{"id":55682,"date":"2026-09-23T16:37:09","date_gmt":"2026-09-23T14:37:09","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=55682"},"modified":"2026-09-25T09:49:17","modified_gmt":"2026-09-25T07:49:17","slug":"clique-clac-437","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/09\/23\/clique-clac-437\/","title":{"rendered":"Clique Clac #437"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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\u00c0 l’heure du tourisme de masse, tout le monde se rend sur les m\u00eames sites, adoptent les m\u00eames points de vue, produit les m\u00eames photos. Corinne Vionnet s’est v\u00e9ritablement rendu compte de ce panurgisme mondialis\u00e9 en 2005, en se rendant \u00e0 Pise puis en constatant que sur Internet les photos post\u00e9es \u00e9tait toutes prises du m\u00eame endroit. Ce ph\u00e9nom\u00e8ne, qui n’a fait que s’accentuer avec l’arriv\u00e9e d’Instagram, lui donna l’id\u00e9e de <\/span><\/span>\u00ab\u00a0Photo opportunities\u00a0\u00bb<\/a><\/span><\/span><\/strong>, une s\u00e9rie cr\u00e9\u00e9e par assemblage de milliers de photos glan\u00e9es sur le web. En r\u00e9sultent des compositions vibrantes qui flirtent avec l’impressionnisme. Dans \u00ab\u00a0Going nowhere\u00a0\u00bb<\/strong><\/a>, son projet le plus r\u00e9cent, elle utilise le Rolodex, ce carnet d’adresses rotatif tomb\u00e9 en d\u00e9su\u00e9tude avec l’arriv\u00e9e des smartphones, pour traduire le tourbillon d’images qui finit par nous engloutir : \u00ab\u00a0En tournant ce Rolodex, j’esp\u00e8re que le public va ressentir cette boucle sans fin, cet engrenage et se demander comment en sortir.\u00a0\u00bb <\/strong><\/a><\/span><\/span>Pour entendre l’artiste s’exprimer en longueur sur sa d\u00e9marche, on vous conseille l’entretien<\/strong><\/a> qu’elle a donn\u00e9 il y a un an \u00e0 Thibault Brunet et Marceau Truffaut dans le cadre de l’\u00e9mission \u00ab\u00a0Sans-titre\u00a0\u00bb.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/09\/IAN-BERRY-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbIAN BERRY\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.magnumphotos.com\/newsroom\/remembering-ian-berry-1934-2026\/?_gl=1*1yy4ygk*_up*MQ..*_ga*MjA5MjYyNTAyNS4xNzkwMDE4OTQy*_ga_50D0ZG80LT*czE3OTAwMTg5NDEkbzEkZzEkdDE3OTAwMTkwODIkajYwJGwwJGg5Nzk0Njk4Mjk.*_ga_Y4MWFWT6P9*czE3OTAwMTg5NDEkbzEkZzEkdDE3OTAwMTkwODIkajYwJGwwJGgw\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

IAN BERRY, 1934-2026<\/strong><\/p>\n

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Ian Berry nous a quitt\u00e9s \u00e0 l’\u00e2ge de 92 ans<\/strong><\/a>. Il restera comme le seul photojournaliste \u00e0 avoir couvert\u00a0le massacre commis le 21 mars 1960 dans le township sud-africain de Sharpeville<\/a><\/strong>. Lors du proc\u00e8s qui suivit, ce sont ses photos qui prouv\u00e8rent la culpabilit\u00e9 des policiers (blancs). Ces derniers avaient dans un premier temps d\u00e9clar\u00e9 qu’ils avaient tir\u00e9 une rafale parce que les manifestants (noirs) s’\u00e9taient montr\u00e9s agressifs envers eux, l\u00e0 o\u00f9 les photos les montraient tirant dans la foule sans distinction puis rechargeant leurs armes. Trente-quatre ans plus tard (une \u00e9ternit\u00e9), le photographe britannique documentait l’arriv\u00e9e au pouvoir de Nelson Mandela<\/strong><\/a>. Ian Berry fut aussi l’un des rares \u00e0 couvrir, en 1968, le Printemps de Prague<\/strong><\/a>. Dans un registre beaucoup plus l\u00e9ger, signalons enfin ce reportage de commande sur le couple Gainsbourg-Birkkin<\/strong><\/a> en goguette \u00e0 Londres en 1970.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/09\/Dans-les-pages-de-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbDans les pages de\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/lacomete.picto.fr\/dans-les-pages-de-benedicte-blondeau\/\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

BONNES FEUILLES D’AUTOMNE<\/strong><\/p>\n

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La libraire La Com\u00e8te vient de mettre en ligne un nouvel \u00e9pisode de \u201cDans les pages de\u2026\u201d<\/strong><\/a>, module audio et vid\u00e9o dans lequel un auteur ou une autrice pr\u00e9sente son livre. Ici, B\u00e9n\u00e9dicte Blondeau pr\u00e9sente Ondes, projet m\u00ealant l’exp\u00e9rimental au sensible. Avant elle,\u00a0Maxiliano Tineo<\/a><\/strong>,\u00a0Apolline Lamoril<\/strong><\/a> et Lucas Kleinholtz<\/a><\/strong> avaient ouvert la voie. Une initiative \u00e0 saluer en ces temps moroses pour le march\u00e9 du livre<\/a><\/strong> (photo ou non). Et d’autant plus qu’elle met en lumi\u00e8re la photographie d’auteur et des maisons d’\u00e9dition \u00e9trang\u00e8res.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouve ce mot de 10 lettres<\/strong> <\/a>en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bb\u00c0 part \u00e7a…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Vous travaillez dans une biblioth\u00e8que ou dans un \u00e9tablissement public et vous voulez participer aux festivit\u00e9s du Bicentenaire de la photographie ? C’est possible. Le GrandPalaisRmn (R\u00e9union des mus\u00e9es nationaux) et la M\u00e9diath\u00e8que du patrimoine et de la photographie mettent \u00e0 disposition des collectivit\u00e9s des expositions th\u00e9matiques en kit<\/a><\/strong> (moyennant inscription, on vous envoie gratuitement les fichiers HD, il vous reste ensuite \u00e0 les imprimer).<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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S’en \u00e9tonnera-t-on ? Trump aurait banni Associated Press du Bureau oval et d’Air Force One parce que l’agence a refus\u00e9 de lui c\u00e9der les droits<\/a> <\/strong>de la photo prise par\u00a0Evan Vucci lors de l’attentat rat\u00e9 de Butler en 2024.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Autoris\u00e9e dans un premier temps (\u00e0 condition de ne pas utiliser le flash), la photographie est d\u00e9sormais interdite<\/a> <\/strong>dans la salle du British Museum accueillant la tapisserie de Bayeux.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]\n
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Le portfolio de St\u00e9phane Lavou\u00e9 dans le nouveau num\u00e9ro de Chasseur d’Images<\/a><\/strong> vous a donn\u00e9 envie d’en savoir plus sur sa d\u00e9marche ? Rendez-vous le 30 septembre \u00e0 Ploemeur pour une rencontre-signature<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Le petit du cheval se nomme le poulain, mais comment appelle-t-on le petit de l’hippocampe. Il faudra demander \u00e0 Julien Anton, grand vainqueur du Ocean Photographer of the Year<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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En d\u00e9but d’ann\u00e9e, on vous disait tout le bien<\/a><\/strong> qu’on pensait de la s\u00e9rie documentaire\u00a0<\/span><\/span>Origines, un conte de la lumi\u00e8re<\/span><\/span><\/span><\/em>. L’\u00e9mission \u00ab\u00a0Le Dock\u00a0\u00bb a invit\u00e9 le r\u00e9alisateur et le cr\u00e9ateur des effets sp\u00e9ciaux \u00e0 en raconter les coulisses<\/a>\u00a0<\/strong>(si vous trouvez le d\u00e9but longuet, sautez \u00e0 la 54e minute).<\/span><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Envoy\u00e9e comme missionnaire au Congo, Alice Seeley Harris a photographi\u00e9 les atrocit\u00e9s commises par les colons belges<\/a><\/strong>… sans mesurer la port\u00e9e historique de ses images.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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La n\u00e9buleuse du requin n’a jamais aussi bien port\u00e9 son nom que dans l’image r\u00e9alis\u00e9e par Ali Alobaidly depuis le d\u00e9sert du Koweit. Un clich\u00e9 d’exception qui a convaincu le jury de l’Astronomy Photographer of the Year 2026<\/strong><\/a>.
Le 15 septembre dernier, la NASA a, pour sa part, mis \u00e0 l’honneur un alignement c\u00e9leste du plus bel effet<\/strong><\/a>. Ce clich\u00e9, capturant le passage de V\u00e9nus derri\u00e8re la Lune, a \u00e9t\u00e9 r\u00e9alis\u00e9 en plein jour par Arnaud Mariat, photographe bas\u00e9 dans l’Ain qui n’en est pas \u00e0 son coup d’essai<\/a><\/strong>.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Dimitri Beck se souvient de Catherine Ringer<\/strong><\/a> par l’entremise d’une photo prise en 2009 par Renaud Corlou\u00ebr.<\/span><\/span><\/div>\n

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Ian Berry, dont on vous parlait plus haut, a un homonyme sp\u00e9cialis\u00e9 dans la recr\u00e9ation de photos \u00e0 partir de… blue jeans<\/strong><\/a>.\u00a0\u00a0<\/span><\/span><\/div>\n<\/div>\n

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Que faire quand une harde de 400 rennes sauvages se rue dans votre direction ? Serrer les fesses !<\/a><\/strong><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Question :<\/strong> \u00c0 qui doit-on cette photo conserv\u00e9e \u00e0 la Biblioth\u00e8que du Congr\u00e8s ? Le nom suffira.\u00a0<\/pee>