc des annotations manuscrites<\/a><\/strong>. Il se d\u00e9crivait comme un\u00a0<\/span>\u00ab\u00a0expressionniste\u00a0\u00bb<\/a><\/strong>, dans le sens o\u00f9 ce qui comptait pour lui c’\u00e9tait de s’exprimer au mieux, que ce soit par l’\u00e9crit ou par les photos. En 2009, alors \u00e2g\u00e9 de 77 ans, il avait \u00e9t\u00e9 invit\u00e9 par Les Rencontres d’Arles \u00e0 pr\u00e9senter une s\u00e9lection de ses photos le temps d’<\/span>une soir\u00e9e au Th\u00e9\u00e2tre antique<\/a><\/strong>. En quelques minutes, ce showman-n\u00e9 avait conquis le public (on est bien loin de l’aust\u00e9rit\u00e9 du num\u00e9ro de\u00a0<\/span>Contacts\u00a0<\/a><\/strong><\/em>qui lui a \u00e9t\u00e9 consacr\u00e9). Si vous le pouvez, regardez aussi\u00a0<\/span>The man who invented himself<\/a><\/em><\/strong>, documentaire de Camille Guichard disponible en VOD o\u00f9 Duane Michals, 79 ans alors, fait montre de sa dr\u00f4lerie et de son inventivit\u00e9. Comme dans ce passage o\u00f9 on le voit lire\u00a0<\/strong><\/span>cette adresse \u00e0 ses lecteurs<\/a><\/strong>\u00a0: \u00ab\u00a0Ce n’est pas un hasard que tu lises ceci. J’inscris des traces noires sur le papier, et ces traces sont mes pens\u00e9es. Bien que j’ignore qui tu es, toi qui lis en ce moment, les lignes de nos vies se sont rejointes ici, sur ce papier, le temps de ces quelques phrases. On se rencontre ici. Ce n’est pas un hasard que tu lises ceci ; ce moment t’a attendu, je t’ai attendu. Souviens-toi de moi.\u00a0\u00bb<\/em> Souvenons-nous de lui.<\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/06\/TWIST-carre-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbTWIST carr\u00e9\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.arte.tv\/fr\/videos\/121401-006-A\/twist\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

DES MICROORGANISMES AU SERVICE DE L’IMAGE<\/strong><\/p>\n

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Au d\u00e9but des ann\u00e9es 2010, Zachary Copfer avait fait parler de lui en produisant\u00a0<\/span>des portraits de c\u00e9l\u00e9brit\u00e9s \u00e0 partir de bact\u00e9ries<\/a><\/strong>. Le microbiologiste avait m\u00eame donn\u00e9 un nom \u00e0 son invention : la\u00a0<\/span>bact\u00e9riographie<\/a><\/strong>. Pour r\u00e9sumer \u00e0 gros traits le proc\u00e9d\u00e9, des bact\u00e9ries sont \u00e9lev\u00e9es dans une bo\u00eete de Petri sur laquelle Copfer pose un n\u00e9gatif puis qu’il expose \u00e0 des radiations pour tuer les bact\u00e9ries dans les zones claires. Na\u00eet ainsi une image qu’il s’agit ensuite de fixer. Hasard ou co\u00efncidence, \u00e0 peu pr\u00e8s au m\u00eame moment, Wolfgang Ganter a lui aussi mis \u00e0 contribution les bact\u00e9ries dans ses travaux photographiques. Mais l’artiste allemand n’utilise pas\u00a0<\/span>ces microorganismes\u00a0<\/span>comme une mati\u00e8re premi\u00e8re, il les voit plut\u00f4t comme des auxiliaires de cr\u00e9ation. Il leur confie, par exemple, des diapositives repr\u00e9sentant des tableaux de ma\u00eetre et leur laisse le soin d’en grignoter la g\u00e9latine pour en\u00a0<\/span>pervertir les couleurs et les formes<\/a><\/strong>. Le r\u00e9sultat est aussi al\u00e9atoire que jubilatoire. \u00ab\u00a0Pour un artiste, ce n’est jamais ennuyeux,<\/em> confiait-il\u00a0<\/span>r\u00e9cemment\u00a0<\/span>\u00e0\u00a0<\/span>Twist\u00a0<\/a><\/strong><\/em>. Il y a sans arr\u00eat des surprises.\u00a0\u00bb<\/em> Son intervention dans l’\u00e9mission d’Arte commence \u00e0 la huiti\u00e8me minute – mais restez jusqu’\u00e0 la fin pour d\u00e9couvrir le travail original d’Isaac Cordal, entre sculpture et photographie.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/06\/Wanda-Wulz-carre-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbWanda Wulz carr\u00e9\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.beauxarts.com\/grand-format\/wanda-wulz-le-visage-felin-de-la-photo-surrealiste\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

CINQUANTE PIONNI\u00c8RES<\/strong><\/p>\n

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Les photomontages d’Hannah H\u00f6ch \u00e9taient peupl\u00e9s d\u2019\u00eatres hybrides, qui questionnaient les identit\u00e9s et les normes de genre. Wanda Wulz, elle aussi, a t\u00e2t\u00e9 du photomontage pour cr\u00e9er des images troublantes de magn\u00e9tisme.\u00a0Ceux de Grete Stern\u00a0<\/span>se voulaient une interpr\u00e9tation psychanalytique des r\u00eaves.\u00a0Pendant\u00a0<\/span><\/span>la Seconde Guerre mondiale, Julia Pirotte photographiait au plus pr\u00e8s les actions des maquisards. Durant la m\u00eame p\u00e9riode, Mey Rahola\u00a0<\/span>travaillait dans un studio qui r\u00e9alisait des photographies d\u2019identit\u00e9 pour les cartes de rationnement.\u00a0<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>Et que dire de Madame Yevonde et\u00a0<\/span>Felicia Abban, toutes deux pionni\u00e8res du portrait, la premi\u00e8re pour avoir explor\u00e9 la couleur, la seconde pour avoir inspir\u00e9 la jeunesse d’Afrique de l’Ouest. Toutes ces infos ne sortent pas de notre chapeau, mais d’une s\u00e9rie d’articles de Beaux-Arts, simplement intitul\u00e9e\u00a0\u00ab\u00a050 artistes femmes que vous devriez absolument conna\u00eetre\u00a0\u00bb<\/a><\/span><\/strong> et d’autant plus recommandable qu’elle a la bonne id\u00e9e de sortir des sentiers battus.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de 11 lettres<\/a><\/strong> en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbEn bref et en vrac…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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\u00ab\u00a0L’appareil photo,\u00a0<\/span>disait David Hockney<\/a><\/strong>, ne peut rivaliser avec la peinture\u00a0\u00bb. Ce qui n’emp\u00eachait pas l’artiste britannique d’\u00eatre <\/span>un mordu de Pola et de photocollages<\/a><\/strong>.\u00a0<\/span><\/div>\n<\/div>\n
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Dans\u00a0<\/span>le documentaire\u00a0L’oiseau bleu<\/a><\/em><\/strong>,\u00a0J\u00e9r\u00f4me Guillaumot\u00a0suit un couple de rolliers d’Europe de retour d’Afrique.\u00a0<\/span>Que de chemin parcouru par ces migrateurs… et par le r\u00e9alisateur depuis\u00a0<\/strong><\/span>ses premi\u00e8res photos de rollier publi\u00e9es dans Nat’Images<\/a><\/strong>\u00a0!<\/span><\/div>\n<\/div>\n
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Les amours de Rom\u00e9o et Juliette s’\u00e9crivent d\u00e9sormais \u00e0 Central Park, sous les yeux et les objectifs de\u00a0<\/span>Jacqueline Emery et David Lei<\/a><\/strong>.<\/span><\/div>\n<\/div>\n
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Transformer une passion en source de revenus, une\u00a0<\/span>fausse bonne id\u00e9e<\/strong>\u00a0<\/span><\/a>?<\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Au croisement de l’enqu\u00eate personnelle et du projet universel, Manon Tagand pr\u00e9sente son projet \u00ab\u00a0Bo\u00eete noire\u00a0\u00bb au micro de\u00a0<\/span>L\u2019\u0153il \u00e9coute<\/a><\/strong>.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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\u00c0 l’occasion d’une exposition au Mus\u00e9e de Grenoble, Bernard Descamps s’est pr\u00eat\u00e9 au jeu de\u00a0<\/span>l’interview-parcours<\/strong><\/a>. Aussi int\u00e9ressant qu’instructif.<\/span><\/div>\n<\/div>\n
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La RTS s’est int\u00e9ress\u00e9e \u00e0\u00a0<\/span>Swisstopo<\/a><\/strong>, office f\u00e9d\u00e9ral qui depuis cent ans photographie le territoire helv\u00e8te depuis les airs mais aussi \u00e0 terre.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Au d\u00e9but des ann\u00e9es 90, pour sa s\u00e9rie \u00ab\u00a0Signs\u00a0\u00bb, Gillian Wearing demanda \u00e0 500 Britanniques crois\u00e9s dans la rue d’\u00e9crire\u00a0<\/span>leur \u00e9tat d’esprit sur un panneau<\/a><\/strong>. Spoiler alert : les gens n’allaient pas mieux avant.<\/span><\/div>\n<\/div>\n
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Au macLyon, une r\u00e9trospective rend hommage \u00e0 Jean-Claude Guillaumon, artiste multicarte qui a trouv\u00e9 dans l’autoportrait photographique un moyen de<\/span>\u00a0\u00ab\u00a0d\u00e9truire la vanit\u00e9 de la repr\u00e9sentation de [s]a propre image<\/a><\/strong><\/span>\u00ab\u00a0<\/a><\/strong>.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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La RTBF vous propose un quiz\u00a0<\/span>\u00ab\u00a0IA ou vraie photo ?\u00a0\u00bb<\/a><\/strong>… il est loin le temps o\u00f9 il suffisait d’examiner les mains des personnes pour avoir la bonne r\u00e9ponse.<\/span><\/div>\n<\/div>\n
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Quand il a d\u00e9couvert Rain dogs<\/em> de Tom Waits,\u00a0<\/span>Mathieu Potte-Bonneville<\/a><\/strong>\u00a0<\/strong>a cru que c’\u00e9tait le chanteur qu’on voyait sur la pochette (il n’est pas le seul !).<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Apr\u00e8s le Pont-Neuf, un nouveau projet d’envergure attend\u00a0<\/span>JR<\/a><\/strong>.<\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbIrina WERNING\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.creativeboom.com\/resources\/irina-werning-on-photographing-the-sacred-power-of-long-hair-in-latin-america\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/06\/WERNING-CARRe.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.creativeboom.com\/resources\/irina-werning-on-photographing-the-sacred-power-of-long-hair-in-latin-america\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Ce qui rend l\u2019Am\u00e9rique latine unique, c\u2019est la fa\u00e7on dont ces rituels et traditions autochtones se sont r\u00e9pandus au-del\u00e0 de leurs communaut\u00e9s d\u2019origine. Les coutumes anciennes se m\u00ealent \u00e0 des vagues d\u2019immigration, fa\u00e7onnant une identit\u00e9 profond\u00e9ment hybride. Ce projet est devenu une recherche anthropologique sur l\u2019origine, ce que nous gardons et comment quelque chose de sacr\u00e9 peut se cacher dans quelque chose d\u2019aussi simple que les cheveux.<\/em><\/div>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbLorenzo RONCAGLIONE\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.vice.com\/en\/article\/young-travellers-photos-from-appleby-horse-fair\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/06\/RONCAGLIONE-carre-300×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.vice.com\/en\/article\/young-travellers-photos-from-appleby-horse-fair\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Surv\u00eatements, combis d’\u00e9quitation, cha\u00eenes et bagues en or. J’aime ce qui brille, j’aime le bling bling. De ce point de vue, j’\u00e9tais servi \u00e0 la foire aux chevaux d’Appleby. Et parce que j’aime aussi les tatouages, je ne pouvais pas m’arr\u00eater de shooter. J’en ai vu de compl\u00e8tement fous, des trucs modernes comme des antiquit\u00e9s.<\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_2,1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Le 17 juin 1983, The Police sortait son cinqui\u00e8me album, Synchronicity<\/em>. Le dernier du groupe. Les tensions \u00e9taient si grandes entre Sting, Andy Summers et Stewart Copeland que chacun avait enregistr\u00e9 ses parties dans son coin. Alors, poser ensemble sur la pochette de l’album, n’y pensez m\u00eame pas. Dans l’esprit de\u00a0<\/span>Let it be<\/a><\/strong><\/em>, autre disque de s\u00e9paration, il fut donc d\u00e9cid\u00e9 de mettre en couverture\u00a0<\/span>un patchwork de photos sur trois bandes distinctes<\/a><\/strong>\u00a0(une pour chaque membre du groupe). Et \u00e0 qui fit-on appel pour prendre ces photos ? \u00c0\u00a0<\/span>Duane Michals<\/a><\/strong>\u00a0!\u00a0
<\/span>Les plus attentifs auront remarqu\u00e9 que, dans la vid\u00e9o, la pochette de l’exemplaire de Synchronicity<\/em> que Duane Michals tient entre ses mains est diff\u00e9rente de celle pr\u00e9sent\u00e9e plus haut. Et pour cause : rien que pour le march\u00e9 am\u00e9ricain, il en existe 38 variations !\u00a0<\/span>Selon les r\u00e9gions du monde et les distributeurs<\/a><\/strong>, la disposition des bandes jaune, rouge et bleu changeait, tout comme les photos d’illustration. De quoi rendre fous\u00a0<\/span>les collectionneurs<\/strong><\/a>…<\/span><\/p>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/o5FPPoLqkCk?si=bKMlnFOeZlh7qtiZ\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\n\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Duane Michals, dont on a appris\u00a0la disparition\u00a0la semaine derni\u00e8re, restera comme un des grands r\u00e9novateurs du langage photographique. Cet autodidacte, fascin\u00e9 par l\u2019\u0153uvre de Magritte, sondait le monde et ses fant\u00f4mes\u00a0en usant de l’exposition multiple et en ajoutant \u00e0 ses petits tirages noir et blanc des annotations manuscrites. Il se d\u00e9crivait comme un\u00a0\u00ab\u00a0expressionniste\u00a0\u00bb, dans le […]<\/p>\n","protected":false},"author":5,"featured_media":54391,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-54363","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 427 : actus photos<\/title>\n<meta name=\"description\" content=\"Clique Clac 427 : l\u2019actualit\u00e9 photo de la semaine du 15 Juin 2026 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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