{"id":55457,"date":"2026-09-16T15:55:01","date_gmt":"2026-09-16T13:55:01","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=55457"},"modified":"2026-09-23T11:38:39","modified_gmt":"2026-09-23T09:38:39","slug":"clique-clac-436","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/09\/16\/clique-clac-436\/","title":{"rendered":"Clique Clac #436"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Dans le ch\u00e2teau du Val de Loire o\u00f9 elle a grandi, Madeleine de Sin\u00e9ty n’avait pas le droit de s’approcher des \u00e9curies. Alors elle les observait de loin. L’id\u00e9e fit quand m\u00eame son chemin et, apr\u00e8s des \u00e9tudes \u00e0 l\u2019\u00c9cole des arts d\u00e9coratifs de Paris, elle se tourna vers la photographie, parfait outil, parfait pr\u00e9texte pour documenter la vie des gens au travail. Elle fera ses armes aupr\u00e8s des cheminots, puis des ouvriers des abattoirs, avant de trouver son sujet : Poilley. Dans ce village d’Ille-et-Vilaine d’\u00e0 peine cinq-cents \u00e2mes o\u00f9 elle se rend pour la premi\u00e8re fois en 1972, elle s\u2019attache \u00e0 photographier les rituels agricoles (le travail avec les b\u00eates, les r\u00e9coltes, l’abattage du cochon), puis les f\u00eates de village et bient\u00f4t les mariages, les sorties scolaires, les remises de dipl\u00f4me. Les locaux l’adoptent, si bien qu’elle devient la photographe attitr\u00e9e de Poilley. Disparue en 2011, Madeleine de Sin\u00e9ty est rest\u00e9e dans le coeur des Poill\u00e9nnais et des Poill\u00e9nnaises, comme on le voit dans Le village de Madeleine<\/strong><\/em><\/a>, merveille de documentaire r\u00e9alis\u00e9e par Julie Bertuccelli o\u00f9 la voix de la photographe, par l’entremise de sa correspondance, cohabite avec les t\u00e9moignages des personnes qu’elle a crois\u00e9es. <\/span><\/span>
Si vous \u00eates du c\u00f4t\u00e9 de Paris, h\u00e2tez vous de vous rendre au Jeu de Paume<\/a><\/strong> o\u00f9 une r\u00e9trospective est pr\u00e9sent\u00e9e jusqu’au 24 septembre.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/09\/saint-cyr-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbsaint-cyr\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/journeesdupatrimoine.culture.gouv.fr\/w\/391796\/evenement\/19911991\/event#\/events\/19911991″ url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

LES JEP AU FORT DE SAINT-CYR… ET AILLEURS<\/strong><\/p>\n

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\u00catre journaliste pr\u00e9sente des avantages ind\u00e9niables. Pour France Culture, \u00c9ric Chaverou a eu la chance de visiter les coulisses du fort de Saint-Cyr<\/a><\/strong> (Montigny-le-Bretonneux, Yvelines), place forte de la conservation photographique en France qui abrite, au sein de la M\u00e9diath\u00e8que du patrimoine et de la photographie, 25 \u00e0 30 millions de pi\u00e8ces (n\u00e9gatifs, tirages, diapositives, planches-contacts, autochromes, etc.). Si son reportage titille votre curiosit\u00e9, sachez que des visites comment\u00e9es<\/a> <\/strong>sont organis\u00e9es le week-end prochain dans le cadre des Journ\u00e9es europ\u00e9ennes du Patrimoine (la r\u00e9servation est conseill\u00e9e… la petite laine aussi vu la fra\u00eecheur ambiante). Vous habitez loin de Paris ? Ne pestez pas, d’autres lieux, d’autres \u00e9v\u00e9nements vous attendent un peu partout en France. La photographie est en effet l’un des deux th\u00e8mes<\/strong><\/a> au c\u0153ur des JEP 2026. Utilisez la carte dynamique<\/a><\/strong> pour trouver votre bonheur.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/09\/110901B-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bb110901B\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.digitalcameraworld.com\/photography\/photojournalism\/i-saw-the-tower-was-about-to-collapse-i-took-one-photo-then-someone-shouted-run-in-shock-covered-in-dust-and-bleeding-she-captured-some-of-the-most-memorable-9-11-photos\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

POUR L’HISTOIRE<\/strong><\/p>\n

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Un quart de si\u00e8cle apr\u00e8s les attentats du 11-septembre, les images n’ont rien perdu de leur force, comme le montre ce diaporama de Courrier International<\/em><\/a><\/strong>. Les t\u00e9moignages des photographes pr\u00e9sents sur place ce jour-l\u00e0 non plus. \u00ab\u00a0En tant que journaliste<\/em>, dit par exemple\u00a0Amy Sancetta<\/a><\/strong>, je suis contente d’avoir \u00e9t\u00e9 l\u00e0. En tant qu’\u00eatre humain, j’aurais aim\u00e9 \u00eatre ailleurs.\u00a0\u00bb<\/em>\u00a0Gulnara Samoilova qui, davantage par instinct que par choix, prit une centaine de photos avec son Canon T90, tient le m\u00eame discours<\/a><\/strong> :\u00a0\u00ab\u00a0L’un des policiers me criait dessus : \u00ab\u00a0Comment pouvez-vous photographier cela ?\u00a0\u00bb Et je lui ai dit: \u00abC\u2019est pour l\u2019histoire.\u00bb Et j\u2019ai continu\u00e9 \u00e0 shooter. (…) Mais plus tard, quand j’ai vu mes photos prim\u00e9es les unes \u00e0 c\u00f4t\u00e9 des autres, je ne me souvenais plus les avoir prises.\u00a0\u00bb<\/em><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]Sur le principe de feu Motus, saurez-vous trouve ce mot de 9 lettres<\/strong> <\/a>en lien avec la photographie ?
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Sorti en salles cette semaine,\u00a0<\/span><\/span>La vie en relief<\/strong><\/a> <\/em>ressuscite les photos en 3D de Jacques Henri Lartigue. Et la critique est enthousiaste<\/a><\/strong>.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Visite audio du Studio Frank Horvat<\/strong><\/a>, maison d’artiste que sa fille Fiametta a voulue ouverte \u00e0 d’autres voix de la photographie, comme Val\u00e9rie Belin<\/a><\/strong>, Jennifer Douzenel<\/a><\/strong>\u00a0et bient\u00f4t Sylvie Bonnot.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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En 2018,\u00a0James Akena, photojournaliste pour l\u2019agence Reuters, se faisait molester par les forces de l’ordre<\/strong><\/a> alors qu’il couvrait une manifestation. Une exp\u00e9rience suffisamment traumatisante pour qu’il mette un terme \u00e0 sa carri\u00e8re, comme il le raconte dans ce documentaire<\/strong><\/a> sur les difficult\u00e9s de la presse ougandaise \u00e0 accomplir sa mission d’information.\u00a0<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n
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L’Irak d’aujourd’hui et d’hier s’entrem\u00ealent dans ce bel article de National Geographic<\/em><\/strong><\/a>\u00a0autour d’une conversation entre le photographe\u00a0Abdullah Dhiaa al-Deen et son grand-p\u00e8re Abdulredha,\u00a0\u00e2g\u00e9 de 93 ans.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Excellent retour aux affaires d’Allons-y voir !<\/a><\/strong> avec une \u00e9mission centr\u00e9e sur l’exposition \u00ab\u00a0Ghana ! R\u00eaver l’ind\u00e9pendance\u00a0\u00bb<\/a><\/strong> en compagnie de sa curatrice, Damarice Amao.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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En Australie comme ailleurs, les amateurs de vieilles voitures sont l\u00e9gion, mais la terre ocre de l’Outback ajoute un cachet suppl\u00e9mentaire aux photos de Joe Kennedy<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Vogue<\/em> a lanc\u00e9 une \u00e9dition num\u00e9rique consacr\u00e9e aux animaux de compagnie des c\u00e9l\u00e9brit\u00e9s. Et celle-ci s’appelle… Dogue<\/a><\/strong><\/em>, \u00e9videmment !<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Mathieu Forget, dont vous avez pu d\u00e9couvrir les images en l\u00e9vitation dans CI n\u00b0476<\/strong><\/a>, livre ses go\u00fbts musicaux<\/strong><\/a> \u00e0 Lib\u00e9<\/em>.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Maksym Breus, 17 ans, a remport\u00e9 le concours du\u00a0Norfolk Wildlife Trust gr\u00e2ce \u00e0 une photo de faucon en chasse<\/a><\/strong> que peuvent lui envier ses a\u00een\u00e9s.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Utiliser un dirigeable pour saisir les oiseaux au plus pr\u00e8s, <\/span><\/span>quelle id\u00e9e risqu\u00e9e !<\/a><\/span><\/span><\/strong> Heureusement, Mojo et Bo sont l\u00e0 pour secourir Preston. La prochaine fois, pour mettre toutes les chances de son c\u00f4t\u00e9, on\u00a0 conseille \u00e0 l’apprenti photographe de suivre<\/span><\/span>\u00a0la cha\u00eene YouTube de Daniel Dupont<\/a><\/span><\/span><\/strong>. Il y trouvera plein d’astuces pour r\u00e9ussir ses images d’oiseaux.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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En octobre 1960, les paparazzis ont appris \u00e0 leurs d\u00e9pens qu’il ne fallait pas plaisanter avec Anita Ekberg<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Question :<\/strong> Quelle est l’artiste photographi\u00e9e ici en triple exemplaire ? Pr\u00e9nom et nom, svp.\u00a0<\/pee>