{"id":54450,"date":"2026-06-25T05:00:56","date_gmt":"2026-06-25T03:00:56","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=54450"},"modified":"2026-06-25T12:01:49","modified_gmt":"2026-06-25T10:01:49","slug":"clique-clac-428","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/06\/25\/clique-clac-428\/","title":{"rendered":"Clique Clac #428"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Le m\u00e9tier d’agent de photographes reste assez myst\u00e9rieux, et m\u00eame si certains sites s’emploient \u00e0 en d\u00e9crire les arcanes<\/strong><\/a>, rien ne vaut la parole des int\u00e9ress\u00e9s pour comprendre de quoi il retourne v\u00e9ritablement. Pour son podcast Les Voix de la Photo<\/strong><\/a>, Marine Lefort a invit\u00e9 \u00e0 son micro Sabine Troncin-Denis, l’agent de Michael Kenna<\/strong><\/a> pour l’Europe. Cette ex-galeriste au parcours sinueux s’est constitu\u00e9 un r\u00e9seau avec le temps, mais ce sont les al\u00e9as de la vie qui l’ont conduite \u00e0 repr\u00e9senter le photographe britannique. Concernant son m\u00e9tier, la Nanc\u00e9ienne coupe court aux comparaisons avec la s\u00e9rie Dix pour cent<\/em> : non, elle ne touche pas un pourcentage sur les tirages vendus. Son r\u00f4le est, au fond, bien plus stimulant puisqu’elle doit trouver des projets \u00e9ditoriaux ou mus\u00e9aux qui valorisent les \u0153uvres de son poulain. Quitte parfois \u00e0 sentir du d\u00e9pit dans les yeux de ses interlocuteurs. \u00ab\u00a0Ils pr\u00e9f\u00e9reraient parler \u00e0 Dieu qu’\u00e0 Saint-Pierre\u00a0\u00bb<\/em>, dit-elle avec un sourire. C’est elle aussi qui, en 2022, a \u0153uvr\u00e9 pour que se fasse la donation de\u00a0<\/a>3683 tirages de Michael Kenna<\/a><\/strong> \u00e0 la M\u00e9diath\u00e8que du patrimoine et de la photographie. Une v\u00e9ritable d\u00e9claration d’amour \u00e0 la France.
PS : jusqu’au 15 ao\u00fbt, la galerie Rousset (Avignon) accueille\u00a0l\u2019exposition \u201cPaysages de Cor\u00e9e du Sud\u201d<\/a><\/strong>, r\u00e9unissant un ensemble de tirages argentiques en noir et blanc de Michael Kenna.<\/span><\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/06\/DESCHANDOLcarre-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbDESCHANDOLcarr\u00e9\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/frank-deschandol.com\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

R\u00c9VEIL NORMAND<\/strong><\/p>\n

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Durant le printemps, France TV a propos\u00e9 une nouvelle exp\u00e9rience de \u00ab\u00a0slow tv\u00a0\u00bb. Apr\u00e8s le brame du cerf et les grandes mar\u00e9es, il s’agissait cette fois-ci de contempler H24 le r\u00e9veil de la nature normande via une batterie de cam\u00e9ras plac\u00e9es \u00e0 des endroits strat\u00e9giques. Le \u00ab\u00a0Sacre du printemps\u00a0\u00bb est d\u00e9sormais termin\u00e9, mais on peut en revivre les meilleurs moments comment\u00e9s par des scientifiques, des naturalistes et des artistes. R\u00e9gional de l’\u00e9tape, le photographe Frank Deschandol a ainsi racont\u00e9 \u00e0 Maud de Bohan<\/strong><\/a> comment son regard s’est construit au contact des paysages normands, m\u00eame s’il est aujourd’hui reconnu pour ses images d’insectes et de reptiles exotiques<\/strong><\/a>. Ce qui ne l’emp\u00eache pas de s’aventurer \u00e0 l’occasion en baie de Seine, pr\u00e8s du Havre, pour y photographier la difficile cohabitation entre gu\u00eapes coucou et ammophile<\/strong><\/a>. Frank Deschandol est \u00e0 l’affiche du Festival Photo Martagny<\/a><\/strong>. Si vous avez des questions \u00e0 lui poser, ne manquez pas la rencontre organis\u00e9e le 15 ao\u00fbt \u00e0 16h dans le cadre de la manifestation.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/06\/SCHOELLER-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbSCHOELLER\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/martinschoeller.com\/Yona-Amit\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

LES SILLONS DE LA VIE<\/strong><\/p>\n

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D’Angela Merkel \u00e0 Julian Assange, de Cher \u00e0 Koby Bryant, de Bill Gates \u00e0 Jane Goodall, tous les grands de ce monde sont pass\u00e9s devant l’objectif de Martin Schoeller. Les portraits de l’ex-assistant d’Annie Leibovitz sont reconnaissables \u00e0 leur \u00e9clairage frontal et \u00e0 leur cadrage tr\u00e8s serr\u00e9<\/strong><\/a>. Cette approche, ajout\u00e9e au fait que le Munichois op\u00e8re en moyen-format, n’\u00e9pargne pas les mod\u00e8les dont on voit la moindre cerne, la moindre cicatrice. Le proc\u00e9d\u00e9, finalement assez vain, gagne en profondeur quand Martin Schoeller l’applique \u00e0 ses portraits de survivants de l’Holocauste<\/strong><\/a>. Ces anonymes, nonag\u00e9naires pour la plupart, portent sur leur visage parchemin\u00e9 et dans leurs yeux embrum\u00e9s une histoire qui ne peut laisser insensible.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de 8 lettres<\/a><\/strong> en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbVous avez dit 50 ?\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Le podcast Faut pas pousser les ISO a consacr\u00e9 une chronique<\/a><\/strong> aux 50 ans de Chasseur d’Images<\/em> (autour de la 21e minute). Merci \u00e0 eux !<\/div>\n<\/div>\n
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Cinquante festivals de Cannes au compteur, Gilles Traverso remercie Thierry Fr\u00e9maux d’avoir interdit les smartphones <\/strong><\/a>sur le tapis rouge.<\/div>\n<\/div>\n
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\u00ab\u00a0En 1976, un quart de page noir et blanc dans L\u2019Express\u00a0ou Le Point vaut \u00e0 peine 150 F (92 \u20ac), la pellicule co\u00fbte 6 F (3,7 \u20ac) et une secr\u00e9taire gagne 1 500 F\/mois (1750 \u20ac).\u00a0\u00bb<\/em> Retour sur la vie des agences photo<\/a><\/strong> de la grande \u00e9poque…<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Neils Slavin raconte When two or more are gathered together<\/strong><\/em><\/a>, un demi-si\u00e8cle apr\u00e8s la publication de ce livre r\u00e9f\u00e9rence.<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Depuis 1976, gr\u00e2ce aux missions Vikings, on peut observer Mars dans toutes ses couleurs… et voir certaines taches s’\u00e9tendre<\/a><\/strong>.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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L\u00e9gende du photojournalisme, <\/span>Sam Nzima restera dans l’histoire pour son image embl\u00e9matique du soul\u00e8vement de Soweto (qui lui vaudra un placement en maison d\u2019arr\u00eat de 19 mois). Cinquante ans apr\u00e8s, son fils Thulani se souvient<\/strong><\/a>.<\/span><\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Jusqu’au 13 septembre, le Mus\u00e9e McCord-Stewart de Montr\u00e9al se souvient des JO de 1976<\/a><\/strong>.<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Sans chronologie ni fil th\u00e9matique, cette galerie comment\u00e9e<\/strong><\/a> tient davantage du fourre-tout que du corpus raisonn\u00e9, mais la voix off a quelque chose de ber\u00e7ant.<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Non, le 50 mm n’est pas une focale ennuyeuse. La preuve en\u00a0<\/span>trois astuces<\/a><\/strong>. \u00c0 compl\u00e9ter \u00e9videmment par la lecture de notre D\u00e9fi du mois<\/strong><\/a>.<\/span><\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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\u00c0 Ajaccio, Albert Saladini f\u00eate ses cinquante ans de photojournalisme \u00e0 travers une exposition<\/a> <\/strong>r\u00e9unissant cinquante de ses clich\u00e9s.<\/div>\n<\/div>\n
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Parmi les premiers signataires de \u00ab\u00a0L’appel du 18 joint\u00a0\u00bb<\/strong><\/a>, diffus\u00e9 il y a cinquante ans, on trouve une photographe… qui depuis a emprunt\u00e9 des voies bien plus acad\u00e9miques. Saurez-vous la retrouver ?<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Nate Emmanuel ou quand le folk chr\u00e9tien chante les louanges du 50 mm<\/a><\/strong> : \u00ab\u00a0Life is like a fifty mil \/ I was meant to focus on you, God…\u00a0\u00bb<\/span><\/div>\n<\/div>\n
<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbverbatim\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_testimonial author=\u00a0\u00bbCAMILLE\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.beauxarts.com\/grand-format\/camille-au-palais-de-tokyo-sophie-calle-ma-vue-enceinte-allaiter-et-devenir-maman-jai-eu-envie-de-linviter-dans-cette-aventure\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/06\/Camille-300×261.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.beauxarts.com\/grand-format\/camille-au-palais-de-tokyo-sophie-calle-ma-vue-enceinte-allaiter-et-devenir-maman-jai-eu-envie-de-linviter-dans-cette-aventure\/\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Cette image raconte le monde contemporain. C\u2019est le regard d\u2019une femme sur une femme. Il y a quelque chose d\u2019\u00e9ternellement paisible, d\u2019archa\u00efque, alors qu\u2019on ne voit ni le ciel, ni la terre et qu\u2019il n\u2019y a pas d\u2019eau\u2026 C\u2019est hostile. \u00c7a raconte o\u00f9 en est le monde, comment on \u00e9l\u00e8ve des enfants et comment retrouver le lien du geste naturel, de la tendresse, dans un monde de brutes.<\/em><\/div>\n[\/et_pb_testimonial][et_pb_testimonial author=\u00a0\u00bbJohny PITTS\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.rfi.fr\/fr\/culture\/20260616-le-black-bricolage-du-photographe-britannique-johny-pitts\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb portrait_url=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/06\/Johny-Pitts-IP-DSCF4031b-297×300.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb body_font=\u00a0\u00bbArial||||||||\u00a0\u00bb body_font_size=\u00a0\u00bb17px\u00a0\u00bb link_option_url=\u00a0\u00bbhttps:\/\/www.rfi.fr\/fr\/culture\/20260616-le-black-bricolage-du-photographe-britannique-johny-pitts\u00a0\u00bb link_option_url_new_window=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Il y a beaucoup de trains dans mes images, comme une repr\u00e9sentation \u00e0 la fois figurative et litt\u00e9rale de l\u2019espace entre A et B, un terrain presque imperceptible. C\u2019est l\u00e0 que j\u2019ai souvent trouv\u00e9 cette exp\u00e9rience quotidienne. Il n\u2019y a pas de gens avec des fusils ou de gangsters. Ce n\u2019est pas non plus une histoire de superlatifs. Tr\u00e8s souvent, on n\u2019entend parler d\u2019une personne noire que si elle a escalad\u00e9 un immeuble pour sauver un enfant, ou si elle a marqu\u00e9 un but. Mes photos montrent le quotidien, une exp\u00e9rience humaine. C\u2019est ce qui m\u2019int\u00e9resse vraiment et c\u2019est ce qui relie toutes mes photographies.<\/span><\/em><\/div>\n[\/et_pb_testimonial][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bbla petite musique de fin\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_color=\u00a0\u00bb#E02B20″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb2_5,3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb2_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Sorti fin mai, l’ambitieux dernier album de Mull Historical Society fait le pari d’unir musique, litt\u00e9rature et photographie. Pour ce projet, Colin Mcintyre (l’homme derri\u00e8re MHS) a demand\u00e9 \u00e0 des auteurs et autrices de langue anglaise mais d’origines diverses (\u00c9cosse, Irlande, Angleterre, Botswana, Palestine, \u00c9tats-Unis, Nigeria) d’\u00e9crire un texte sur une photographie de leur choix. \u00c0 partir de cette mati\u00e8re, MacIntyre a compos\u00e9 douze chansons\u00a0\u00ab\u00a0explorant les th\u00e8mes de l\u2019espoir, de l\u2019identit\u00e9, de la m\u00e9moire et de l\u2019humanit\u00e9\u00a0\u00bb<\/em>. Le premier extrait de cette super-production<\/a> <\/strong>est \u00ab\u00a0Dopamine eyes\u00a0\u00bb, un titre r\u00e9alis\u00e9 en collaboration avec Irvine Welsh, romancier \u00e0 succ\u00e8s \u00e0 qui l’on doit, entre autres, Trainspotting<\/em>.<\/span><\/span><\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb3_5″ _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_video src=\u00a0\u00bbhttps:\/\/youtu.be\/dDHwPmbUyaU?si=ndvcvhaFtmwg5gYy\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

\u00ab Clique Clac \u00bb, c\u2019est chaque jeudi le r\u00e9sum\u00e9 d\u2019une semaine sur la Toile
\n\u00e0 travers quelques liens s\u00e9lectionn\u00e9s par la r\u00e9daction de Chasseur d\u2019Images.<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Le m\u00e9tier d’agent de photographes reste assez myst\u00e9rieux, et m\u00eame si certains sites s’emploient \u00e0 en d\u00e9crire les arcanes, rien ne vaut la parole des int\u00e9ress\u00e9s pour comprendre de quoi il retourne v\u00e9ritablement. Pour son podcast Les Voix de la Photo, Marine Lefort a invit\u00e9 \u00e0 son micro Sabine Troncin-Denis, l’agent de Michael Kenna pour […]<\/p>\n","protected":false},"author":5,"featured_media":54487,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[7],"tags":[],"class_list":["post-54450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vieculturelle","et-has-post-format-content","et_post_format-et-post-format-standard"],"yoast_head":"\nClique Clac 428 : actus photos<\/title>\n<meta name=\"description\" content=\"Clique Clac 427 : l\u2019actualit\u00e9 photo de la semaine du 22 Juin 2026 avec Chasseur d\u2019Images. \u00c9v\u00e9nements marquants et tendances du moment.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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