{"id":55788,"date":"2026-09-30T16:09:31","date_gmt":"2026-09-30T14:09:31","guid":{"rendered":"https:\/\/www.chassimages.com\/?p=55788"},"modified":"2026-10-07T10:59:25","modified_gmt":"2026-10-07T08:59:25","slug":"clique-clac-438","status":"publish","type":"post","link":"https:\/\/www.chassimages.com\/index.php\/2026\/09\/30\/clique-clac-438\/","title":{"rendered":"Clique Clac #438"},"content":{"rendered":"[et_pb_section fb_built=\u00a0\u00bb1″ admin_label=\u00a0\u00bbsection\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb18px\u00a0\u00bb text_line_height=\u00a0\u00bb1.9em\u00a0\u00bb custom_padding=\u00a0\u00bb7px|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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En 1999, Isabel Mu\u00f1oz \u00e9tait r\u00e9compens\u00e9e au World Press Photo pour un reportage en noir et blanc sur des moines de Shaolin<\/strong><\/a> pratiquant l\u2019art du wushu. Sous son objectif, les acrobates d\u00e9fiaient la gravit\u00e9. Cette m\u00eame suspension du temps traverse \u201cSomos agua\u201d<\/strong><\/a>, s\u00e9rie con\u00e7ue sur dix ann\u00e9es de plong\u00e9es \u00e0 travers les oc\u00e9ans de la plan\u00e8te, en collaboration avec des apn\u00e9istes et… des chevaux. \u00c9tranges et envo\u00fbtants, ses tableaux se veulent aussi un cri d\u2019alarme. \u201cLa mer nous donne tellement, sans jamais rien demander en retour,<\/em> dit la photographe. Nous donnons le sentiment que ses richesses sont in\u00e9puisables, qu\u2019elle peut s\u2019accommoder de notre manque d\u2019attention, de notre manque de pr\u00e9visions et de nos exc\u00e8s. Que va-t-on laisser \u00e0 nos enfants si nous ne sommes pas capables de prendre soin de ces tr\u00e9sors\u2009?\u201d<\/em> Ce travail est expos\u00e9 \u00e0 la galerie Daltra<\/strong><\/a> (Biarritz) jusqu’au 1er novembre.<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_image src=\u00a0\u00bbhttps:\/\/www.chassimages.com\/mag\/wp-content\/uploads\/2026\/09\/Cours-histoire-300×300.jpg\u00a0\u00bb title_text=\u00a0\u00bbCours histoire\u00a0\u00bb url=\u00a0\u00bbhttps:\/\/www.radiofrance.fr\/franceculture\/podcasts\/serie-photographie-objectif-patrimoine\u00a0\u00bb url_new_window=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00a0\u00bb2_3″ _builder_version=\u00a0\u00bb4.24.2″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.8em\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

DOCUMENTER, COLLECTIONNER, CONSERVER<\/strong><\/p>\n

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La patrimonialisation de la photographie s’est \u00e9crite sur plusieurs d\u00e9cennies et sous de multiples formes. En trois \u00e9missions compl\u00e9mentaires, Le cours de l’histoire (France Culture) raconte comment le statut du m\u00e9dium a progressivement chang\u00e9. D\u00e8s le milieu du XIXe, les institutions ont per\u00e7u l’int\u00e9r\u00eat de ce nouvel outil pour documenter le b\u00e2ti<\/strong><\/a> sur tout le territoire. Pour autant, la partie n’\u00e9tait pas gagn\u00e9e et, comme l’explique \u00c9l\u00e9onore Challine dans le second volet<\/strong><\/a>, il fallut attendre les ann\u00e9es 1960-70 pour que sortent de terre des mus\u00e9es enti\u00e8rement d\u00e9di\u00e9s \u00e0 la photographie. Le troisi\u00e8me \u00e9pisode<\/strong><\/a> boucle la boucle en montrant comment la photographie est \u00e0 son tour devenue un patrimoine que des initiatives publiques ou associatives s’\u00e9vertuent aujourd’hui \u00e0 conserver.\u00a0 \u00a0<\/span><\/span><\/div>\n
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CREEPY SELFIE<\/strong><\/p>\n

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Gonza\u00ef<\/em> s’\u00e9nerve<\/a><\/strong>, \u00e0 raison sans doute, contre cette manie qu’ont certains de poster, \u00e0 l’annonce de la mort d’une c\u00e9l\u00e9brit\u00e9, une photo d’eux en compagnie du d\u00e9funt. Un petit passage de l’article pour vous donner envie de le lire : \u00ab\u00a0L\u2019important n\u2019est plus d\u2019annoncer (en premier, si possible) la mort de Prince ou de Brian Wilson, mais de t\u00e9moigner de notre lien m\u00eame fragile \u00e0 l\u2019artiste en question. Un bout de vid\u00e9o, une photo prise \u00e0 l\u2019arrache sur un quai ou la copie d\u2019un SMS ; tout est permis pour justifier ce syndrome consistant \u00e0 prouver que \u00ab moi aussi, je le connaissais \u00bb.\u00a0Un v\u00e9ritable probl\u00e8me \u00e0 la fois narcissique et osons poser le mot, soci\u00e9tal.\u00a0\u00bb<\/em><\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][et_pb_heading title=\u00a0\u00bbpho\u2022pho\u2022photus\u00a0\u00bb title_last_edited=\u00a0\u00bboff|desktop\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#8300E9″ title_font_size=\u00a0\u00bb27px\u00a0\u00bb title_letter_spacing=\u00a0\u00bb9px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb title__hover_enabled=\u00a0\u00bboff|desktop\u00a0\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

Sur le principe de feu Motus, saurez-vous trouve ce mot de 7 lettres <\/strong><\/a>en lien avec la photographie ?<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_divider _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.25.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_heading title=\u00a0\u00bb\u00c0 part \u00e7a…\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb title_font=\u00a0\u00bbArial||||||||\u00a0\u00bb title_text_align=\u00a0\u00bbcenter\u00a0\u00bb title_text_color=\u00a0\u00bb#12876F\u00a0\u00bb title_letter_spacing=\u00a0\u00bb20px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#E09900″ global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_heading][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_3,1_3,1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3″ _builder_version=\u00a0\u00bb4.27.0″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n

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Loin des feux de l’actualit\u00e9, des \u00eatres humains continuent de mourir<\/a> <\/strong>en tentant de traverser la Manche.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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On ne r\u00e9agit pas toutes et tous de la m\u00eame fa\u00e7on \u00e0 l’injection d’un vaccin. Linda Alterwitz a utilis\u00e9 une cam\u00e9ra thermique pour rendre visibles ces diff\u00e9rences<\/strong><\/a>.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Le jury du Bowness Photography Prize, le mieux dot\u00e9 des prix photo australiens, a d\u00e9sign\u00e9 Tamara Dean<\/a><\/strong> comme laur\u00e9ate de l’\u00e9dition 2026. Son autoportrait aquatique renverse les sens.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Lee Miler surestim\u00e9e<\/a>\u00a0<\/strong>?<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Les ann\u00e9es grunge vues par une de ses principales actrices, Melissa Auf der Maur<\/strong><\/a>, notamment bassiste de Hole et The Smashing Pumpkins.\u00a0<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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De l’original \u00e0 la pochette d’album, il y a parfois du chemin. D\u00e9monstration avec une expo de Linda McCartney<\/strong><\/a> actuellement pr\u00e9sent\u00e9e \u00e0 Los Angeles.\u00a0<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ _module_preset=\u00a0\u00bbdefault\u00a0\u00bb text_font=\u00a0\u00bbArial||||||||\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb background_color=\u00a0\u00bbRGBA(255,255,255,0)\u00a0\u00bb border_color_all=\u00a0\u00bb#12876F\u00a0\u00bb border_width_left=\u00a0\u00bb6px\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\n
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Oasis, Yungblud, Kartel, My Chemical Romance, Fontaines DC… autant de groupes mis \u00e0 l’honneur, directement ou indirectement, par le palmar\u00e8s des Abbey Road Photography Awards 2026<\/strong><\/a>.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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Sami U\u00e7an, Hussein Haddad, Robert Bahou et Caro Mirzoyan ont en commun de vivre au Moyen-Orient et d’avoir mis la gente f\u00e9line<\/a><\/strong> au centre de leurs projets photographiques.<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Le saviez-vous ? Une collaboration entre Contax et Porsche<\/strong><\/a> a donn\u00e9 lieu, en 1974 puis en 1984, \u00e0 la production d’un reflex (Contax RTS) et d’un compact (Contax T).<\/span><\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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L’habit vert et l’\u00e9p\u00e9e vous vont bien ? Pourquoi ne pas postuler \u00e0 l’Acad\u00e9mie des Beaux-arts<\/strong><\/a> ?<\/span><\/span><\/div>\n<\/div>\n<\/div>\n

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On finit avec <\/span><\/span>un petit quiz<\/a><\/span><\/span><\/strong> des familles sur l’histoire de la photo.\u00a0<\/span><\/span><\/div>\n<\/div>\n

<\/a><\/strong><\/span><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Question :<\/strong> \u00c0 qui doit-on cette photo r\u00e9alis\u00e9e en 1992 \u00e0 Anvers ? Pr\u00e9nom et nom svp.\u00a0<\/pee>