C'est en anglais mais on peut se contenter de regarder les images:
https://www.dpreview.com/photography/6255941916/feature-diving-deep-with-a-ilford-hp5-and-a-nikonos-5-at-nasa-s-neutral-buoyancy-laboratory?slide=5 (https://www.dpreview.com/photography/6255941916/feature-diving-deep-with-a-ilford-hp5-and-a-nikonos-5-at-nasa-s-neutral-buoyancy-laboratory?slide=5)
C'est superbe ! Merci pour le partage 😀
excellent est ce récent?
Le premier commentaire vaut à lui seul son pesant de cacahuètes:
"This, being a science-based proceedure requiring detail and accuaracy, should have been as it was-but there is no colour, so the "atmosphere is really only the grain interference pattern meeting the changes in lighting.
I'd be there with a digital camera with a nice wide zoom, like a 14-24mm f2.8 Nikkor, and afterward I'd get the white balance perfect, and you'd have more tone, more colour (!) more EVIDENCE, and a better sense of time and place. Earthrise was a COLOUR picture- hence its reality and thus its POWER. Truth IS Power.
Monochrome drains the life out of everything- Monochrome, now an anachronism has zero integrity as a medium (discuss). And I was a good collectable monochrome film photographer when newspapers- and hence photojournalists used monochrome. Seeing McCullin on TV using black and white in an Medium Format film camera, I almost wept at the pity of it- at Glynborough too"