{"id":54973,"date":"2026-08-26T15:17:07","date_gmt":"2026-08-26T13:17:07","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=54973"},"modified":"2026-09-03T12:30:35","modified_gmt":"2026-09-03T10:30:35","slug":"clique-clac-433","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/08\/26\/clique-clac-433\/","title":{"rendered":"Clique Clac #433"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Comme tous les ans depuis 2024, le \u00ab\u00a013h15\u00a0\u00bb de France 2 nous repasse son reportage sur S\u00e9bastien Bergeron<\/strong><\/a>, photographe ambulant morbihannais qui a fait de l’afghan box son outil privil\u00e9gi\u00e9. On n’a rien contre les recyclages (d’autant que le sujet est plut\u00f4t bien fichu), mais on aime aussi la nouveaut\u00e9. Heureusement, une rapide recherche autour du nom de S\u00e9bastien Bergeron nous envoie vers Box Camera Now<\/strong><\/a>, un site communautaire o\u00f9 l’on trouve une flop\u00e9e de ressources et de liens<\/strong><\/a> pour prolonger le plaisir et d\u00e9couvrir d’autres adeptes de la kamra-e-faoree<\/em> (comme on l’appelle \u00e0 Kaboul) et de la camera minutera<\/em> (comme on l’appelle en Espagne et en Am\u00e9rique latine).<\/span><\/span>
NB : si le concept de la chambre tout-en-un vous s\u00e9duit, mais que vous trouvez l’outil par trop encombrant, l’astucieuse [BOXX]<\/a><\/strong> d’Alfie Cameras pourrait vous plaire. Mis au point par le Britannique Dave Faulkner, cet appareil aux dimensions contenues (139 x 98 x 118 mm) permet la prise de vue et le d\u00e9veloppement en noir et blanc de tirages 6×9 gr\u00e2ce \u00e0 une chambre noire int\u00e9gr\u00e9e. La campagne de financement de l’Alfie [BOXX] a \u00e9t\u00e9 couronn\u00e9e de succ\u00e8s, l’engouement de la Gen Z pour l’argentique<\/a><\/strong> n’y est sans doute pas \u00e9tranger…<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/08\/Rencontres-CLAP-2-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbRencontres CLAP 2″ url=\u00a0\u00bbhttps:\/\/www.rencontres-arles.com\/fr\/mediatheque\/remunerations-comment-repenser-l-equite-au-sein-de-l-ecosysteme-de-la-photographie\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

ARLES, EN L\u00c9GER DIFF\u00c9R\u00c9<\/strong><\/p>\n

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On vous a laiss\u00e9 une semaine pour lire l’\u00e9tude du CLAP sur la r\u00e9mun\u00e9ration des photographes<\/a><\/strong>. Maintenant que vous avez les donn\u00e9es en t\u00eate, regardez cette vid\u00e9o<\/strong><\/a> pour les mettre en perspective. Il s’agit d’une table-ronde enregistr\u00e9e durant la semaine d’ouverture des Rencontres d’Arles.\u00a0Fr\u00e9d\u00e9rique Foun\u00e8s, la pr\u00e9sidente du CLAP (et par ailleurs directrice de l’agence Signatures), y converse avec\u00a0Yaniv Benhamou, avocat et professeur de droit du num\u00e9rique, Orianne Ciantar Olive<\/strong><\/a>,\u00a0photographe et membre du collectif Solar<\/a><\/strong>,\u00a0et Anne-Emmanuelle Kahn, professeure de droit de la propri\u00e9t\u00e9 intellectuelle \u00e0 l\u2019Universit\u00e9 Lumi\u00e8re \u2013 Lyon 2.<\/span><\/span>
Et puisque vous \u00eates sur le site des Rencontres, profitez-en pour butiner parmi les nombreuses conf\u00e9rences<\/a><\/strong> mises en ligne (de l’\u00e9dition \u00e0 l’\u00e9cologie en passant par la collection, il y a l’embarras du choix).<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/08\/Affiche_Visapourlimage_2026-scaled-1-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbAffiche_Visapourlimage_2026-scaled\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/visapourlimage.com\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

VISA, EN QUASI DIRECT<\/strong><\/p>\n

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Le croyez-vous, Raymond Depardon n’avait jamais fait l’objet d’une exposition \u00e0 Visa pour l’Image. L’erreur sera r\u00e9par\u00e9e lors de la 38e \u00e9dition du festival qui s’ouvre samedi 29 ao\u00fbt \u00e0 Perpignan. Simplement titr\u00e9e \u00ab\u00a0Raymond Depardon – Reporter \/ photographe\u00a0\u00bb<\/a><\/strong>, l’exposition pr\u00e9sentera un ensemble in\u00e9dit de 84 photographies s\u00e9lectionn\u00e9es avec son fils Simon, de la vie politique fran\u00e7aise \u00e0 la chute du mur de Berlin en passant par la guerre civile au Liban. Vingt-trois noms se partagent l’affiche du festival, dont l’inattendu Paolo Roversi<\/a><\/strong>. Des projections au Campo Santo, des rencontres avec les photojournalistes au Palais des Congr\u00e8s et des signatures \u00e0 la librairie du festival compl\u00e8tent le programme. \u00c0 noter que des visites virtuelles des expositions seront propos\u00e9es en ligne sur le site de Visa durant le mois de septembre. Pour vous mettre en jambes, vous pouvez aussi lire l’interview<\/strong><\/a> que Jean-Fran\u00e7ois Leroy, fondateur du festival, a donn\u00e9e au d\u00e9but de l’\u00e9t\u00e9 au Point<\/em>. Les th\u00e8mes qui f\u00e2chent (les relations avec la mairie RN, l’\u00e9cueil voyeuriste, l’emprise grandissante de l’IA) y sont abord\u00e9s.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouver ce mot de 7 lettres<\/strong> <\/a>en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bb\u00c0 part \u00e7a…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Qu’est-ce qu’il s’est pass\u00e9 cette semaine<\/a><\/strong> ? Des robots humano\u00efdes ont mis le feu \u00e0 la piste, les champions de Fingerhakeln ont crois\u00e9 le(s doigts de) fer et Samuel Commey Tetteh a rejoint sa derni\u00e8re demeure en cercueil-fus\u00e9e.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n
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La photo d’un match de foot devant des ruines \u00e0 Gaza<\/strong><\/a> a \u00e9t\u00e9 discr\u00e8tement retir\u00e9e de l’exposition \u00ab\u00a0Best of 2025-2026\u00a0\u00bb du Deauville Sport Images Festival. Interrog\u00e9e par Le Pays d’Auge<\/strong><\/em><\/a>, la municipalit\u00e9 deauvillaise confirme que la photo a \u00e9t\u00e9 remplac\u00e9e suite \u00e0 \u00ab\u00a0des demandes\u00a0\u00bb. Le compl\u00e9ment d’explication fourni \u00e0 France 3 Normandie par la mairie est pour le moins alambiqu\u00e9. On vous laisse en juger<\/strong><\/a>.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Pour renouer avec ses origines ukrainiennes, Kateryna Lebreton imprime ses images sur de la toile de lin. Un travail \u00e0 voir en ce moment \u00e0 l’abbaye de l’\u00c9pau<\/strong><\/a>.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Il y a 70 ans, Georges Tairraz photographiait Gaston R\u00e9buffat sur le Pic du Roc. Au printemps dernier,\u00a0Noa Barrau et Jean Rouaux ont reproduit le clich\u00e9<\/strong><\/a>. Avec le souci du d\u00e9tail vestimentaire, mais sans aller jusqu’\u00e0 utiliser des cordes en chanvre.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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La communaut\u00e9 des fans de Jul est du genre obsessionnelle<\/a><\/strong>, mais de l\u00e0 \u00e0 risquer sa vie pour une photo<\/strong><\/a>…<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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En 2021, Hamza Ali a perdu ses jambes dans un accident \u00e0 la route. Cinq ans plus tard,\u00a0pour\u00a0Associated\u00a0Press,\u00a0Anjum Naveed l’a suivi<\/a> <\/strong>dans sa nouvelle vie de livreur.\u00a0<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Parce que les r\u00e9cits d’exploration de l’Arctique sont p\u00e9tris de masculinit\u00e9, Catherine Lembl\u00e9 a choisi de tourner ses objectifs vers celles qui vivent et travaillent dans l’archipel du Svalbard<\/strong><\/a>.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Un satellite Starlink a \u00e9t\u00e9 photographi\u00e9 par Pl\u00e9iades et s’est retrouv\u00e9 sur Google Earth<\/strong><\/a>. Ce photobomb insolite pourrait devenir probl\u00e9matique vu le nombre croissant des satellites Starlink.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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La petite histoire de Pantone en deux minutes chrono<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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D\u00e9but juin, on relayait ici le coup de pub malin d’Icelandair qui cherchait \u00e0 recruter le\/la pire photographe du monde. La Fran\u00e7aise Blanche Mortemard (l’heureuse \u00e9lue) a mis sa fougue et son naturel<\/strong><\/a> au service de la compagnie a\u00e9rienne.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Il y a trente ans, les Grosses T\u00eates de Philippe Bouvard squattaient les soir\u00e9es de TF1 et enfilaient les sketchs \u00ab\u00a0hilarants\u00a0\u00bb, comme cette parodie de paparazzade<\/strong><\/a>, avec St\u00e9phane Bern en reine d’Angleterre et Vincent Perrot en photographe planqu\u00e9. Hilarant, on vous dit.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpixELUS\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/08\/Pixelus-239×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbPixelus\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][et_pb_code _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_orientation=\u00a0\u00bbcenter\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
Question :<\/strong> Saurez-vous trouver qui se cache derri\u00e8re ce c\u00e9l\u00e8bre autoportrait volontairement pixellis\u00e9 ? On vous demande le pr\u00e9nom et le nom de l’artiste.\u00a0<\/pee>